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| ACTORS: | Winsor Mccay |
| CATEGORY: | DVD |
| MANUFACTURER: | E-Realbiz.Com |
| MPAA RATING: | NR (Not Rated) |
| FEATURES: | Color, Black & White, Animated |
| TYPE: | Classics (Silents/Avant Garde) |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 017078981728 |
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Customer Reviews of Winsor McCay: Animation Legend
LITTLE NEMO AND COMPANY I remember reading LITTLE NEMO IN SLUMBERLAND from a big book of early turn of the century comics. I was fascinated by the sheer amount of detail that the strip had... its vision... and its sense of wonder.
With 'Animation Legend', I now know a great deal more about McCay. The animation given the period is truly inspiring. Thankfully, most of the transfers, where possible, have utilized 35mm prints. Unfortunately, some of these have been lost to the ravages of time, and in their places we have been given 16mm prints... and I guess I would rather watch these than have nothing at all.
There are ten shorts included in this DVD, and fragments of one of them in a 35mm version (you can see the difference easily). They are in chronological order, so you can feel the way that his animation evolved. One short, 'Centaurs', only exists in fragments... which is sad, because it looks very beautiful. McCay even tackles newsworthy pieces, such as 'The Sinking of the Lusitania'. Very powerful stuff, indeed.
Anyone who is interested in the pioneers of early cinema, and especially animation, will enjoy this DVD.
Every frame is a keyframe...
It's unbeliveable that one man sat down with ink and pens and cranked out these animations page by page. This was long before cartoons were put on the assembly line by Hannah-Barbera and Warner Brothers. No wonder there are only a handful of Winsor McCay animations.
McCay made his fortune from newspaper comics. Little Nemo (which took up an entire page in color) and Dream of the Rarebit Fiend were very successful. It's possible that due to this success he was able to branch out into animation. He was by no means the first to dabble in animation, but he defintely was a pioneer in the popularization of the medium. Donald Crafton's "Before Mickey" is a great place to get some inside info on McCay and his place in animation history.
McCay seems to have been obsessed with metamorphosis of shapes, particularly of people. His newspaper comics use metamorphosis (i.e, a tailor is trying to fit a man for a suit, but he keeps changing shape telling the tailor to "hurry now! I haven't all day!") but with animation McCay is able to visually depict amorphous shapes. The "Little Nemo" cartoon on the DVD is packed with characters whose heads expand and contract, then their feet, then their bodies, etc. Drawings were almost limiting for McCay, so animation was a natural progression.
One interesting way McCay popularized animation was through a live-action/animation mix, which usually utilized a bet. "Gertie the Dinosaur" is based on a bet McCay (himself starring in the movie) makes with friends that he can make a dinosaur come to life with pen and paper. His freinds have a good guffaw and take the sucker on his bet. Then we visit McCay in his studio surrounded by towering stacks of paper. Someone always enters the room and knocks the stacks over. Lastly, the bet is won after McCay shows his animation and his freinds gaze in wonder and pay their bet. This combination of live-action with a real-life situation animation gave viewers a personal demystified connection with animation that full animation probably did not give in the 1910s.
Other fascinating pieces on the DVD include "The Sinking of the Lusitania", a war propaganda movie that McCay evidently felt very strongly about.
"The Pet" and "The Flying House" are incredible animation by any standards, and are as entertaining without sound or color as any modern cartoon.
No, the kids will not be enthralled with this DVD. Nonetheless, it's important to remember that cartoons were not always a medium aimed at children. Entertainment was once aimed more at adults, and cartoons were no exception. The animation on this DVD was made for and by adults (they may seem more for kids because comedy dates badly). Go ahead and enjoy it as an adult.
animation history 101
Though there are certainly moments of charm and wonder, and some of the drawing is representative of the man's considerable abilities, these early efforts don't hold up as the jaw dropping entertainment that Gertie the Dinosaur had provided back in 1913. (A much better representation of McCay's genius is found in any decent collection of his Little Nemo in Slumberland or Rarebit Rabbit newspaper cartoons.) But this stuff is invaluable in its historical role of propogating all the film animation that followed. If you fancy yourself a student, then the viewing is beyond satisfactory, but don't try to quiet the kids with this stuff.