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Customer Reviews of We've Come for You All

Their best record. Period.
This album proves that the band can still rock just as hard as they did in the Belladona era. I was sold as soon as "What Doesn't Die" came one with its heavy double bass and fast riffs. The following track, Superhero is nice and heavy too. In fact, the only track on this album I don't particularly care for is "Safe Home," which is a more radio friendly hit with almost a pop feel to it, but whatever they gotta do to get on the radio I guess.
But other then that track, this album shreds. The 2 tracks with Dimebag are particularly good, his trademark guitar playing in unmistakable. I thought it was awesome that Roger Daltry would guest star on this album, even though you can hardly distinguish his singing on "Taking the Music Back." Still cool.
Overall, I like this one better then Volume 8, which I spent a lot of time looking for and is one of my favorite CDs, so that says a lot. If you want a good idea of how cool this CD is, just listen to the first couple tracks and the last couple, the title track is especially good. It's worth your money folks, so get out there and buy it.

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They're back and (almost) as good as ever
It's pretty easy to forget about Anthrax (as it seems most people have), but for those still willing to listen the guys are putting out some of the best music of their career. Despite a few lineup changes and some tweaking of their sound, Anthrax's flair and musicianship have obviously made it into the new century intact. "We've Come For You All," their latest release, isn't quite a classic on the level of "Among The Living" or "Persistence Of Time." What it IS is a smart, eclectic album that should have no trouble appealing to both old-school fans and relative newbies like myself. There are a few nods to the band's British-metal-meets-New-York-hardcore days of the '80's here: "What Doesn't Die" and "Nobody Knows Anything" thrash as hard and fast as anything Anxthrax have ever done, driven by Scott Ian's infectious riffs and Charlie Benante's manical drumming. However, Anthrax also manage to include some diverse and "modern" touches without ever sounding trendy or commercial. Dark, groove-oriented tracks like "Superhero" and "Refuse To Be Denied" slow things down a bit for more of a grungy feel, but they still rock hard enough to have you banging your head like a moron. Anthrax work in a semi-ballad as well in the form of "Safe Home," but the crunchy metal riffing and the unmistakable conviction in Bush's voice elevates the song way ahead of the sentimental tripe crowding the radio airwaves these days. And in perhaps the coolest move of all, the uber-heavy "Black Dahlia" even works some grindcore-esque blastbeat drumming into the mix. Brilliant stuff, I say. This album isn't quite perfect, but every track is at the very least listenable. I, for one, will still take Anthrax over the vast majority of what's out there.

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Truly embarassing! Where's the THRASH/MOSH???
I really wonder if most of the people who have reviewed this album were ever truly fans of Anthrax when Anthrax was actually a GREAT band!!?? This is NOT the same Anthrax who recorded such legendary and classic albums such as "Spreading the Disease" and "Among the Living". This is an Anthrax that has totally forgotten how to THRASH! What's with Scott Ian still trying to play 90's grunge rock riffs? What happened to the devastating MOSH riffs from the 80's Scott? Are you embarassed to play like that now? I really can't understand how anybody who was a fan of Anthrax can say this new material is good. Note to Anthrax: get Joey back in the band before he turns 80 years old, get Scott to start MOSHING again, and bring back Dan Spitz(if anybody can find him?). Until then, the real Anthrax is gone forever.