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She's blessed with Rolando Villazón as Alfredo. He brings fiery passion to the role of the impetuous lover, convincing in his anger at what he thinks is her betrayal, and in his regrets in their last-act deathbed reconciliation. His singing is on par with his acting, the voice ringing in climaxes, scaled down to sweet lyricism in the love scenes, husky, almost baritone-like in the more overtly dramatic scenes. As his father, Giorgio Germont, the veteran baritone Renato Bruson tends to mistake stiffness for authority and he's on the dry side vocally, lacking the colors that can make Germont's four-square arias interesting. The smaller parts are capably done and conductor James Conlon leads a thrilling, performance, shaping phrases idiomatically.
Stage director Marta Domingo's direction is firmly traditional, with sets and costumes by Giovanni Agostinucci that reflect the period. The first-act party scene in which we are introduced to the characters is imaginatively moved to the terrace of Violetta's house where the greenery, tables, and openness lend a fresh perspective to an opera that grows increasingly darker. By contrast, Flora's party, where Alfredo denounces the hapless Violetta, is draped in the red of demi-monde Paris. The big stage, so useful in the rest of the opera, tends to be too big for the intimate last act. Surely Violetta, down to her last 10 sous, should be in a more humble abode. The opening of this act also finds the only trace of directorial heavy-handedness. We all know the consumptive Violetta dies at the end, but Domingo places Fleming on a bier-like bed during the prelude and introduces a black-clad figure of Death who swoops into the scene. Fortunately, the rest of the act is free of such meaningless indulgences. Bryan Large's video direction is excellent too, always focused where it should be and without the excessive tight close-ups that distract from the singers by showing their tonsils. --Dan Davis
| CATEGORY: | DVD |
| DIRECTOR: | Marta Domingo |
| THEATRICAL RELEASE DATE: | 2006 |
| MANUFACTURER: | Decca |
| MPAA RATING: | NR (Not Rated) |
| FEATURES: | Digital Sound, DTS Surround Sound, NTSC, Subtitled, Widescreen |
| TYPE: | Classical, Classical Composers, Color, Dying Young, Italian, Italian Romantic Opera, Music, Music Video, Music Video - Latin, Opera, Opera / Operetta / Oratorio, Performance, Star-Crossed Lovers, Theater, UK |
| MEDIA: | DVD |
| MPN: | 001010009 |
| # OF MEDIA: | 1 |
| UPC: | 044007432150 |
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Customer Reviews of Verdi - La Traviata
La Traviata - DVD - Renee Fleming, etc. La Traviata - DVD <
>This is a wonderful rendition of Verdi's great opera. Renee Fleming is at her best as is Rolando Villazon. The weak link is Renato Bruson, who was a great baritone some time ago. The production looks great. Buy the DVD either for yourself or for another opera lover.
Opera lovers delight
Do not hesitate. Buy this dvd. In about five minutes you forget you are watching the performance from your family room or den. You have been transported to a wonderful opera house in New York City or Milano. When it is over you want to applaud!
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>Trust me!
The best production of "La Traviata" yet.
[[ASIN:B000W7Y6BA Verdi - La Traviata]]
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>I always tell my friends if they have never seen an opera, "La Traviata" is the best opera to start with. I personally went to see this production of "La Traviata" at LA Opera and I was very impressed with. The direction of Marta Domingo is very impressive and memorable. Renee Fleming's superb dramatic soprano voice is perfect for playing Violetta. For me she is the queen of the opera today. She was not only singing, but also acting as well. Rolando Villazon has portrayed one of the best Alfredo's. His voice and charisma reminds me of Domingo's. The love between Alfredo and Violetta is so true on a stage that you will easily get involved with the story line. Before when the lead singers were overweight it was very hard to convince us that they were in love. In the real story of La Traviata the main characters supposed to be in their early 20's and that really shows in this wonderful production. I was also mesmerized to see how the chorus sang in the background. The great direction of Mrs. Domingo gives the chorus a new look and life of its own. Back in the days when the lead was singing the entire chorus would look at the singer. In this production the chorus would do different things and they are all individuals. In a moment you will think you are watching a movie instead of a life opera. You will fall in love with these beautiful characters in this one of the greatest operas ever written.