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| CATEGORY: | DVD |
| DIRECTOR: | Nick Cassavetes |
| THEATRICAL RELEASE DATE: | 14 February, 1997 |
| MANUFACTURER: | Buena Vista Home Vid |
| MPAA RATING: | R (Restricted) |
| FEATURES: | Color, Closed-captioned |
| TYPE: | Feature Film-comedy |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 786936190977 |
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Customer Reviews of Unhook the Stars
I don't understand..... I absolutely love this movie. Gena Rowlands really is at her BEST in this one. I just could not understand how they classified it as a comedy. I viewed it with a serious point of view.
Lovely Character Study
The "mature" years are so often neglected in film, unless it's as the butt of a joke. Not here, however. The incomporable Gena Rowlands plays a character whose intelligence and self-possession seem an extension of Rowlands herself, making it a very good fit. Seeing a woman who has raised her children and is now searching for what to become is a refreshing storyline. Tomei adds marvelous support as the "white trash" neighbor, and I really appreciated how the director never gave us easy answers for these characters. Tomei never turns into a lady, and Rowlands never quite figures out where she is going: she merely decides to take the journey. The character of Tomei's son adds a touching poignancy to the story, highlighting Rowland's search for identity at this late stage in her life. This film doesn't jump up and tell you what it's about; it quietly presents Rowland's life and lets you figure it out--perhaps this requires a little more thinking than some viewers would like. Unlike other films that on first viewing seem obtuse, all the answers are there in "Unhook the Stars" if the viewer takes time to look for them. Every performance is subtly nuanced and adds to the theme (a good example is the luncheon scene with the adult son and his wife. Watch the subtle interplay between those two and you will know all you need to know abou their relationship-and why Rowlands chooses not to live with them.) This is a terrific film that can be enjoyed by thinking adults, and might particularly speak to men or women who have reached retirement age and are beginning to reevaluate their identity.
DISAPPOINTING
I am a great fan of Marisa Tomei so I purchased this film based on the fact that she was in it. Also Gerard Depardieu was in it and i am a big fan of his too. However, I was wrong and paid for wasting my money on this [movie]
Depardieu's character was never allowed to be developed. I am convinced that he gave his usual stellar performance, but there was just not enough screen time to give dimension or depth to the character. One could wonder what was the purpose of having him in the film. His character was supposed to be one of many catalysts in the life of the character that Kelly Rowlands played. The contrast of these two was never fully realized.
I am not acquainted with Ms. Rowlands' work, but she seemed competent in this role. The film was, I suppose, too much like a slice of someone's life. Boring, and with no impetus toward an end. There was no continuity in the film. It merely meandered like a sluggish stream.
Ms. Tomei was acting? Perhaps not. She did not invoke my sympathy, or even my interest. She was supposed to have brought about a change in the lead character, or the lead was supposed to have brought about a change in her character. Neither was apparent.
I found it very difficult to remain watching this movie. I kept longing for the end, or else for something to be of value so that I would not have wasted my time or my money. The woman (Rowlands) is leaving her best friend (the little JJ who gave the best performance in my opinion) for what? -for Miami, that Depardieu's character briefly mentioned without developing the idea? Is the point that she's being a martyr? That was never developed. The whole movie was never developed! It was vague and disjointed, with no feeling of closure or of even wondering what would become of the heroine. Who cares!
stay away from the movie