Under the Sand DVD

Cheap Under the Sand (DVD) (Charlotte Rampling, Bruno Cremer) (François Ozon) Price

Under the Sand

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François Ozon's Under the Sand revolves around a tender, frightening contrast not easily forgotten: the dead live on only as long as we remember them. Marie (a luminous Charlotte Rampling) and Jean (Bruno Cremer), a middle-aged couple, are on vacation. As they ready the beach house almost wordlessly, a long-standing, intense love is immediately understood. While Marie naps on the shore, Jean goes off for a swim from which he never returns. Six months later, back in her empty Paris apartment, Marie goes about her life as if Jean is still there with her, reading in bed, massaging her feet, sitting at the breakfast table. At dinner parties and lunch dates, her close friends are visibly appalled her behavior. It becomes clear that Marie's place in society is increasingly precarious with a ghost at her side: her husband's bank accounts remain frozen because no body has been identified, her lectures at the university end abruptly in silence, her untimely laughter frightens a new lover. Ozon does not manipulate the viewer with surprise endings or try to charm with gags. Instead, we are intimately drawn into Marie's refusal to let go and her awful panic as Jean begins to fade. --Fionn Meade
ACTORS: Charlotte Rampling, Bruno Cremer
CATEGORY: DVD
DIRECTOR: François Ozon
THEATRICAL RELEASE DATE: 04 May, 2001
MANUFACTURER: Fox Lorber
MPAA RATING: Unrated
FEATURES: Color, Widescreen
TYPE: Feature Film-drama
MEDIA: DVD
# OF MEDIA: 1
UPC: 720917530628

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Customer Reviews of Under the Sand

The Best Film of 2001
Under the Sand may be the most astoundingly beautiful film all year, not to mention one of the most heartbreaking portraits of grief on the screen since The Sweet Hereafter. It's sober, solemn, and somehow liberating--I feel more human now that it's over, and seeing it has become a pleasurable thing to look back on.

The film, about a woman in her fifties (Charlotte Rampling) whose husband disappears on the beach and is never seen again, is a fascinating examination of loss and a profoundly moving film about love. It is fiercely unsentimental, almost bitterly angry at times, in the way that we curse those we love who have left us without warning. The brilliant final shots, which do absolutely nothing to explain what really happened to the husband, or what will happen to the wife, make exactly the right ending.

Rampling is the most perfect thing about the film--never before has her total prescence been so apparent on the screen, and the effect is astonishing. Time has only worked to ripen her unusual, angular radiance; she's luminous and sensual in every act we watch her perform. The film's images, each so clean and smooth, unable to contain their own natural brilliance, are sheer poetry: fingers, clutching sand; the way that light and water can distort the human figure; the buttering of a piece of toast; finally, the canvas of the human body and the beauty of its conjunction with another in an act of love.

Under the Sand is a reminder of what love and loss really are--you can see them in nearly every shot of Charlotte Rampling's unforgettable, candid face.


Smart, Poignant View of Grieving
Charlotte Rampling gives a fantastic performance in this slow, but elegantly portrayed film of a woman's grief over the disappearance of her husband on a holiday to the seaside. Her manner of self assured optimism in the face the loss of her husband is deeply moving in its strident motives of self-deception. The long shots of Rampling contemplating the empty space of her apartment and the unexpected appearance of her husband leave the viewer gripped in anticipation of whether or not her fabricated reality will continue or shatter around her feet. Most fitfully, her character is a lecturer on fiction and is discussing with her students Virginia Woolf's 'The Waves.' This is an interesting reference to Woolf's great experimental novel dealing with ageing, loss and the timorous bonds between individuals. Rampling's character inhabits the struggle with dealing with these elements in life and embodies a contradiction in their acceptance that cannot be reconciled. What this film captures so elegantly are the physical touches and familiar routines of a long-term love. The habit of her love for her husband is represented in her movements and the interaction she has with her husband's "ghost" or "shadow." The end, purposely and rightfully, does not give away whether or not her denial over her husband's death will be accepted or eternally refused. This is a haunting, delicately beautiful film.


Truly amazing...
Superb acting. Charlotte Rampling is amazing as always. Very realistic portraying of people unable to accept reality of the loss... Emotional and realistic, this movie will make you think about it for days after.

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