Cheap Tchaikovsky: Piano Trio in Am Op50; Arensky: Trio No1 (Music) (Pyotr Il'yich Tchaikovsky, Anton Stepanovich Arensky, Yefim Bronfman, Gary Hoffman, Cho-Liang Lin) Price
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| ARTIST: | Pyotr Il'yich Tchaikovsky, Anton Stepanovich Arensky, Yefim Bronfman, Gary Hoffman, Cho-Liang Lin |
| CATEGORY: | Music |
| MANUFACTURER: | Sony |
| MEDIA: | Audio CD |
| TRACKS: | l. Pezzo Elegiaco: Moderato Assai - Allegro Giusto, l. Pezzo Elegiaco: Adagio Con Duolo E Ben Sostenuto - Allegro Giusto, ll. Tema Con Variazioni: Tema. Andante Con Moto, ll. Tema Con Variazioni: Var. 1, ll. Tema Con Variazioni: Var. 2. Piu Mosso, ll. Tema Con Variazioni: Var. 3. Allegro Moderato, ll. Tema Con Variazioni: Var. 4. L'istesso Tempo, ll. Tema Con Variazioni: Var. 5. L'istesso Tempo, ll. Tema Con Variazioni: Var. 6. Tempo Di Valse, ll. Tema Con Variazioni: Var. 7. Allegro Moderato, ll. Tema Con Variazioni: Var. 8. Fuga. Allegro Moderato, ll. Tema Con Variazioni: Var. 9. Andante Flebile Ma Non Tanto, ll. Tema Con Variazioni: Var. 10. Tempo Di Mazurka, ll. Tema Con Variazioni: Var. 11. Moderato, Variazione Finale E Coda: Allegro Risoluto E Con Fuoco, Variazione Finale E Coda: Andante Con Moto - Lugubre, l. Allegro Moderato - Arensky, ll. Scherzo. Allegro Molto - Meno Mosso - Arensky, lll. Elegia. Adagio - Arensky, lV. Finale. Allegro Non Troppo - Arensky |
| UPC: | 074645326924 |
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Customer Reviews of Tchaikovsky: Piano Trio in Am Op50; Arensky: Trio No1
Powerful, highly recommended There are several passable recordings of these trios, but I can finally say this is the one I wish to keep. The passion runs deep and the flaws are hard to find in this recording. (Note: I am heavily influenced by the rendition of the Tchaikovsky, less by the Arensky). Every other recording I have encountered left me wishing for more, and I listened to this one expecting to be disappointed, just I as had been with all others. I was instead left feeling quite satisfied. Some specific points: in the Tchaikovsky, the 3rd variation of the second movement, with perhaps the most exposed piano passages of the piece, Bronfman plays it with such brilliant precision that one is scarcely aware of how treacherous those passages are. Furthermore, the ensemble playing is precise every single step of the way, it never ever gets in the way of the intepretation (which is my gripe with almost every other recording). Also, in the re-statement of the main theme in the last variation, the performers choose to drive the tempo forcefully and passionately, instead of slowing it to a weepy mess as others choose to do. The result is a very satisfying ending. Bravo.