Cheap Tiana Lemnitz: Sopran (Music) (Wolfgang Amadeus Mozart, Carl Maria von Weber, Pyotr Il'yich Tchaikovsky, Giuseppe Verdi, Richard Wagner, Richard Strauss, Tiana Lemnitz, Karl Schmitt-Walter, Franz Volker, Gerhard Husch) Price
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| ARTIST: | Wolfgang Amadeus Mozart, Carl Maria von Weber, Pyotr Il'yich Tchaikovsky, Giuseppe Verdi, Richard Wagner, Richard Strauss, Tiana Lemnitz, Karl Schmitt-Walter, Franz Volker, Gerhard Husch |
| CATEGORY: | Music |
| MANUFACTURER: | Berlin Classics |
| FEATURES: | Import |
| MEDIA: | Audio CD |
| TRACKS: | Le Nozze Di Figaro: Act II, No.11 (Countess). Cavatina: Heil'ge Quelle reiner Triebe - Rundfunk-Sinfonieorchester Berlin/Arthur Rother, Le Nozze Di Figaro: Act III, No.19 (Countess). Recitative And Aria: Und Susanna Kommt Nicht-Nur... - Rundfunk-Sinfonieorchester Berlin/Arthur Rother, The Mafic Flute: Act I, No.7 (Pamina-Papageno). Duet: Bei Mannern, Welche Liebe Fuhlen - Karl Schmitt-Walter, Der Freischutz: Act III, No.12 (Agatha). Cavatina: Und Ob Die Wolke Sie Verhulle - Grosses Rundfunkorchester Berlin/Arthur Rother, Eugene Onegin: Letter Scene: Act I, Scene 2 (Tatyana): Und War's Mein Untergang - Rundfunk-Sinfonieorchester Berlin/Arthur Rother, Il Trovatore: Act IV, No.13 (Leonora-Count Of Luna). Scene And Duet: Vernahmt Ihr?-Sieh Meiner... - Rundfunkorchester Berlin/Arthur Rother, Lohengrin: In The Natural Chamber: Act II, Scene 2 (Elsa-Lohengrin): Das Susse Lied Verhallt... - Franz Volker, Arabella: Act III (Arabella-Mandryka). Final And Duet: Das War Sehr Gut, Mandryka - Gerhard Husch, Der Rosenkavalier: Act II (Octavian-Sophie). Duet: Mir Ist Die Ehre Widerfahren - Grosses Rundfunkorchester Berlin/Arthur Rother |
| UPC: | 782124901424 |
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Customer Reviews of Tiana Lemnitz: Sopran
Tiana Lemnitz Devotees of great singing, and of German sopranos in particular, should not overlook Tiana Lemnitz (1897-1994), one of the finest singers of her time. Those wanting to sample and hear what all the fuss was about are best advised to listen to recordings she made earlier in her career than those found on this CD, which date from 1942-1953. The creamy tone, the firm breath control, and the unique vocal timbre are still evident, but the voice tends to spread uncomfortably at times. Her earlier versions of most of the tracks found here are the ones to go for. Those who want to have everything she recorded will not necessarily be disappointed with this CD, however. I enjoyed the Letter Scene from "Eugene Onegin" and several of the duets, although she and Franz Volker are surely too loud for the bridal couple in "Lohengrin". The sound quality of these recordings, many made in war-torn Germany in the 1940s, is astonishingly good.