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Cheap The Yards [Region 2] (DVD) (James Gray) Price
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He's also welcomed by his friend Willie (Joaquin Phoenix), who does most of Uncle Frank's dirty work and brings the needy Leo into his lucrative fold. Things go from bad to worse, and Leo's suspected in the killing of a railway official and the beating of a city patrolman. On the run, he uncovers the political machinations that keep Uncle Frank in power, and The Yards unfolds as a compelling tale of family, twisted loyalties, and the quest for truth. There's stellar work from everyone involved, but if The Yards has one major flaw, it's that Gray directs with a solemnity that's almost off-putting, as if a moment of levity would violate his story's integrity. Visually The Yards invites comparison to The Godfather, and it boasts much of that film's moral complexity and depth of character, but it's too self-consciously heavy, and that compromises its overall impact. Still, this is good work from a talented director whose future films will be watched with interest. --Jeff Shannon
| CATEGORY: | DVD |
| DIRECTOR: | James Gray |
| THEATRICAL RELEASE DATE: | 2000 |
| MANUFACTURER: | Cinema Club |
| MPAA RATING: | R (Restricted) |
| FEATURES: | PAL |
| MEDIA: | DVD |
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Customer Reviews of The Yards [Region 2]
A burning hot flame potentially turns into bitter cold ice THE YARDS (2000) will interest fans of Joaquin Phoenix and Charlize <
>Theron's physical charisma, as to James Caan's world class acting and <
>credibility in bringing to life a theme that is rarely touched upon <
>in the theaters. On the other hand, for some, Walhberg's acting is <
>perhaps an acquired taste, much like watching paint dry. <
> <
>One strength is the lesson it tells, of the consequences of one's <
>actions, or that of a small group of people holding key positions, on <
>everyone in society, their family, friends close and distant, when <
>there is misbehavior. <
> <
>According to this movie, there are cases when big-ticket sales <
>players (not just small time salesmen) get an edge, through unethical <
>means, through payoffs, not so legal actions, and human coercion <
>against competitors in bidding for contracts in the tens of USD <
>millions. <
> <
>It realistically tells of methods that are perfectly legitimate in <
>gaining the favor, influence and friendship of people by knowing what <
>their soft spots are, and indulging those through gifts. The trick, <
>of course, is to know when a gift stops being one, and turns into a <
>payoff. <
> <
>This DVD will also appeal to those enjoying a wide-screen release, <
>with a very high quality cinematography, sharp images, and <
>irreproachable technique. The soundtrack is made up of tastefully <
>selected numbers, that don't distract from the story. <
> <
>What will stick with the public, are the highs and lows, that the <
>protagonists in this picture go through. <
> <
>The less credible part, is the suggestion that the character played <
>by Walhberg, presented as somewhat of a broken down engine of sorts <
>in society, becomes holier than the Pope after 90 mins, turning <
>against everyone whom he knew and trusted, merely from the latter's <
>decision to cut their losses from the repeated, ever more serious <
>comedy of errors made by Walhberg's character. <
> <
>The strong point of this movie, is its tragic aspects, and by not <
>having a predictable ending, incorporating many realistic elements, <
>such as sickness, health, death, fear, greed, broken relationships, <
>loathing, solidarity, coercion, hate, love, confusion, joy. Most will <
>identify how some people are able to control their destinies to a <
>lesser or stronger degree, depending on their skill and experience, <
>and luck. <
> <
>A lasting demonstration, is how quickly a burning hot flame, <
>potentially turns into bitter cold ice, in terms of one's humanity, <
>personal relationships, one's professional outlook, and how everyone <
>in society is dependent and influenced by other people comprising it. <
>THE YARDS also underlines how one tragedy is always accompanied by <
>another. <
> <
>Some viewers may have preferred a less abrupt ending, which almost is <
>presented as an afterthought, after the story had built to a climax.
Uninspired crime drama
After watching the movie and reading the reviews, I felt compelled to say something. The plot synopsis gives an adequate idea of what the movie is about, but not how it is told-which is dull.
Interesting plot!
Three dramatic vertices converge in this smart script: The painful stunt's death and the sad memories left behind in a famous director characterized precisely by his dangerous EFX; a murder who has been hired to kill him; and the last act of love redemption when the things are out of control and you have no time to put the things in its real context.
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>Interesting thriller that shines by the presence of James Caan as the fallen in disgrace director and Mathew Broderick as the mercenary. Some problems with the poor photography diminish the sum of the final result.
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