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With phallic symbols and soothing music at every turn, Summerisle is a pleasant haven for those who perform the pagan rituals of Lord Summerisle's maverick ancestors. These earthy ceremonies are presented with alluring authenticity, and the island's tempting eroticism is fully expressed by the landlord's daughter (Britt Ekland), who fills Howie with barely suppressed carnal desire. (Sirens took a comedic approach to a similar situation in 1994.) And yet the mystery of the missing girl remains, with clues that hint at a darker reality beneath the colorful local customs. When that reality is ultimately discovered, Howie becomes the crucial element in the islanders' most elaborate ritual, which is where the film's title comes into play. It may not be horror, but it is horrific, and this makes The Wicker Man an unforgettable film. --Jeff Shannon
| ACTORS: | Edward Woodward, Christopher Lee |
| CATEGORY: | DVD |
| DIRECTOR: | Robin Hardy |
| THEATRICAL RELEASE DATE: | 01 January, 1974 |
| MANUFACTURER: | Anchor Bay Entertainment |
| MPAA RATING: | R (Restricted) |
| FEATURES: | Color, Closed-captioned, Widescreen, Dolby |
| TYPE: | Horror |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 013131142297 |
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Customer Reviews of The Wicker Man
Compelling and Chilling "The Wicker Man" was always a bit of a disappointment to me because long before I got a chance to watch the movie, I accidentally learned how it ended. Therefore, the final devastating moments of this Christopher Lee/Edward Woodward horror-drama lacked the punch it probably has for most viewers who go into "The Wicker Man" totally unaware. Try to avoid learning a lot about this movie before you watch it because I assure you that you will be much happier with the results. Imagine a film about paganism and the philosophical implications of a modern day Christian encountering such a primitive religion, with all of its attendant rituals and colorful ceremonies, alive and well on a Scottish isle and you have the basic premise of this haunting movie. "The Wicker Man" is considered by many to be one of the greatest cult horror films ever made, and while I don't think this claim is necessarily true, I still found much to like here.
Police Sergeant Neil Howie arrives on a small island off the coast of Scotland on a mission to follow up an anonymous tip he received about a missing girl. We learn right from the start that the police sergeant is a devout, no nonsense Christian, but even he isn't prepared for the weirdness running rampant through the byways of this community. Right from the start, things on Summerisle seem downright weird. The locals drinking in the pub where Howie procures lodgings are extremely strange folk, as is Willow, the daughter of the inn owner. That very night the police sergeant has an erotic encounter with Willow that is sure to test the faith of the most ardent Christian. Further eeriness rears its head when Howie sees strange goings on at the local school, some of the bizarre customs practiced on the island, and finally meets with the wild haired eccentric Lord Summerisle. It turns out that most people don't seem all that concerned about the missing girl Howie is looking for. Howie rapidly goes from a state of perplexity to one of utter repugnance as he gradually learns the true secrets of the this island: the people here, led by the zealous Lord Summerisle, are practicing pagans who emphatically reject the Christianity so adored by Howie. But as much as the police sergeant thinks he knows, he is in for a very rude awakening as the movie twists and turns to its grim conclusion.
"The Wicker Man" is a very colorful movie, with plenty of dancing, singing, and great costumes. The music is quite unique, at least for me, and plays a big part throughout the picture. What I liked best about this film was the cast. Britt Ekland turns up in the small role of Willow, the pagan temptress who tries to seduce Howie with a rather sultry dance in the beginning of the film. Christopher Lee is a bit of a question mark here. In an interview included on the disc, he claims that "The Wicker Man" was the best role he ever had in a movie. Moreover, he loved the film so much that he personally called film critics in order to help get the film some much needed publicity. Most of what Lee says about his part in this production is a bit of surprise because his character really doesn't appear in many scenes of the film, and when he does show up, he doesn't really do much. Apparently, some missing footage contained several lengthy scenes of Lee as Lord Summerisle, so perhaps this helps explain his limited screen time. The real prize in the film is Edward Woodward in the role of Neil Howie. Like most people, the only exposure I have had with this actor was his stint in the American television series "The Equalizer" a few years ago. In "The Wicker Man," Woodward shines as the hard-nosed Howie, a dedicated cop who adequately conveys the sort of outrage concerning the shenanigans on Summerisle one would expect from a deeply religious man. Even though I knew how the film ended, Howie's reactions to his fate still chilled me to the bone. Woodward alone provides the biggest reason you should watch this movie. What a fine actor.
The DVD version of the film boasts an impressive array of extras, specifically interviews with principals Edward Woodward, Christopher Lee, and some background about director Robin Hardy and screenwriter Anthony Schaffer. You even get some information about the conditions endured by cast and crew alike as they filmed the project (poor, poor Edward Woodward and that scared goat!). The controversy surrounding the distribution of the film, which the studio cut and sloppily marketed, is discussed in some detail. Christopher Lee still looks mad over the missing footage, which he claims is probably in someone's basement or attic waiting to be found. The official explanation is that a mistake made while cleaning out a film vault resulted in parts of this film being thrown in the back of a dump truck. Even if this enigmatic footage never surfaces, the film I saw was still massively entertaining. I cannot say that this is the best picture I have ever seen, but its reputation requires all cinema fans to give it a watch. It's definitely unique enough to stand out in the old memory banks well after the closing credits fade to black. Any film that can accomplish that feat is worthy of a five star rating, wouldn't you say
Stunning, an absolute must!!
This is a POWERHOUSE of a movie that will blow your mind!!!
It is listed as a horror film, when actually it is SO MUCH MORE. If one classify the genre, I would say Mystery.
It begins with an anonymous letter to the Scottish Constable ( Edward Woodward of Equilizer fame) telling of Summer Isle. A local girl is missing and none of the villagers seems to show any interest. Flying to the small Isle, Woodward arrives just before Beltane, the pagan May Day Festivals and the find the Island completely immersed in the Pagan ways of Auld. Head of the Isle is Lord Summerisle (British horror legend Christopher Lee - Dracula for Hammer Films - in his favourite performance), the leader of his pagan island, and it is clear he not only is aware of the villagers beliefs, he encourages them!
Slowly, Woodward comes to believe the girl is being held for Sacrifice on May Day as he races to save her.
Brilliant performance from Britt Eckland (former Mrs. Peter Sellers and one of the great beauties of her time - * though most of the nude shots are not her since she was pregnant at the time) Hammer horror actress Ingrid Pitt and Diane Cilento (the first Mrs. Sean Connery, mother of Jason) contribute to the eerie feel.
The movie portrays pagan beliefs in an unHollywood style, that goes for substance and facts, rather than sensationalism. The scenery is beautiful and the music written for the film is haunting.
The film faced many production problems, to being passed through several production companies, a lot of lost footage from the film editor - a devoutly religious man who thought is sinful to be filming this and was systematically destroying as much as he could, and indifferent reediting by Roger Corman, and then nearly dying in bad handly in the theatres. Was not seen for nearly two decades, and the version in existence was Corman's poorly edited one, missing over 20 minutes of the 101 minute original verson.
I spent years and year trying to track down a copy, and finally for a short time news was good. The director found that he had an original copy still in his position. This was released the VHS - first time the 101 version had been seen in nearly two decades!! Shortly after, it was pulled from the shelves. Corman's version ( a nice companion piece so it was made of a lot of out takes) came out for a spell.
So I am delighted to see this one on DVD and protected for all time.
Warning: some flashes of Eckland and her stand-in nude, and people of a very religious nature will not like the content. Otherwise, this is one fabulous knock out of a film.
Beautifully crafted film gets its well-deserved re-editing!
I can't remember the first time I saw this film, but the next day I started a search for a print of it.
Edward Woodward stars as the almost unsympathetic, pious, and determined officer who matches wits with Christopher Lee, in a marvelous role of the smiling, ever-reasonable villianous island cult leader. The entire community seems to be hiding the truth behind the disappearance of a young girl, even to the degree of at first denying her existence. The very conservative Christian representative of the law has walked into the middle of a very Pagan circle; this conflict has to be resolved. Initially, the audience may not be too sure who is playing with whom or why. The climax of the suspense is a twist where the hunter becomes the sacrificial hunted.
Incredibly, the suspense of the plot does not wear off with repeated viewings, thanks to the production values (hats off to all those involved, shooting outdoor spring scenes in November on the coast of Scotland!) and outstanding performances of the cast.
I knew, when I saw it the first time, that the version I had seen of it had been cut down; however, even at the "sliced salami" level, it was an extraordinary experience - and experience is the word. The film puts you right there in the midst of the puzzle. Over the years I found various cuts of the film, eagerly awaiting what might be reconstructed. (The only other film I can recall searching for this diligently is a "more complete" cut of Fritz Lang's "Metropolis.")
This special edition of "The Wicker Man" might well be as good as it gets. Certainly, the inclusion of the backstory of the film ("The Enigma of The Wicker Man") added to both the theatrical and extended versions makes this particular release worth having.
If you haven't seen the film, make the chance. It's not exactly horror, it's not exactly mystery - it's both. And then some. It's one of a kind. It's "The Wicker Man."