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| AUTHOR: | William H Goetzmann |
| CATEGORY: | Book |
| MANUFACTURER: | Norton |
| ISBN: | 0393023702 |
| TYPE: | Architecture, Fine Arts, General |
| MEDIA: | Hardcover |
| # OF MEDIA: | 1 |
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Customer Reviews of The West of the imagination
Wonderful book! I got this book as an xmas gift in 86 when it came out. That same time I seen the PBS series, and ever since then, have been a collector of western art both repros and original pieces. Try and buy the series on VHS. The actor that played George Catlin (my favorite artist) was well done! This book should be reprinted!
Thorough Book of the Idea of the West
While I had to use this book for a class I particularly wasn't interested in - Western and Cowboy Art - with this book, I have actually began to appreciate its contents for what they are. The book has some amazing paintings and sculptures included as well as details about the artists and information about the art included within the book as well as some other art by the artists. It has a good sampling of Western art from George Caleb Bingham to Frederick Remington and has a wide variety each artists work so the reader can get a good idea of how the artist worked and what sorts of pictures they favored. I only gave it 4 stars because of the subject matter, but all in all, a very good book.
The role of artists in mythologizing the West
As of this writing (Aug. 2002) this fine book is out of print, and shouldn't be. It is an informative and well illustrated survey covering almost 200 years of pictorial representations of the American frontier.
Because of my interest in the mythology that developed around the cowboy, I found the chapters on Frederic Remington, Charley Russell, and Buffalo Bill Cody especially absorbing. Magazine illustrators who further developed imagery of the "wild west" are represented here in discussions of N. C. Wyeth and Maynard Dixon.
On a parallel track, the authors give a chapter to the early silent Westerns, highlighting the careers and contributions of Tom Mix and William S. Hart (a precursor of Clint Eastwood). Another chapter is devoted to the Hollywood Western during the sound era noting similarities between Remington's imagery and that of director John Ford. There's also a discussion of the evolution of western movie themes from "The Virginian" (1929) to "The Ballad of Cable Hogue" (1969).
This book is a rewarding study of the American West as its visual artists inspired the imaginations of people around the world. Definitely worth having.