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The Warrior and the Sorceress
You'd have to call this "Yojimbo" meets "Kung Fu." Essentially a sword-and-sorcery remake of "Yojimbo/A Fistfull of Dollars" starring David Carradine, TWATS is remarkable faithful to its source material considering how many goofy in-jokes and hokey special effects it contains (the grizzled wandering swordsman played by Carradine is named Cain, for example). You probably need to be drunk or (heaven forbid) high to fully appreciate this film; but it has its moments of goofy fun, and its a must for completests who need to have every remake of "Yojimbo."

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David Carradine And A Puppet Pangolin!
This movie is more boring than painful, but it is bad just the same. I bought it after reading the divergence of opinions here and found it to be mostly boring and mostly bad, with occasional points of light. Well, two points of light anyway. The first point of light: David Carradine plays a character named 'Kain', which is an obvious in-joke from his "Kung Fu" days when he played a character named 'Kane'. I don't know why this amused me so much, but I found that pretty funny for some reason. The second (and larger) point of light is Luke Askew as 'Zeg' in what is clearly the best performance in the movie. Askew is actually a very good actor, although he appeared in this and three other movies with David Carradine (including "Kung Fu: The Legend Continues") and even once on "Knight Rider"! He is, of course, better known for his excellent characterizations in "Cool Hand Luke" and "Easy Rider". Here he is a beacon of light. His performance isn't one of the best in his career, but it certainly beats the other performances seen here.

Frankly, I am a fan of all genres of B-grade films, but the mystical films are not one of my favorite subsets of cheese. This one basically pits Kain, the 'Dark One', against everyone. He is a mercenary for hire to the highest bidder (although the trailer says it is the ultimate fight between good and evil): Carradine spends most of the film switching allegiances based on pecuniary considerations. It is tough to keep up with which side he's on at times, but in the end, inspired by the sorceress he sides with the peasant revolt and helps kill off the pig-faced slavers. Thematically, the film centers on the value of water as a natural resource and Kain's bank account. The movie has comically named characters like 'Bludge', 'Zeg', 'Burgo', 'Blather', 'Gabble' and 'Hubcap'. (I'm not sure about that last one; it is hard to understand some of the names.) Kain's power ultimately comes from the magic 'Sword of Ura' which the sorceress makes for him. It is so mighty it can cut through rocks! Zeg launches an all out war to get it, with the help of the fat guy and his talking pangolin (or is it a Komodo Dragon?) puppet (which speaks, though his lips don't move). Eventually Kane, sorry, I mean Kain takes on just about the whole planet and wins water for the oppressed masses.

This movie has both its share of good and bad. The swordplay is actually very good, particularly in the final scene. The big black clouds that herald Kain's entrance onto the battlefield and the incredibly stupid giant land squid (with teeth!) are leaders in the bad column. Also modestly in the bad column is leading lady Maria Socas (better known for her work in Argentinean cinema with such credits as "Sobredosis", "El Color Escondido", and the 2002 release "Sin Intervalado") who has serious hair issues (though to cut her some slack, this movie was made in 1984) and is really not a very good actress, and is frankly not quite attractive enough to walk around in her given costume (if you can call it that.) She isn't terrible, but mostly looks disinterested.

This movie isn't particularly good, but it isn't wretched either. It is too long, though, at 81 minutes. If it were an hour long it would be a much more entertaining production. Features of the DVD include trailers from this and many similar movies (actually the narration in the trailer made some sense of plot points which were confusing) as well as biographies/filmographies of the four central characters.

Two stars. It won't ruin your life or cause you to seek therapy, but there are many better (and many funnier) B movies out there.

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Yohimbeful
First there was Yojimbo, then came Fistful of Dollars, and finally The Warrior and the Sorceress! The damsel in distress, the two warring factions in town, the old man befriending the hero, and the hero playing the two sides against each other for greedy profit; you know the story. However, W&S takes us much further...

There are the many unanswered questions teasing (or mocking!?!) the viewer within this classic retold:
1)who/what are those two hysterically laughing mutant dudes? Are they merely a whimsical afterthought to the plot to give the kids some cartoonish mayhem or a Fellini-esque effort to disorient the audience even further in this already baffling world? By the way, what happens to those guys? I think they just disappeared about halfway through the movie. But that's okay, they were really annoying.
2)Why is no one in the movie aware the Sorceress is NOT WEARING CLOTHES? These are some very loutish fellows, but there is an embarrasing lack of leering going on. It's like one of those dreams where you begin to realize something isn't quite right about being naked in public, except in this movie that point is never reached. I mean, by the end, she's even going into battle like that. I'm sure that put the fear into the other team.
3) What is that rat-like reptile? He "speaks" but no one seems concerned that his lips or whatever don't move! On the other hand, he doesn't look like he has much of a brainpan but he's giving advice to one of the head honchos. Maybe that's why they are in such a crappy situation. A failed life is really all about making bad decisions.
4)How does Luke Askew's cheiftan character ALWAYS have exact change? Every time David Carradine comes up with an off-the-wall amount for some lame favor, Askew has it ready in a bag right in front of him?! Now there, my fellow filmbuffs, is where my suspension of disbelief was yanked hard off its disbelief-place!
It was OBVIOUS Mr. Askew was reading ahead in the script and KNOWING what sum Mr. Carradine would require. If only the Kung Fu master had improvised and ad-libbed something like, "That'll cost you 400 takarats and 25 cents!" Ahh, the look on Mr. Askew's face would have been worth the buck ninety-nine I got this tape for at the clearance rack. But I digress.
5)Finally, what the heck is it with the four-boobed lady? Obviously this special effect is where the budget went, because it was quite realistic. Disgusting, but realistic. This quadra-mammary dance sequence IS the most memorable scene. Strangely, it has never been included in those ubiquitous film montages they do at the Academy Awards. One wonders if she is one of a tribe, and if so, what do its men have four of?

In summary, one can't ignore the director's homage to Samurai films of old. The Warrior and the Princess is a worthy addition to the "not very good sword and sorcery in the eighties" movies and at a crisp 78 minutes, requires virtually no fast-forwarding.