Cheap The Wages of Fear - Criterion Collection Price

Cheap The Wages of Fear - Criterion Collection (DVD) (Yves Montand, Charles Vanel, Peter van Eyck) (Henri-Georges Clouzot) Price

The Wages of Fear - Criterion Collection

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Henri-Georges Clouzot's gripping 1953 thriller throws four men into a primal struggle against the jungle armed with modern machinery and their own nerves and endurance. The squalid, isolated South American town of Las Piedras is a veritable refuge turned prison for criminals from all over the world. When an oil fire ignites 300 miles away, dozens of desperate volunteers apply for the dangerous job of driving highly volatile nitroglycerin across rugged jungle roads--for a $2,000 payday. The bulk of the film charts the slow, grueling trek over bumpy, pothole-dotted dirt roads and worse. A dangerous cutback forces the trucks to back over a rotting wooden platform built over a cliff, a boulder in the road must be blasted away, and a river of oil (gushing from a broken pipeline) must be forded--all with one ton of explosive nitro resting in the back of each truck. The ordeal forges a tough-guy trust between German Bimba (Peter Van Eyck) and Italian Luigi (Folco Lulli) but tears apart Frenchmen Mario (Yves Montand) and Jo (Charles Vanel). Former gangland hotshot Jo finds his once-fearless exterior cracked, while Mario discovers in himself a new grit and tenacity. Clouzot's stark, simple imagery and painstaking attention to detail create a riveting tension that never lets up, intensified by the ruthless drive of Mario, who proves he will do anything--anything--to get his truck through. William Freidkin remade the film in 1977 as the stylish Sorcerer. --Sean Axmaker
ACTORS: Yves Montand, Charles Vanel, Peter van Eyck
CATEGORY: DVD
DIRECTOR: Henri-Georges Clouzot
THEATRICAL RELEASE DATE: 16 February, 1955
MANUFACTURER: Criterion Collection
MPAA RATING: NR (Not Rated)
FEATURES: Black & White
TYPE: Foreign Film - French
MEDIA: DVD
# OF MEDIA: 1
UPC: 037429134924

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Customer Reviews of The Wages of Fear - Criterion Collection

One Of The Finest Action Films Ever Made
I love discovering a new great film. Preferably, I have just discovered the great film in a revival on a big screen ("Rififi" anyone?), but video will do in a pinch. I just had the experience of viewing "Wages of Fear" for the first time. This is easily one of the best films ever made. <
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>Henri-Georges Clouzot creates a film filled with white-knuckle, edge of your seat suspense that is so pure and well-done you will remember it for ever. Set in a South American village, poverty, dirt and the sun permeate everything. We meet four gentleman and witness their lives as they try to earn a living in this terrible place. Yves Montand plays Mario, the Frenchman in the group. He lives in this town working when he can, but more often than not he spends his days sitting outside of the bar trying to get his girlfriend, the barmaid to steal drinks and food for him. The entire town is filled with desperate loners from the four corners of the Earth. The town's main reason for being is that an American oil company uses it for it's local headquarters. When the new well blows up, the only way to stop it is to blow the fire out. There is some nitroglycerin available, but the only way to get it 200 miles into the jungle is by truck. The oil company hires four men, all of whom are desperate to get out of the hellish town, to transport the nitro in two trucks. Their reward will be enough money to escape once again. <
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>One of the many brilliant things about the film is that Clouzot really allows us to get to know his four main characters and their lives. For the first hour, we watch Mario, Jo, Bernardo and Smerloff try to live in this town. This is something that an American film would never do. Because we know these four men so intimately, we feel for them and care about the outcome of the journey. This makes the suspense and thrills all the more believable and effective. <
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>The second hour depicts the trek across the jungle. Driving two trucks through the jungle, over bridges, treacherous roads and more would be harrowing enough. Each truck has three times more nitro than they need to blow out the fire. Why? Because they don't expect both trucks to make it. The trucks must overcome a series of obstacles that would make most of us give up and go home. Each of the obstacles is very memorable and brings you to the edge of your seat. <
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>The contrast between the two hours is also very jarring. For the first hour, these characters meander slowly through their lives. In the second hour, they are fighting for their lives. <
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>"Wages of Fear" has an ending that simply would not be made in an American film. It is jolting and a classic. I can't and won't tell you about it. You need to experience it for yourself. <
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>Shot in black and white, the film has a stunning look. Night scenes have a silvery glow, the day is harsh and arid. The little town looks like it fell off the map. <
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>Yves Montand is wonderful as Mario. A performance that could easily have become overdone, he remains believable for every second of the film. Our guide through this story, Mario is not a completely likable man. Each of the four men has a reason for hiding out in the little village. I like that each of these men has a dark side, something they are trying to hide, because it makes them seem more real. <
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>Clouzot followed "Wages of Fear" with "Les Diaboliques", another truly remarkable film. Both of these films are constantly cited as influences by filmmakers. Both films have been remade as American films. "Wages of Fear' was remade in 1977 by William Friedkin. "Sorcerer" is a very good film, emphasizing different aspects of the story, trying to provide grittier detail. "Les Diaboliques" was remade in 1996 as "Diabolique" starring Sharon Stone. The less said about that remake, the better. <
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>I would urge everyone to watch "Wages of Fear" for the finest example of action filmmaking ever made <
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buy this DVD
This movie is fantastic: Clouzot gives us the ultimate in existential critique of imperalism...within a saga of four guys, two trucks, a tom of nitroglycerine, and rough rough terrain. And it stars Montand. What's not to like? Rien.


William Friedkin's "Sorcerer" is VASTLY SUPERIOR
This was no doubt a suspenseful nail-biter in its day. But, come on! This film absolutely PALES next to Friedkin's astonishingly intense remake from the '70s. This film certainly stands on its own, but in light of the Friedkin remake it seems flat and and lifeless. The characters lack the desperation, the animal instinct, the tortured recklessness to do whatever it takes to get out of their South American hell. There is none of the violence, the risk-taking, the bravado of these men in Clouzot's original that would make it plausible that they would risk life and limb and drive a truck full of explosives for a measly $2000 bucks! The explosives themselves don't seem so threatening as we are rarely reminded of the extreme danger of this particular cargo. Friedkin's film never lets us forget for an instant how fragile and combustible this precious cargo is. And neither do the characters, are they are hot tempered and sweat gathers on their brows from the very beginning. Clouzot's film certainly broke ground and is a minor classic in the suspense genre, but it is Friedkin's riveting, overpowering and grim remake that is the CLASSIC. A new DVD version of Friedkin's great work (his best film, IMO) is due to be released in early 2005. <
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