Cheap The Toledo Summit: Early 16th c. Spanish & Flemish songs & motets (Music) (Alfonso de Mondejar, Pierre de LaRue, Juan de Anchieta, Francisco de Penalosa, Francisco de la Torre, Alexander Agricola, Spanish Anonymous, Pedro de Lagarto, Antonius Divitis, Antoine Brumel) Price
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| ARTIST: | Alfonso de Mondejar, Pierre de LaRue, Juan de Anchieta, Francisco de Penalosa, Francisco de la Torre, Alexander Agricola, Spanish Anonymous, Pedro de Lagarto, Antonius Divitis, Antoine Brumel |
| CATEGORY: | Music |
| MANUFACTURER: | Harmonia Mundi Fr. |
| FEATURES: | Import |
| TYPE: | Early Music / Chant, Part Song/Glee/Music for Unaccompanied Voices, Motet, Classical Artists, Vocal, Chamber, Choral Music, Classical Music, Vocal Music, Miscellaneous Music, Classical, Choral, Chamber Music, Miscellaneous |
| MEDIA: | Audio CD |
| TRACKS: | Ave Nex Noster, Gaude Virgo, Libera Me, Domine, Vesa Est In Luctum, Adoramoste, Senor, Je N'ay Dueil, Si Dedero, Misa Nunca Fue Pena Mayor - Kyrie, Ora Baila Tu, Autant En Emporte Le Vent, Justa Fue Mi Perdicion, Andad, Pasiones, Andad, O Desolatorum Consolator, Mater Patris, Oyan Todos Mi Tormento, Secretz Regretz, A La Caca, Sus, A Caca, In Te, Domine, Speravi, Ave Sanctissimum, Ave Festiva Ferculis, Misa L'homme Arme - Credo |
| # OF MEDIA: | 1 |
| UPC: | 093046732820 |
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Customer Reviews of The Toledo Summit: Early 16th c. Spanish & Flemish songs & motets
Great performances, but not really the Toledo Summit... This recording presents a selection of late 15th and early 16th century music from the Habsburg courts, and also that of Ferdinand and Isabella in Spain. The programme is both well-contrasted - featuring works by La Rue, Penalosa and Josquin alongside lesser known composers - and expertly performed by the four vocal soloists of the Orlando Consort. The Cancionero pieces are amongst the best a cappella renditions of this repertory available. <
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>Whether this recording accurately reflects the music heard during the Toledo Summit (Philip the Fair's ceremonial visit to Toledo, 1502) is a different matter altogether. Certainly, the performances of sacred music here seem unduly minimalist, particularly given Antoine de Lalaing's eyewitness account of 60-80 Spanish singers participating in the Mass sung in Toledo Cathedral on May 8th 1502. Furthermore, it is known that they were joined by (amongst others, eg Hans Nagel?) the distinguished German cornettist Augustin Schubinger; a comparable occasion in 1503 at Innsbruck (in the presence of Maximilian) described how the Mass was performed by the two chapels and 'the sackbuts of the King [of the Romans]' who 'played the Deo gratias and the Ite missa est, and the singers of monseigneur [Philip] sang the Offertory' (Martin Picker, 'The Chanson Albums of Marguerite of Austria', Berkeley, 1965, pp. 23-5). The music heard during the Toledo Summit must surely be seen in the context of such accounts. Similarly, the secular music presented on this recording was not always performed by just voices alone: other possibilities included an ensemble of 'bas' instruments, or 1 singer accompanied by lute and/or harp, and it seems reasonable to assume that a number of these performance practice traditions were exploited during an event as important as the Toledo Summit (for more on performance of Cancionero songs, see literature by Tess Knighton; also briefly discussed in my review of Gothic Voices, 'The Voice in the Garden'). <
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>In short, this recording can be highly recommended, both for the variety and beauty of the music and also for the superb performances, even if it is probably not representative of the original event.
10/10 Classics Today Highest Rating
The singers of the Orlando Consort perform 21 early 16th century Spanish & Flemish songs and motets performed during the historic Toledo Summit of 1502 in which Philip the Fair of Burgandy, during his visit to Toledo, Spain, and his royal hosts, Ferdinand and Isabella, vied to display the artistic achievements of their respective realms.
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>The works on this recording:
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>1. Ave Nex Noster
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>Composed by Alonso de Mondejar (fl.1502-05)
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>2. Gaude Virgo
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>Composed by Pierre de La Rue (c1460-1518)
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>3. Libera Me, Domine
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>Composed by Juan de Anchieta (1462-1532)
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>4. Vesa Est In Luctum
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>Composed by Francisco de Penalosa (c1470-1528)
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>5. Adoramoste, Senor
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>Composed by Francisco de La Torre (fl.1483-1504)
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>6. Je N'ay Dueil
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>Composed by Alexander Agricola (c1445-1506)
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>7. Si Dedero
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>Composed by Alexander Agricola
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>8. Misa Nunca Fue Pena Mayor - Kyrie
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>Composed by Pierre de La Rue
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>9. Ora Baila Tu
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>Composed by Anonymous
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>10. Autant En Emporte Le Vent
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>Composed by Pierre de La Rue
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>11. Justa Fue Mi Perdicion
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>Composed by Francisco de La Torre
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>12. Andad, Pasiones, Andad
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>Pedro de Lagarto (fl.1490-1507)
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>13. O Desolatorum Consolator
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>Composed by Antoine Divitis (c1470-c1534)
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>14. Mater Patris
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>Composed by Antoine Brumel (c1460-c1515)
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>15. Oyan Todos Mi Tormento
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>Composed by Alonso de Mondejar
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>16. Secretz Regretz
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>Composed by Pierre de La Rue
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>17. A La Caca, Sus, A Caca
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>Composed by Luchas (fl. c1500)
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>18. In Te, Domine, Speravi
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>Composed by Josquin Desprez (c1440-1521)
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>19. Ave Sanctissimum
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>Composed by Pedro Diaz de Aux (fl.1480-1510)
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>20. Ave Festiva Ferculis
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>Composed by Josquin Desprez (attrib)
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>21. Misa L'homme Arme - Credo
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>Composed by Francisco de Penalosa