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| ACTORS: | Barbara Stanwyck, Van Heflin |
| CATEGORY: | Video |
| DIRECTOR: | Lewis Milestone |
| THEATRICAL RELEASE DATE: | 24 July, 1946 |
| MANUFACTURER: | Gotham Distribution |
| MPAA RATING: | Unrated |
| FEATURES: | Black & White, NTSC |
| TYPE: | Feature Film-drama |
| MEDIA: | VHS Tape |
| # OF MEDIA: | 1 |
| UPC: | 089218331564 |
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Customer Reviews of The Strange Love of Martha Ivers
Deliciously Cynical Classic Film Noir. Sam Masterson left Iverstown with a traveling circus as a boy in 1928. 18 years later, having been everywhere and done his share of everything, including being a decorated war veteran, Sam (Van Heflin) finds himself back in Iverstown when he has car trouble as he is heading out West. He intends only to stay a day, and has the fortune to meet a young woman named Toni (Lizabeth Scott) whom he likes very much en route to his hotel. But when the town's first lady, Martha Ivers (Barbara Stanwyck) and her District Attorney husband, Walter (Kirk Douglas), who were childhood friends of Sam's, find out he is in town, they are immediately suspicious. Jealous over Martha's past affection for Sam and paranoid about his own political career, Walter assumes that Sam has come to stir up trouble concerning the untimely death of Martha's Aunt 18 years before. And Walter starts plotting against him.
The film's title very nearly says it all. "The Strange Love of Martha Ivers" is about just that: the nature of the affection that Martha has had for Sam since she was a girl and how it influences her actions when she sees him again. The film was directed by Lewis Milestone on what looks like a substantial budget. "The Strange Love of Martha Ivers" is a slicker production than is often associated with film noir. It was written by Robert Rossen, who adapted the screenplay from John Patrick's short story "Love Lies Bleeding", as yet unpublished at the time the film was made. The incomparable Barbara Stanwyck once again proves herself to be the queen of noir. Martha Ivers is a complex, inscrutable, and ruthless character, whom Stanwyck plays to perfection. This is Kirk Douglas' first film role and one of his most memorable. Walter is alcoholic, racked with guilt, manipulative, ruthless, but very much in love with his domineering wife. Douglas' performance reveals Walter in all of his pathetic intricacy. Van Heflin is wonderful as the film's "everyman" fighting to survive in circumstances beyond his control. Sam reminds me of the protagonist in another wonderful classic film noir, "D.O.A.". Both characters are victims of circumstance. But in this case, the situation is beyond Sam's control because he isn't aware that there is a situation. It 's the things you don't know that hurt you. I found "The Strange Love of Martha Ivers" complex, sinister characters fascinating. It has just the right amount of gleeful cynicism. And I thoroughly enjoyed the film's unpredictability. It has become one of my favorite classic noirs, due in large part to its well-drawn villainous duo. I encourage fans of the genre to give it a try.
The DVD (This refers to the Parade DVD only): Includes written bios of the cast, screenwriter, director, and composer of the film's score. Subtitles available in Japanese only.
The Guilt of Martha Ivers
Van Heflin is a gambler who returns to his hometown and gets tangled up with some childhood friends. He left town the night Martha killed her cold-hearted aunt, a murder that was successfully covered up. Now the grown-up Martha, played by Barbara Stanwyck, and especially her weak husband, played by Kirk Douglas, fear he might reveal what happened that night. Heflin gets involved with Lizabeth Scott, a convict, who fears his past relationship with Stanwyck will take Heflin from her. In this film noir, none of the characters is particularly likeable, each trying to protect themselves. There is some biting dialogue and effective use of music, although sometimes it becomes a little overpowering. Stanwyck is terrific as usual, really delivering in the latter scenes. Douglas is too strong of a presence to play the weak, manipulated husband, and would have been better off trading with Heflin. Scott has a strange screen presence, and although it fits the character somewhat, she never seems quite comfortable. But the characters are fascinating (typical for film noir) and the story is really interesting, despite the poor choice of a title. Since so much of this film centres on guilt and how difficult it can be to escape one's past, I think a better title for the film would have been The Guilt of Martha Ivers.
Van and Liz are a great team - ****1/2 / *****
This review refers to the Alpha Video (Gotham) DVD.
Overall Quality of DVD: ***1/2 /**** Sound: *** /**** Plot: ***1/2 /**** Acting: ***1/2 /**** Cinematography: ***1/2 /**** Direction: ***1/2 /****
You will be surprised at the quality of this GOTHAM transfer. There are some frame skips but other than that this DVD is a steal-of-a-deal and an "A"-rated film-noir!
Kirk Douglas and Barbara Stanwyck are very intense in their roles but, in my opinion, Van Heflin and Lizabeth Scott steal the show. Lizabeth Scott plays the beaten-down, always-taken-advantage-of, world-weary, down-on-her-luck, cute, sexy girl that... well, you just want to take her in your arms and give her a hug, yet, you also know if you do, you will probably have to kiss her and then you'll probably fall in love with her (just as Van Heflin does). In my opinion, this is Lizabeth Scotts' best role that I've seen ("Dead Reckoning" she is also quite good in - "Too Late For Tears" she is not as strong). She seems to need a strong hand in direction and when she gets it she can give A-level performances.
Mickey Kuhn as the young Kirk Douglas, Darryl Hickman (Dwayne Hickman's "Dobie Gillis" younger brother) as the young Van Heflin and Janis Wilson as the young Martha Ivers give riveting performances and are so "in character" in looks and mannerisms with the adult actors it will amaze you!
Also, Judith Anderson (Mrs. Danvers (Danny) in "Rebecca") gives a wonderfully sinister performance.
This is an "A+" story, acted well, directed well, filmed well, great production design and a very smooth transfer.
This film is worthy of restoration but is worthy in its present incarnation as is.