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| ARTIST: | Johann Sebastian Bach, Christopher Hogwood |
| CATEGORY: | Music |
| MANUFACTURER: | Metronome |
| TYPE: | Chamber Music & Recitals, Classical |
| MEDIA: | Audio CD |
| TRACKS: | Chromatic Fantasia And Fugue ('Rust' Version BWV 903A), Chromatic Fantasia And Fugue ('Rust' Version BWV 903A), Adagio In G Major (BWV 968), Fugue In G Minor (After BWV 1000), Allemande In G Minor (BWV 836), Menuet 1 (BWV 841), Menuet 3 (BWV 843), Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767), Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767), Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767), Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767), Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767), Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767), Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767), Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767), Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767), Partita In A Minor (After BWV 1004, Arr. Mortensen) Allemanda: Corrente: Sarabanda: Giga: Ciaccona, Partita In A Minor (After BWV 1004, Arr. Mortensen) Allemanda: Corrente: Sarabanda: Giga: Ciaccona, Partita In A Minor (After BWV 1004, Arr. Mortensen) Allemanda: Corrente: Sarabanda: Giga: Ciaccona, Partita In A Minor (After BWV 1004, Arr. Mortensen) Allemanda: Corrente: Sarabanda: Giga: Ciaccona, Partita In A Minor (After BWV 1004, Arr. Mortensen) Allemanda: Corrente: Sarabanda: Giga: Ciaccona |
| # OF MEDIA: | 1 |
| UPC: | 723724667525 |
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Customer Reviews of The Secret Bach: Works for Clavichord
Bach's Favourite Instrument It is said that even above the pipe organ, the instrument to which he is most strongly and historically bound, J. S. preferred the clavichord. Two more disimilar keyboard instruments could not exist. The clavichord is a chamber instrument, to be played and heard within confined, intimate spaces. The organ, again, is capable of filling a cathedral with crashing, oceanic waves of sound. Listen, then, if you will to The Secret Bach, the Bach of fine-tuned sensitivity, of nuance and tranquility, but no less power and passion. Christopher Hogwood studied with Puyana and Leonhardt, two polarised performers to my mind, and came away from this education bearing an exceptional technicality and a refined interpretation. If you have at least 71:54 minutes of free time, a working CD player, and the inclination, why not turn down the lights, pour yourself a glass of whatever, and treat yourself to an inside glimpse at the elusive, vibrant, multifacetted and ever-surprising (still, after so many centuries) splendid supergenius of J. S. Bach.