The Rose Tattoo Video

Cheap The Rose Tattoo (Video) (Anna Magnani, Burt Lancaster) (Daniel Mann) Price

The Rose Tattoo

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ACTORS: Anna Magnani, Burt Lancaster
CATEGORY: Video
DIRECTOR: Daniel Mann
THEATRICAL RELEASE DATE: 12 December, 1955
MANUFACTURER: Paramount Studio
MPAA RATING: NR (Not Rated)
FEATURES: Black & White, Closed-captioned, HiFi Sound, NTSC
TYPE: Feature Film-drama
MEDIA: VHS Tape
# OF MEDIA: 1
UPC: 097360551136

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Customer Reviews of The Rose Tattoo

The Odd Couple
THE ROSE TATTOO is about an Italian widow (Anna Magnani) in the bayou country who grieves over the memory of her dead husband. She is courted by the village clown (Burt Lancaster) who tries to help her let go of her memories. The rose tattoo is significant because the deceased had one on his body.

Magnani is superb as the grieving Serafina Delle Rose. Lancaster manages to pull off his role as Alvaro Mongiacavallo mainly because of his enormous energy. However, it is difficult for me to take his impersonation of an idiosyncratic Italian American seriously.

The movie won Academy Awards in 1955 for Best Actress (Anna Magnani), Black and White Cinematography and Black and White Art Direction. Nominations were received for Best Picture, Best Supporting Actress (Marisa Pavan), Black and White Costume Design and Editing and Scoring of a Dramatic Picture. The Oscar for Best Picture in that same year was given to MARTY.

THE ROSE TATTOO was adapted for the screen from a play by Tennessee Williams who served as the screenwriter for the film. It was shot on location in old Key West.


Okay
Anna Magnani stars as a grieving and overwrought Italian widow in this movie based on the Tennessee Williams play. Magnani is truly great in the role, and she is only 1 of 4 foreign actresses to have ever won an Academy Award for a performance. I do give her credit there, but still, after an hour of almost nothing but her emoting and carrying on about the loss of her husband, it really gets to be almost too much of a good thing. Finally, when I was about to give up on the film, Burt Lancaster comes into the picture and things do pick up from there.

It's entertaining to see Lancaster play a goofy, stumbling, truck driver who's as lonely as Magnani and watch his bumbling attempts to bring her out of her shell. Eventually, he succeeds but not after she loses her Sicilian temper at him a couple of times and smacks him around like a nerfball despite the fact that all he did was stumble half-drunk and half-naked into her teenage daughter's bedroom in the middle of the night looking for Magnani and tries to snuggle up to her daughter by mistake in the dark. Oops. Despite this little misadventure and the beating he receives from Magnani, Lancaster is only briefly deterred by this. By sheer dogged persistance he manages to get back in Magnani's good graces by the end of the movie, and everything ends more or less on a happy note. Well, I guess that's Sicilian courtship for you.

The movie does have its moments, and I do give Hal Kantor credit for making a valiant attempt to adapt this Tennessee Williams play to the silver screen. But overall, it just doesn't make for a particularly strong movie, and I'm sure it was probably better as a play. It drags too often in places, and some of the scenes are really a little silly or overly melodramatic. Maybe I'm a cultural barbarian, but I thought it was more interesting watching Burt Lancaster playing a bumbling simpleton (which he does well) than Magnani's award-winning performance, which is just too maudlin. Okay, she's lost her husband, but on that account, she gets abusive or at least hyper-neurotic with her friends, her priest, her daughter, her daughter's boyfriend, and just about everybody else in her life, not to mention Lancaster, who really does seem to care for her, and who comes off as a basically decent, well-meaning, and fun-loving guy even though he is pretty goofy and wacked-out himself. And as I said, it's sort of entertaining watching Lancaster, who usually portrays more studly, leading-man roles, playing an inept, lonely, Sicilian banana-truck driver who spends much of his time stumbling half-drunk through people's backyards and bedrooms and getting their dogs (or Magnani herself) sicced on him. (I guess all those bananas aren't much comfort on those balmy and moonlit Florida nights). But I preferred his character to the high-strung, overwrought Magnani, who's wrapped tighter than a pig in a blanket.

The movie was filmed in old Florida Keys, so I give it points for overall ambience, but all in all I can't give it more than 2 or 3 stars--unless the move counts as a primer on Sicilian dating and courtship rituals.


Magnifica!
Anna Magnani perfectly portrays Tennessee Williams "Serafina DellaRosa", the love lost heroine of his beautiful play.Her portrayal is completely touching and awe-inspiring. I recently shared this film with a very accomplished actor friend who had never seen it, and his reaction was "wow." This is one of my all-time favorite films, and I consider Magnani's performance, for which she rightfully won the Academy Award as best actress, to be one of the most beautiful ever filmed. She says more with her eyes then most actors could ever convey in a whole script.Filmed on location in old Key West, it is steeped in the sleepy, humid atmosphere of that wonderful place. Watch for the bar-fight scene, where Magnani walks in to confront her dead husbands mistress. You will spot the mustachioed Tennessee Williams at the bar. His long-time lover, Frank Merlo, to whom he dedicated the book version of this play, "To Frankie, In Return For Sicily", is also in the fight scene.You can still visit Tennessee's little house in Key West,though it is not on any tour nor open to the public, just ask the locals. You may see the little plaque "the Rose Tattoo", on the gate.If you haven't seen this film (or even if you have), sit on the floor with a glass of red wine & someone you love, and watch the beautiful Anna Magnani create magic from Tennessee Williams equally magical "love play to the world", as he called it.

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