Cheap The Pupils of Liszt (Music) (Edvard Grieg, Andre-Ernest-Modeste Gretry, Ludwig van Beethoven, Franz Liszt, Robert Schumann, Mily Balakirev, Fryderyk Chopin, Moriz Rosenthal, Felix Mendelssohn, Emil von Sauer) Price
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| ARTIST: | Edvard Grieg, Andre-Ernest-Modeste Gretry, Ludwig van Beethoven, Franz Liszt, Robert Schumann, Mily Balakirev, Fryderyk Chopin, Moriz Rosenthal, Felix Mendelssohn, Emil von Sauer |
| CATEGORY: | Music |
| MANUFACTURER: | Pearl |
| MEDIA: | Audio CD |
| TRACKS: | Puck,Op. 71-3, Danse Villageoise, No. 3, Sonata Op. 31-3: Scherzo, Hungarian Rhapsody, No. 12, In C Sharp Minor, Romance In F Sharp, Op. 28 - 2, Glanes de Woroninces, G. 249 - 2, Rondo in G, Op. 51 - 2, The Lark, Liebestraum No.2 In E Major, G. 326-2, Berceuse In D Flat, Op. 57, Mazurka In B Flat Minor, Op. 24 - 4, Mazurka In B Minor, Op. 33 - 4, Mazurka In A Flat, Op. 50 - 2, Mazurka In B Major, Op. 50 - 2, Mazurka In C Sharp Minor, Op. 63 - 3, Mazurka In G, Op. 67 - 1, Blue Danube - Joy Of Life - Fledermaus: 'Blue Danube Waltzes' - Paraphrase, Eglogue (Annees - Suisse), G. 73 - 7, Scherzo In B Flat Minor, Op. 31, Feux Follets (Tr. Studies, G. 53 - 3), 'La Campanella' (Tr. Studies, G. 53 - 3), 'The Ruins Of Athens': March, Midsummer Night's Dream: Scherzo, Op. 61 - 1, Valse In E Minor, Op. posth., Valse In A Flat, Op. 42, Valse In F, Op. 34 - 3, Etude In C Minor, Op. 25 - 12, Scherzo In E Minor, Op. 16 - 2, Espenlaub, Concert Polka, Ricordanza (Tr. Studies, G. 52 - 9), Andante favori In F, WoO. 57, Au bord d'une source, G. 73 - 4, Capriccio In B Minor, Op. 76 - 2, Little Waltz, Gavotte and Minuet, Scherzo In F Sharp, Op. 16 - 2 |
| # OF MEDIA: | 2 |
| UPC: | 727031997221 |
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Customer Reviews of The Pupils of Liszt
Great Reference for a Great Tradition Sauer once gave a list of Liszt's worthy pupils. Many of them are here; but among them, Hofmann said only Sauer was "a real great virtuoso", and he went on to say, "Friedheim was so-so and Lammond didn't impress me..."etc.
Sauer is impressing indeed and in terms of musicality and interpretaion, he compared favourably even with Hofmann. Equally interesting was Rosenthal. Unlike Sauer, he lost his power to thunder in his old age, but he made it up in all the nuances and colours whihc are quite well captured here. D'albert was probably the greatest of all Lizst pupils, something we don't want to miss, same for de Greef and indeed all others here.
But the transfer here leaves much to be desired, even for those who are not new to (mono) archive records: surface noise is too heavy for general enjoyment. But it is definitely better than Busoni's recording for sure. We don't have much choice, do we?