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| ACTORS: | Vivian Wu, Ewan McGregor |
| CATEGORY: | DVD |
| DIRECTOR: | Peter Greenaway |
| THEATRICAL RELEASE DATE: | 06 June, 1997 |
| MANUFACTURER: | Columbia/Tristar Studios |
| MPAA RATING: | NR (Not Rated) |
| FEATURES: | Color, Dolby, Closed-captioned |
| TYPE: | Foreign Film - Chinese |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 043396287099 |
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Customer Reviews of The Pillow Book
A Finely Created Work of Art I happen to be a great admirer of the controversial Mr Greenaway. I think his direction in film is bold and produces powerful results. The Pillow Book is a great example of this talent. It is an amazing combination of his narrative technique, experimental explorations and talent for finding compelling stories. The images are beautiful, especially the shot of Vivian Wu standing in the rain covered with writing on her flesh which slowly melts away. Her character is not that complex, but the action of the story is sufficient to carry her along throughout the tale as she fights for independence and a suitable form of artistic expression. Essentially the story is about the fetishisation of books and sex. These things are enough to make a great movie in my mind. Nagiko is a girl who goes through a ritual where her father writes on her back on her birthday as he tells her of a myth. After burning her way out of a suffocating marriage, she grows up to become a radical artist writing on bodies and searching for a man who can replace her father in the birthday tradition. She meets a talented man named Jerome who she falls in love with, but is eventually sacrificed to her father's old enemy. In the course of the narrative she writes her own Pillow Book on a series of men. It culminates in a gruesome act of jealousy and revenge (a notion not foreign to Greenaway's narratives).
The scene of Jerome's suicide is particularly powerful and works well with the screen-in-screen shots because it shows in one shot the sequence between thought and action, self-perception and actual action. This is a new style for Greenaway that works tremendously well in this movie because it fits so well with the egotism and self-obsession of the characters involved. The movie as a whole is a powerful evocation of a great Japanese classic. I highly recommend this movie who is in the mood to watch something eccentric, visually moving and stunningly beautiful.
A porn movie but 'Artistic'
Highly over-rated. It's like when an artist pisses and ejaculates over a picture and calls it 'nature', then people go 'ooooh aaaaaah!such genius!'. That pretty much summarises it.
Beauty and obsession
Two of the most beautiful things in the world are the written word and the human figure. Even the ones that are not special in themselves embody meaning and subtlety. When Greenaway uses the figure to carry words, he creates imagery that can not be forgotten.
There is so much in this movie that I hardly know where to begin. It starts with a child. Her father's birthday ritual is to tell her a story, always the same one, and to paint calligraphy on her face. Maybe it's a little silly, but it's sweet and loving.
Over time, the girl loses her innocence but gains the strength of adulthood. Her memory of that charming ritual develops, too. First, it loses its childhood innocence; it becomes a passion for her, and the standard by which she measures her lovers. In the end, the ritual gains even more strength and becomes the vehicle for a deadly obsession.
I must warn the potential viewer that the movie's second half goes places far beyond where sanity stops. It is not for people with tender sensibilities.
I'll come back to this movie for it sensual beauty. I won't come back too often, though. The raw rage at the end is just too hard.