Cheap The Phantom of the Opera [Blu-ray] (DVD) Price
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$19.95
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| CATEGORY: | DVD |
| THEATRICAL RELEASE DATE: | 2004 |
| MANUFACTURER: | Warner Home Video |
| MPAA RATING: | PG-13 (Parental Guidance Suggested) |
| FEATURES: | AC-3, Closed-captioned, Color, Dolby, Dubbed, Subtitled, Widescreen |
| TYPE: | Actor's Life, Atmospheric, Color, Drama, Elegant, English, Feature, Feature Film Drama, Film-Opera, Lavish, Love Triangles, Movie, Musical, Musical Romance, Musicals, Musicals & Cast Recordings, Period Film, Sentimental, Star-Crossed Lovers, Sweeping |
| MEDIA: | Blu-ray |
| MPN: | BR110810 |
| # OF MEDIA: | 1 |
| UPC: | 085391108108 |
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Customer Reviews of The Phantom of the Opera [Blu-ray]
Great musical I bought this movie from Fry's. My whole family loves it. It has beautiful musical, and story. It is totally beyond my expectation. On 50" 1080i plasma with HDMI, the image is crytal clear and gorgeous. A great buy.
If you love Phantom, this is a MUST HAVE
At less than $20, this is a no brainer. If you are planning to own the movie, have it in blu-ray.
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>Aside from the well known picture quality differences between DVD and the blu-ray, this disc includes special features that must be close to two hours. From how this phantom project got started, to the casting of the crew, to showing all the team members (singing to the tune of the phantom), these special features simply help complete the story.
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>I LOVE the original musical, this movie version only adds to it. Of course, movies are not as intimate as watching live theatre, however, the camera angles, the visual effects, the costume all makes this a really nice movie to own. Love the movie cast!
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>Last but not least, a DVD upscaled provides a nice picture already. However, having it in high definition just makes the scenes and details so real.
In dreams he came
Sumptuous, rich, lush and inviting. Like a gilt-edged dream, Joel Schumacher's "Phantom of the Opera" is a triumphant love note to beauty, song and scenery.
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>Adapted from Andrew Lloyd Webber's musical (and Gaston Leroux's novel), this movie ends up being beautiful in every scene, with solid acting and and a tragic antihero. The singing, the sumptuous sets, the acting -- all are the ingredients of a musical tour de force.
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>In 1870, a Paris opera house is under new management -- just as diva Carlotta (Minnie Driver, a glorious diva-from-hell) is almost killed by a stage curtain, and stomps out. Fortunately Christine Daae (Emmy Rossum), taught by a mystery tutor, can take over the soprano's role, and soon becomes famous for her singing. Even better, it catches the attention of her childhood sweetheart, Vicomte Raoul (Patrick Wilson).
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>But Raoul doesn't realize that Christine was taught by a disfigured, tortured genius who hides under the opera house. And the Phantom of the Opera is not only determined that Christine should be the star, but also be his wife. And he's willing to kill for it. Can Raoul break the Phantom's hold over Christine, or will she embrace "the music of the night"?
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>Watching this, it's hard to believe that it was directed by the same guy who did "Phone Booth" and the awful "Batman and Robin." Instead it looks as if the love child of Jean Cocteau and Peter Jackson decided to direct a musical, swathed in masks, roses, gilt angels, snow and velvet.
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>And it all wraps around Webber's solid songs ("Turn your face away from the garish light of day/turn your thoughts away from cold, unfeeling light/and listen to the music of the night!") from the stage musical. Most of the lines are sung, which surprisingly doesn't detract from their believability. And there's plenty of fun with the cameras, whether it's the dizzying views of the backstage, or a zoom through a stone floor to the Phantom's face.
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>Schumacher also adds a few extra scenes, including a sword fight between Raoul and the Phantom, which makes the vicomte seem more passionate; and a flashback to the Phantom's horrific childhood. What's more, the story is framed by scenes from forty years later -- sepia-toned scenes in the dusty remains of the Opera.
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>The three most prominent roles are what make or break this movie, and in this case, the casting is nearly ideal. Rossum has the ingenue looks -- and the powerful pipes -- to carry off the role of Christine, torn between her love and her passion. Similarly, Patrick Wilson gives some brains and strength to Raoul, and despite the romantic appeal of the Phantom, Raoul isn't hard to cheer for.
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>Gerard Butler is a bit more difficult. Most of the time his singing is solid, and his acting is powerful and tragic as the "loathsome gargoyle, who burns in hell, but secretly yearns for heaven." The scene where he tries to seduce Christine is deeply sensual. But occasionally his performance gets really hammy, such as the unmasking, where he flings himself around screaming, "You little prying Pandora! You little demon!"
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>And how does the blu-ray measure up? Well, the regular DVD was hailed for its sumptuous colours and visuals, as well as the lovely songs. Those things are all enhanced by the blu-ray release -- everything just seems so much more brilliant.
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>Lush, exquisite and passionate, "The Phantom of the Opera" is a solid adaptation of Webber's musical, with good acting and excellent direction. A triumph for "the music of the night."