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Although it's not as bold as Oscar darling Chicago, The Phantom of the Opera continues the resuscitation of the movie musical with a faithful adaptation of Andrew Lloyd Webber's blockbuster stage musical. Emmy Rossum glows in a breakout role as opera ingénue Christine Daae, and if phantom Gerard Butler isn't Rossum's match vocally, he does convey menace and sensuality in such numbers as "The Music of the Night." The most experienced musical theater veteran in the cast, romantic lead Patrick Wilson, sings sweetly but seems wooden. The biggest name in the cast, Minnie Driver, hams it up as diva Carlotta, and she's the only principal whose voice was dubbed (though she does sing the closing-credit number, "Learn to Be Lonely," which is also the only new song).
Director Joel Schumacher, no stranger to visual spectacle, seems to have found a good match in Lloyd Webber's larger-than-life vision of Gaston LeRoux's Gothic horror-romance. His weakness is cuing too many audience-reaction shots and showing too much of the lurking Phantom, but when he calms down and lets Rossum sings "Wishing You Were Somehow Here Again" alone in a silent graveyard, it's exquisite.
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DVD Features
The two-disc edition of The Phantom of the Opera has two major extras. "Behind the Mask: The Story of The Phantom of the Opera" is an hourlong documentary tracing the genesis of the stage show, with interviews by composer Andrew Lloyd Webber, director Harold Prince, producer Cameron Macintosh, lyricists Richard Stilgoe and Charles Hart, choreographer Gillian Lynne, and others. Conspicuously absent are stars Sarah Brightman and Michael Crawford. Both do appear in video clips, including Brightman performing with Colm Wilkinson at an early workshop, and Crawford is the subject of a casting segment. Other brief scenes from the show are represented by a 2001 production. The other major feature is the 45-minute making-of focusing on the movie, including casting and the selection of director Joel Schumacher. Both are well-done productions by Lloyd Webber's Really Useful Group.
The deleted scene is a new song written by Lloyd Webber and Charles Hart, "No One Would Listen," sung by the Phantom toward the end of the movie. It's a beautiful song that, along with Madame Giry's story, makes him a more sympathetic character. But because that bit of backstory already slowed down the ending, it was probably a good move to cut the song. --David Horiuchi
More on The Phantom of the Opera
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| CATEGORY: | Video |
| DIRECTOR: | Joel Schumacher |
| THEATRICAL RELEASE DATE: | 21 January, 2005 |
| MANUFACTURER: | Warner Home Video |
| MPAA RATING: | PG-13 (Parental Guidance Suggested) |
| FEATURES: | Closed-captioned, Color, NTSC |
| TYPE: | Drama, Musicals |
| MEDIA: | VHS Tape |
| # OF MEDIA: | 1 |
| UPC: | 085393895037 |
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Customer Reviews of The Phantom of the Opera
cried my eyes out I love this movie, took it out of the library as a loan, first time I saw it, I cried my eyes out. It was very sad, but the movie was fantastic. After I watched it like three times, I had to get it. Lots of singing, and dancing, and the costumes were wonderful. I recommend this movie to anyone who loves, or like opera.
Intensley beautiful
I loved this so much I ordered the 2 disc version. I love the music and the voices. And I would have chosen the Phantom.
Breathy, not breathless
The Phantom's singing is breathy and weak throughout. I don't understand this. Is it impossible to find a good male vocalist for film?
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