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The Nativity Story

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The Nativity Story is a remarkable, if frustratingly restrained, act of imagining the tale of Christ's birth as a flesh-and-blood drama actually set in Israel two millenia ago. Written by Mike Rich (Finding Forrester) and directed by Catherine Hardwicke (Thirteen), the film makes very strong impressions in a scene-by-scene way. Beginning with the slaughter (bloodlessly portrayed; this is a PG movie) of Bethlehem’s innocents under orders from a paranoid King Herod (a dark and knowing Ciarán Hinds), the film then jumps back a year to the prophecy that informs Zechariah (Stanley Townsend) that his wife, Elizabeth (Shohreh Aghdashloo), will bear a child. Meanwhile, Elizabeth's cousin, the adolescent Mary (Keisha Castle-Hughes), struggles with her family to make ends meet and is promised to the carpenter Joseph (Oscar Isaac). Soon comes word to Mary, via an angel, that she will carry, while still a virgin, the long-awaited Messiah who will liberate the Jews from Herod and his Roman benefactors. Thus begins a detailed account of Joseph and Mary's hard travel to Bethlehem, while three Magi spend months crossing the desert trying to rendezvous with some point below the convergence of three heavenly bodies in the night sky. Hardwicke and Rich anchor all this in period detail, though what proves most moving are relationship nuances, especially the friendship and trust that emerge between Mary and Joseph after he is told in a dream that she speaks truthfully about her miraculous pregnancy. While The Nativity Story should appeal to almost anyone as a straightforward narrative, it is far from a secular version of the familiar Biblical tale, and thus feels a bit stifled. It might have been nice if the film could have breathed a little more with imagination, but The Nativity Story makes up for it by ingeniously weaving hints of things to come, later in Christ's life, into the action. --Tom Keogh
CATEGORY: DVD
DIRECTOR: Catherine Hardwicke
THEATRICAL RELEASE DATE: 01 December, 2006
MANUFACTURER: New Line Home Video
MPAA RATING: PG (Parental Guidance Suggested)
FEATURES: AC-3, Closed-captioned, Color, Dolby, DVD-Video, Full Screen, Subtitled, Widescreen, NTSC
TYPE: Bethlehem, Bible, Christian, Drama, Feature Film-drama, Jesus Christ, Mary and Joseph, Movie, Religion, religious
MEDIA: DVD
MPN: DN10668D
# OF MEDIA: 1
UPC: 794043106682

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Customer Reviews of The Nativity Story

A Little Stoic
While the story is powerfully displayed, Keisha is terribly stoic in her acting. Mary is supposed to be the Jesus-loving humble servent of God. But Keisha hardly shows emotion except for anger at an arranged marriage. For instance, when Joseph finally believes that she is pregnant by the Holy Spirit, she just simply says, "you believe me". No emotion or relief in her voice, but rather almost sadness. That should've been a joyful scene because she is no longer believed to be a harlot or a whore by the man who's going to spend the rest of his days with her. Other than that, the added fiction about the stars and the development of the three wise men was very interesting.


A wonderful and surprisingly moving look at the story of Jesus' birth
When you're talking about film adaptations of the story of Christ's birth, the old rubric "if you've seen one, you've seen them all" just does not apply. That is especially the case with The Nativity Story, a truly wonderful film that conveys great spiritual power, even as it brings home the humanity of Mary and Joseph to a degree few of its predecessors ever even attempted. Keisha Castle-Hughes is wonderful as young Mary, but I tend to look upon this film as Joseph's story, and Oscar Isaac is more than up to the task of bringing this humble carpenter to vivid life. <
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>The Nativity Story basically tells the story of Mary and Joseph from the time Mary is betrothed and then finds out she is to give birth to God's Son up through the time of Jesus' birth and the family's evacuation to Egypt. It does an exceptional job of humanizing Mary and Joseph. At 14, Mary is on the brink of womanhood, and early on we are treated with several moments showing us a glimpse of the normal child she was. Her sudden betrothal to Joseph is not something she welcomes, but we see it as a reality of family survival in those troubled times under the double domination of Herod and Rome. When the angel appears to her, she accepts the good news he brings - yet she doesn't completely believe it until she finds her much older cousin Elizabeth carrying the child who would be Jesus' messenger. Her most trying time comes when she returns home. A lot of adaptations tend to gloss over this part. Put yourself in her place, though - she's a 14-year-old girl, betrothed to a good man, who returns home with a child she claims to have been miraculously conceived by the Holy Spirit. Her story was even less plausible back then than it would be today. Suddenly, she is a pariah of sorts, looked down upon by all who know her, her very future very much in doubt. <
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>The thing I loved most about this film is the depth of its portrayal of Joseph. All too often, Joseph gets short shrift in the story of Christ's birth, but this film has one of the best characterizations of Joseph I've ever seen. Obviously mortified by Mary's pregnancy, he refuses to accuse her (thus very probably saving her life). Even after he is visited by an angel and told that Mary is indeed carrying the Son of God, it takes a lot of courage for him to take Mary as his wife and to claim a child that is not his. On the long and hard road to Bethlehem, we see many small yet all-encompassing examples of his sacrifice for Mary and the Child. After their arrival and frantic effort to find a room, it is Joseph who delivers the child himself. The bond that grows between he and Mary is one of this film's many great strengths. <
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>The portrayal of the three Wise Men from the East is especially interesting, as they sometimes serve up a few bits of comic relief. One of them, for example, is less than enthused about actually traveling to Judea to find the child whose birth they have predicted based upon their study of the stars (with the star of Bethlehem being attributed to the rare convergence of three heavenly bodies). It really was a hard journey, requiring several months of travel across deserts and mountains. By conveying their journey basically in its entirety, this film produced in me a new level of respect for these men and their significance in the story of Jesus' birth. <
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>The final half hour of the film pretty much blew me away. The light of the Star shining down on the manger, the depiction of the shepherds, the arrival of the Magi - it all really brings home the significance of this newborn baby. As if that isn't enough, the story also features some subtle and profound foreshadowing of later events in Jesus' life. For Christians, the film is truly a blessing, but even nonbelievers should appreciate the poignancy of the story, the fine acting, and the excellent cinematography - and everyone should welcome the opportunity to glance into the rearview mirror of time and get a sense of life as it was just over two thousand years ago.


Beautiful depiction of Christ's birth
The story of the Nativity has been told and retold, yet somehow this movie manages to make it seem new, by an honest and moving retelling of the story of the birth of Christ. Following the accounts told in the Bible by Matthew and Luke, the filmmakers create a dignified depiction of the events and the people surrounding Christ's birth. The shame of Mary's pregnancy is shown from the point of view of Joseph and Mary's parents. After an angel appears to Joseph and explains that Mary was impregnated by the Holy Spirit, his relationship with Mary grows in a beautiful way. The film makers wisely resist Hollywood glitz and keep the story simple and human, while still impressing viewers with the importance of the world-changing event they are re-enacting.

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