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| ACTORS: | Clark Gable, Marilyn Monroe, Montgomery Clift |
| CATEGORY: | DVD |
| DIRECTOR: | John Huston |
| THEATRICAL RELEASE DATE: | 01 February, 1961 |
| MANUFACTURER: | MGM/UA Video |
| MPAA RATING: | NR (Not Rated) |
| FEATURES: | Black & White, Closed-captioned, Widescreen |
| TYPE: | Feature Film-drama |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 027616862938 |
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Customer Reviews of The Misfits
Miller's "Annie Hall"? I have always suspected that there was more autobiography in screenwriter Arthur Miller's "gift" to then-wife Marilyn Monroe than even he may have realized at the time. Miller's (typically) depressing assortment of beautiful losers in "The Misfits" is rendered even more poignant by the real-life tragedies unfolding amongst the film's stars (Clark Gable's impending fatal heart attack; Monroe's suicide within a year; and Montgomery Clift's ongoing battles with alcoholism, mental instability and addiction to pain-killers). Morbid as this sounds,these factors probably "helped" Gable, Monroe and Clift to each give some of the most realistic and heartfelt performances of thier careers. Eli Wallach and Thelma Ritter (frequently overlooked for thier contributions to the movie) give equally skilled performances. A bit "stagey" at times, understandable with Miller's theater background. The irony of the movie's final shot, with Gable and Monroe gazing heavenward as they drive toward "that brightest star", is almost unbearably saddening, yet such a perfect swan song for two fine screen actors in (literally) thier final film scene. One of director John Huston's more absorbing dramas.
Marilyn Monroe delivered a good performance!
THE MISFITS is a winner.Despite the fact that it failed at the box-office,and dramatic behind-the-scenes conflicts,this film is a good drama movie. The script of this film was written by Monroe`s then-husband,playwright Arthur Miller,as a "valentine" to her following the sad miscarriage of their child.This time,the Godess plays a role you have never seen her play in her earlier pictures.In THE MISFITS,she`s Roslyn Tabor,a divorcé who joins a group of cowboys.Roslyn was based on Marilyn.One of the cowboys is Gay Laughland,played to perfection by Clark Gable.Gay is a free spirited man who lives life by the minute and nothing gets in his way of pleasure.Also in the gang are two men (Montgomery Clift and Eli Wallach)who have hidden pains from their past.The Nevada scenery is breathtaking and the musical score by Alex North is very good.Marilyn Monroe fans should know that this film added many elements from Marilyn`s troubled reality such as references about her mother.In the film,Gay helps Roslyn figure out what demons are killing her and what is she running away from.We can see that Monroe did a good job with this film and fully applied the Strasbergian Method to it`s fullest when it came to inner-examination.This film should please any MM fan,and any moviegoer that enjoys a good piece of drama.This was the last film for two movie stars that offered so much to American cinema:the king and queen of Hollywood(Gable and Monroe).
Monroe at her best
In "The Misfits," Arthur Miller creates an atmosphere which seeps directly into the viewer's bones...
Dark, depressing, gloomy, and filmed in black and white, works beautifully.
Monroe, Gable, Clift, Wallach, and even the Mustangs all search for their place among the elements.
From bar to bar they go, drinking, flirting, drinking... did I say drinking?
They all want Monroe, but she doesn't know what she wants...just
to take care of somebody, just to be loved, just to be left alone. (Sounds familiar) she was cast perfectly.
An unbelievably powerful scene is ...
when Monroe does not want the men to catch the Mustangs for dog food...she runs in the middle of the desert, screaming, yelling, crying, tossing the sand in the air...
"Leave them alone, let them be. Why are you doing this? They want to be free. Please. Please. Leave them alone."
The viewer will be there...
feeling, lifting whatever passion they may have too, letting it go, letting it go...
because without freedom or direction.... one has nothing, the characters had nothing, the mustangs with their hoofs tied, had nothing.
When Monroe screams like a mad woman, we all scream with her...
For any wrong ever done, any lonliness we ever had, any love we never recieved.
***Note***A must watch for Monroe's performance alone!