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| ACTORS: | Clark Gable, Eleanor Parker |
| CATEGORY: | Video |
| DIRECTOR: | Raoul Walsh |
| THEATRICAL RELEASE DATE: | 21 December, 1956 |
| MANUFACTURER: | Mgm/Ua Studios |
| MPAA RATING: | NR (Not Rated) |
| FEATURES: | Color, NTSC |
| TYPE: | Western |
| MEDIA: | VHS Tape |
| # OF MEDIA: | 1 |
| UPC: | 027616237033 |
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Customer Reviews of The King and Four Queens
KING CLARK A desperado, Dan Kehoe (Clark) seeks refug in the little ghost town of Wagon Mound; only the four wives and mother of the McDade brothers (who are dangerous gunmen) inhabit the town...........A romantic Western with mystery and comic element therein, its an entertaining little flick; Gable shows us just why he is truly one of the screen's all-time great personalities. An amusing, fascinating and interesting albeit amoral and rather tawdry Western. The film develops as a superficially cynical excercise in the rival attractions of sex and money. Gable's charm as the ruffian-hero is more realistic and resistible that the script assumes, and in spite of a few moderately vigorous action scenes, the story is largely played out through dialogue exchanges with have little pace or spirit. Jo Van Fleet as the embittered Ma McDade plays her role with a harsh theatrical-like emphasis which gives her scenes a certain edge. Of the four queens, Parker is the most intelligent; the one you know he'll eventually gravitate to.
Maltin has it wrong. Good movie.
Perhaps Mr. Maltin doesn't like amoral tales, but there is a lot more to this story than meets the eye. Gable's character is amoral. The wives (3 of the 4 are widows, not knowing which husband survived his criminal past) are amoral. And the bible thumping mother in law, protecting money stolen by her sons, has got to be seen as amoral. Very good character development. A taunt tale. Gable looks like his classic, powerfull self. The actresses, though basicly unknowns, put in fine performances - and are easy on the eyes to look at, as well.
Another BRILLIANT effort from Hollywood Auteur Raoul Walsh
Raoul Walsh may well be the most overlooked master filmmaker, aside from Mike Curtiz(who did win an oscar after all), from the old school of Hollywood.His style is subtly controlled, and to the untrained eye, invisible, a regular joe turning out hollywood studio pics. But view the man's films and you will see the forming of a cohesive, thematic, and highly personal style through which he tells us of ourselves. Top notch acting and screenwriting add to this astounding work of art.