Cheap The Karate Kid Part III (DVD) (Ralph Macchio, Pat Morita) (John G. Avildsen) Price
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| ACTORS: | Ralph Macchio, Pat Morita |
| CATEGORY: | DVD |
| DIRECTOR: | John G. Avildsen |
| THEATRICAL RELEASE DATE: | 30 June, 1989 |
| MANUFACTURER: | Columbia/Tristar Studios |
| MPAA RATING: | PG (Parental Guidance Suggested) |
| FEATURES: | Color, Closed-captioned, Dolby, Widescreen |
| TYPE: | Feature Film Family |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 043396059924 |
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Customer Reviews of The Karate Kid Part III
The best Karate Kid film in the series This is the best KK film. I thought this installment had the best plot and villians. In director John G. Avildsen's third installment of the popular Karate Kid series, the original villian returns to get his revenge aganist Miyagi and Daniel. Kreese the mariane whom Miyagi thumbled with a few punches and kicks, has never forgotten the bitter taste of defeat. Bankrupt after the first tournament defeat, he's back with a particulary nasty friend and a new trainer who is aching to lure Miyagi and Daniel into the fight of their lives. When Daniel decided not to compete in the challenge, he becomes the target of numerous attacks by Kreese and his villainous friends, who will stop at nothing to win the title back. But when his relentless abuse becomes blackmail, daniel goes aganist the sound advice of Miyagi and enters the competition, alienating his mentor. This rousing continuation of the adventures of Daniel and his teacher includes fast -paced karate sequences. This is the best installment in the series. I love 3. This istallment had a better plot than the 1, 2, and 4. I thought this was an awesome way to end the it, (the series). If you're a true fan stop after this one.
The end of Daniel san's story
Right up there with the most inspirational films of our time, Karate Kid III is a testament to the human spirit. In this installment our favorite karate instructor, Sensei Kreese is torn by his demise at the hands of Daniel and Miyagi in the first film. Afterall, Daniel defeated Johnny at the All Valley Tournament. Where is there left to go for Kreese. You would think his life is over, but no. He turns to his rich friend Terry Silver for the answer. Mr. Silver is strangely obsessed over getting back at Miyagi and Daniel. I think he wanted it more than Kreese even for some reason. So he makes himself appear as a nobody, he even drives a little truck with no roof on it. Then he finds karate's bad boy, Mike Barnes...a performance that outshines perhaps any yet in the Karate Kid series. Barnes, and his two new friends, Snake and Dennis, eventually bully poor Daniel into signing up for the tourney. Silver finds a way to become friends with Daniel and basically makes him his puppet. He wills Daniel to fight without mercy and to go against all Daniel stands for by trying to convince him to fight dirty. Daniel doesn't really like it but he keeps studying under Silver for a while until he realizes the error of his way. At one point he asks Miyagi to teach him to sweep, in which Miyagi comes back with a broom and begins sweeping the steps. Brilliant. It all comes to an end at the tournament where Daniel must face his fear, and take on Mike Barnes. Daniel pulls no punches and unleashes his fury upon Barnes. Perhaps one of the greatest martial arts displays ever on film.
Even on DVD, Mike Barnes is Karate's Bad Boy
Though he is in soap operas now, this film displays Mike's young days as a brash, fighting machine. He uses "quicksilver" to destroy his opponents, and Daniel-San gets a taste of this ferocity as he wets his pants when he is flung from the Cobra Kai dojo.
Many feel that the real winner in the tournament was Mike Barnes, and I am among them. Perhaps the most tainted victory
in the history of the "Under 18 All Valley Tournament," Daniel wins in distasteful fashion. You be the judge. The downside of the tournament is that Cho-sen, Johnny and Bobby did not compete. But this is negated by the return of Sensei John Kreese and the sensational debut of Terry Silver.
This is the premier movie in the series. A mix of existentialism (another reviewer noted how it was reminiscient of Kafka) and homosexuality, this film is a profound, influential work of our times; indeed, as Daniel-San states, "this is the 80's, you can't be so damn passive!"
Ultimately, the movie is about freedom, human anguish, and bravery. As Camus wrote about the war in Paris (which is the only thing that barely comes close to the intense fighting in this film):
This huge [Daniel Larusso], all black and warm in the summer night, with a storm of [Mexicans] overhead and a storm of [Cobra Kais]in the streets, seems to us more brightly lighted than the City of Light the whole world used to envy us. It is bursting with all the fires of hope and suffering,it has the flame of lucid courage and all the glow, not only of liberation, but of tomorrow's liberty.