Cheap The Hustler (DVD) (Paul Newman, Jackie Gleason) (Robert Rossen) Price

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Customer Reviews of The Hustler

The film is a gritty, uncompromising character study and tragic love story that is set in the world of pool hustlers. Piper Laurie; as an alcoholic floozy who falls hard for Fast Eddie; and George C. Scott as the cold hearted manipulative gambler, Bert Gordon,-- contribute two additional flawless supporting performances. It was directed by the controversial Robert (All the King's Men) Rossen (he resisted but eventually named names during the infamous blacklist of the 50's).

The film focuses on the arrogant, unsympathetic exploits of a con man as he uses his charm, looks and pool playing skills to hustle enough money to challenge Minnesota Fats, only to be humiliated in defeat. As 'Fast Eddie' attempts to raise money for a re-match, he meets and almost falls in love with Sarah a fellow alcoholic. At first Fast Eddie refuses to be managed by Bert Gordon, but after a pool hall hustle ends up with Fast Eddie having his thumbs broken, he reconsiders. Before the re-match with Minnesota Fats, a warm up high stakes game in Louisville has tragic consequences.

The film dares to focus on a-typical anti-hero characters who live by amoral codes. Very little Hollywood style gloss is to be found anywhere in this stylistic gritty masterpiece which wound up being nominated for 10 Academy Awards (West Side Story won most of them that year). Cinematographer Eugene Shufftan deservedly won an Oscar for his moodily lit, beautiful black and white images. Harry Horner's and Gene Callahan's intricately art direction, production design and set decoration were also awarded with Oscars. Pool legend Willie Mosconi taught Newman how to look and act the part of a pool hustler and also made Newman's trick shots in the film. Jackie Gleason was already an excellent pool player. There really was an Aames pool hall in New York City and it is used for the film's most riveting scenes. Boxer Jake LaMotta (of 'Raging Bull' fame) plays a bartender in the film.

Director Rossen who began his career as a screenwriter made only one other film (1964's Lilith) after 'The Hustler'. Rossen died in 1966. Martin Scorcese directed the 1986 sequel Color of Money, with Newman reprising his Fast Eddie role (and this time Newman won a best Actor Oscar for his efforts) as he teaches an up and coming hustler (Tom Cruise) the ropes. The sequel doesn't come close to being as good as the original (despite its stylistic flourishes, cast and director).

Interesting to note that the characters in The Hustler were fictitious and an above average pool player legally changed his name to Minnesota Fats AFTER the film was released. The real life 'Minnesota Fats' eventually played a nationally televised (hosted by Howard Cosell) pool exhibition with William Mosconi in the 1970's more than 10 years after this 1961 film.

DVD IMAGE AND SOUND

The film has been digitally re-mastered in 2.35:1 anamorphic widescreen. The films looks to be in excellent shape with very little print damage observed. The look of the film is smoky and gritty and the shadow details are rich indicating strong black levels present. This is a very sharp looking black and white film. The sound will not impress but the dialogue, sound effects and occasional music is crisp and usually centered..

DVD EXTRA'S

In addition to two trailers for the film, there are a few interesting featurettes some production stills and the superb commentary track.

Richard Schickel hosts the too short documentary The Hustler: The Inside Story which gives us some details on how the film came to be made, and delivers some we were there stories from some of the film-makers and a few surprise guests.

"How to Make the Shot," and "Trick Shot Analysis by World Artistic Champion, Mike Massey"
are two shorts demonstrating and showing viewers how to make some trick shots on the pool table.

There is a superb commentary track which features the reminisces, and perspectives from actors: Paul Newman, and Stefan Gierash (Preacher), Dede Allen (film editor), Ulu Grosbard (assistant director), Carol Rossen (the director's daughter), Richard Schickel (film critic, Time), and Jeff Young (film historian). The comments cover all aspects of the making of the film. Newman's comments as one might expect are few.

The film looks and sounds great, the extras compliment the classic film very well. Along with Hud, and Nobody's Fool, The Hustler has, what for me, is one of the three best Newman performances on film. Considering the supporting cast are superb, there's little for anyone to fault with this film.

Christopher J. Jarmick, is the author of The Glass Cocoon with Serena F. Holder a critically acclaimed, steamy suspense thriller...

Great Memorable Film...score: 88 (out of 100)
Robert Rossen's THE HUSTLER (1961) is one of the great memorable films of the sixties. Although I am inclined to say that HUD (1963) and COOL HAND LUKE (1967) are Paul Newman's best films, this movie gets a very close third place. All of these movies have Newman playing born losers who won't conform to the rules of life. This film isn't just about Newman's character, pool hustler Eddie Felson, but about those in his orbit - his girlfriend (Piper Laurie), manager (Myron McCormick), Bert Gordon (George C. Scott) - the manipulative agent, and even Minnesota Fats (Jackie Gleason).

There is one thing that is on Eddie Felson's mind - to beat legendary Minnesota Fats at pool. He not only wants to beat Fats for the money, but he wants to build a name for himself. Felson almost beats Fats in their first match, but he doesn't know when to quit. Felson blows it through pride and booze. According to Bert Gordon, Felson is a born loser. Gordon summarizes Felson's major weakness - lack of character. Then, Felson ruthlessly dumps his manager Charlie Burns (McCormick), and he finds solace in the arms of an alcoholic loner Sarah Packard (Laurie). They develop a destructive love affair. Unfortunately, this is when the movie goes flat - too much emphasis on Newman and Laurie. Felson tries a comeback, and with the financial help of Gordon, he does face Fats again. However, Felson pays a horrible sacrifice for this last match.

The film received two Oscars for black-and-white set design and cinematography. It also garnered nominations for Newman (Best Actor), Scott and Gleason (Best Supporting Actor), Laurie (Best Actress), director, picture, and screenplay. It is a memorable film that engulfs you from start to finish.

Pros: Acting, characters, direction, score, cinematography
Cons: Too much emphasis on melodrama of Newman and Laurie

Score: 88 (out of 100)

One of the greatest American films ever made. MUST SEE!!!
With or without the Oscar, this is one of the greatest American films ever made in any genre. George C. Scott refused to take part in the Oscar ceremonies when "The Hustler" was nominated, calling them "a self-serving orgy" if my memory serves me right. Perhaps that stand contributed to the movie not being recognized in its own time. Whatever the reason, this film shows you that recognition is unnecessary for true art. The cream always rises to the top.

People may not realize that Paul Newman was an unknown when this movie was made. His youthful brashness and emotion laden performance show him as an actor beyond his years.

One can never say too much about George C. Scott. He's old reliable, in this movie as in his others. He does an excellent job. He's just so good that we are numb to his mastery.

Piper Laurie also turns in an amazing performance. Her acting is subtle but her method is steady.

The real standout in this film is Jackie Gleason. He shows why he was called "The Great One." I personally feel that this movie shows him as the greatest method actor of his generation, and perhaps one of the greatest ever.

But unbelievable acting is only one part of this gem. The cinematography is clear and artistic. The script is expertly written and the scenery couldn't be more authentic.

This is the only pool movie I know of that you can enjoy as a pool player. The pool scenes are unbelievable. They used the greatest pool players of the day in shooting and it shows. The Color of Money is a nicely shot movie but there is not really a lot of pool in it. This is a pool movie that transcends pool.

Please do yourself a favor and add this to your collection.