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Customer Reviews of The House With Green Shutters (Twentieth Century Classics S.)

The Pride and the Tragedy
What is tragedy and how does it work? These are questions you will understand better after reading this book. Set sometime in the second half of the 19th century, the story concerns the fortunes of the Gourlay family in the small Scottish town of Barbie. John Gourlay, a big, domineering, but intellectualy challenged man dominates the local economy and has a monopoly of the carrying trade. He is harsh and powerful, of bull-like stature, and famous for his glower. On a brae overlooking Barbie he has built the House wIth the Green Shutters. This house is both the symbol of his dominance and an object of hatred and envy to the townsfolk.

Aristotle defined tragedy as a story depicting the downfall of a great man. At first it is hard to see this stupid, cruel, and grasping merchant as a great man, but The House With the Green Shutters will also improve your notions of what greatness is. John Gourlay is great because there is no fear or compromise in him. Although he may wish to be well thought of by the small-minded, two-faced gossips of the town, he is not prepared to go one inch out of his way for them, scorning even the banal pleasantries of small talk or phatic communication. He wants only their respect not their love, and respect him they do even though they also hate him.

With all true tragedy the tragic element comes directly from the greatness. It is his greatness that destroys John Gourlay. His stubborn pride and unflinching courage are qualities more suited to some heroic age of battles and revolutions. They do not fit into the petty, hypocritical world of 19th century Scotland. In this unheroic world his heroic qualities can only work towards his downfall. The thought constantly in one's mind as you read this novel is, 'If only he were a lesser man . . .' His inability to compromise by lowering himself to the same level as his fellow citizens, works to his disadvantage. Unable to plot, maneuver, and dissemble, his little empire is soon undermined by the arrival in town of Wilson, a glib self-seeking nobody with no real passion, but a much abler businessman in tune with the times. Affable and manipulative, false and corrupt he starts to squeeze Gourlay out of one thing after another. This is ,in effect, the triumph of style over substance that so bedevils our modern age. Although grim, proud and dour, Gourlay is an honest man, inept at chicanery, and unable to bend to suit the occasion.

The House With the Green Shutters is a tragedy in the full classical Greek sense of the word; the preordained fall of a hero who doesn't fit into an unheroic world; a great bull sacrificed to appease the Gods for human hubris. It is even more poignant from the fact that its keynote of tragedy was reflected in the life of its young author who had the misfortune to die only one year after writing such a masterpiece.

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No Home for Heroes
What is tragedy and how does it work? These are questions you will understand better after reading this book. Set sometime in the second half of the 19th century, the story concerns the fortunes of the Gourlay family in the small Scottish town of Barbie. John Gourlay, a big, domineering, but intellectualy challenged man dominates the local economy and has a monopoly of the carrying trade. He is harsh and powerful, of bull-like stature, and famous for his glower. On a brae overlooking Barbie he has built the House wIth the Green Shutters. This house is both the symbol of his dominance and an object of hatred and envy to the townsfolk.

Aristotle defined tragedy as a story depicting the downfall of a great man. At first it is hard to see this stupid, cruel, and grasping merchant as a great man, but The House With the Green Shutters will also improve your notions of what greatness is. John Gourlay is great because there is no fear or compromise in him. Although he may wish to be well thought of by the small-minded, two-faced gossips of the town, he is not prepared to go one inch out of his way for them, scorning even the banal pleasantries of small talk or phatic communication. He wants only their respect not their love, and respect him they do even though they also hate him.

With all true tragedy the tragic element comes directly from the greatness. It is his greatness that destroys John Gourlay. His stubborn pride and unflinching courage are qualities more suited to some heroic age of battles and revolutions. They do not fit into the petty, hypocritical world of 19th century Scotland. In this unheroic world his heroic qualities can only work towards his downfall. The thought constantly in one's mind as you read this novel is, 'If only he were a lesser man . . .' His inability to compromise by lowering himself to the same level as his fellow citizens, works to his disadvantage. Unable to plot, maneuver, and dissemble, his little empire is soon undermined by the arrival in town of Wilson, a glib self-seeking nobody with no real passion, but a much abler businessman in tune with the times. Affable and manipulative, false and corrupt he starts to squeeze Gourlay out of one thing after another. This is ,in effect, the triumph of style over substance that so bedevils our modern age. Although grim, proud and dour, Gourlay is an honest man, inept at chicanery, and unable to bend to suit the occasion.

The House With the Green Shutters is a tragedy in the full classical Greek sense of the word; the preordained fall of a hero who doesn't fit into an unheroic world; a great bull sacrificed to appease the Gods for human hubris. It is even more poignant from the fact that its keynote of tragedy was reflected in the life of its young author who had the misfortune to die only one year after writing such a masterpiece.

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Character studies of astounding realism.
In his story of the downfall of an arrogant and essentially stupid man, George Douglas Brown is relentlessly unsentimental. His portrait of life in a tiny Scottish town in the late 1800's leaves the reader with no illusions about the narrow-mindedness of the inhabitants. Bleak as their existence is, the novel is not depressing, but fascinating. While many readers will have trouble with the dialect of the speakers (the narration is standard English), the effort required to "translate" is well rewarded.