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Customer Reviews of The Gore-Gore Girls

Zombies, pasties, and french fries, anyone?
Ladies and gentlemen! H.G. Lewis, the Godfather of Gore, proudly presents an amazing shockfest of striptease slaughter! Released in 1972, the "Gore Gore Girls," a stomach-churning and brain-twisting follow-up to Lewis's infamous "Wizard of Gore," is one of the first horror films ever to be rated X! While assembled upon a generous budget of $63,500, "The Gore Gore Girls" is a cult masterpiece of blood, black humor, and burlesque. With its smart dialogue, laughable acting, and plenty of bare exposure, this movie will entertain and nauseate even today's audiences. Best of all, despite the slightly crude subject matter, the overall content manages to stay risque without excessive raunch.
Actor Frank Kress adapts the role of Abraham Gentry, a snobbish and arrogant private eye who is offered $25,000 to investigate a series of gruesome murders. He's hired by an attractive Globe reporter named Nancy Weston (Amy Farrell), who will do anything for a scandalous story. Thinking that Nancy is merely a novice in solving crimes, Kress doesn't want anything to do with her, and he doesn't make that obvious just by whipping his cane around. Thanks to his charms, poor Nancy spends the entire second half of the movie drunk on zombies and tequila shots (not to mention the winner of an amateur strip contest). Still, the two manage to travel from one strip bar to another. Audiences will be given the pleasure of watching several voluptuous women in their tassels and pasties...up, close, and personal. Eventually, Abraham and Nancy gather enough clues to target four suspects:
Joseph - a shy student who was seduced and jilted by the killer's first victim, Suzy Creampuff.
Grout - a sadistic ex-marine who crushed and disfigured the faces of several Viet Cong soldiers.
Mary - a radical feminist who thinks that topless dancers are degrading to women.
Marlene - a fuming barmaid who was once a famous female wrestler, only to have her perfect figure horribly disfigured in a fire.
A lot of dark and sexual comedy is laced in the plotline. Viewers will especially enjoy how Abraham's bon mots test the patience of the Police Department's hotheaded Lieutenant. Not only does Abraham refuse to provide accurate information to the Lieutenant, but he even tricks him into thinking that the killer is a devout Christian! And, of course, let's not forget the outrageous stand-up comedy of Henny Youngman, who plays the ambitious club owner Marzdone Mobilie.
Meanwhile, the mysterious psychopath is killing the dancers one by one, slashing their throats and mangling their bodies beyond recognition. Like "The Wizard of Gore," this movie makes the art of mutilation the main attraction. Even before the opening credits appear, the murderer grabs Suzy Creampuff by the hair and smashes her face against a glass mirror! From there, each victim's demise gets more grisly than the last, and the seemingly cheap effects will make viewers cringe to this day. In the film's latter half, Lola, a ditzy lady with false eyelashes, is attacked by the unnamed psychopath, who then bludgeons her buttocks with a meat tenderizer! The final two murders are perhaps the grossest ones ever to be filmed. The sick assailant burns one woman's face with an iron. Then, he/she has the other victim's skin sizzled in a pot of cooking oil!
If you are a fan of H.G. Lewis's lurid legacy, "The Gore Gore Girls" is worth buying. But, it's not for the easily squeamish. In fact, once you see this movie, will never want to eat french fries again!

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grotesque and hilarious
Hershell Gordon Lewis made crap. He made B-movie, gut-wrenching garbage for an audience of potential millions of teenage boys, who were just a little too weird to get girls, at least alive ones.

The "Gore Gore Girls" does not fail to entertain this heretofore unexplored demographic. It's hilarity is undisputed. And, yes, Lewis knew he was making comedy.

I don't think it's as good as 1963's "Bloodfeast" or even 1964's "Two Thousand Maniacs," which, as the first gore films ever released in America, have a much higher historical and cultural importance and are, in fact, primary historical source material.

The "Gore Gore Girls" is an anarchic, nihilistic parody of its times, and it would be enjoyed by followers of Sade, Hobbes, and Malthus today. Feminists are sure to love the premise of the film, which I refuse to divulge.

Buy this gory, disgusting, french fried, eye-popping, face cleaving masterpiece. Make sure to bring a milk glass.

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Icky even for Lewis
In 1963 Herschell Gordon Lewis, an independent filmmaker known for making cutie pictures, changed forever the face of American cinema when he released "Blood Feast." This film, about as low budget as you could possibly get even in the 1960s, kicked off the era of the gore film. While it would be quite some time before Hollywood caught on to the fact that certain segments of movie audiences hungered for films containing nauseating scenes of explicit violence, H.G. Lewis took one look at the receipts for "Blood Feast" and decided he better quickly make another movie similar to this one. What followed was a series of gruesome zero budget shockers, films like "The Gruesome Twosome," "A Taste of Blood," "2000 Maniacs," "The Wizard of Gore," and his final cinematic gore masterpiece "The Gore-Gore Girls." Lewis retired after making this 1972 picture in order to concentrate on a career in advertising, an endeavor he found much more profitable than his work in the film business. It wasn't until 2002 that the director returned to form with "Blood Feast 2: All U Can Eat," a movie which proved beyond a shadow of a doubt that the Godfather of Gore still has what it takes to gross out an audience.

A gruesome series of murders committed against some local club employees inspires a newspaper to offer a boatload of money to famous private detective Abraham Gentry (Frank Kress, a guy who looks a lot like Sydney the psychiatrist from M*A*S*H). The contact between the tabloid and Gentry is one Nancy Weston, an eager reporter who quickly develops a thing for the arrogant investigator. Abraham agrees to take the case and immediately begins prowling the local go-go clubs, asking questions about the victims and narrowing down his field of potential suspects. One man in particular, a Vietnam veteran with the odd habit of squashing fruit, initially attracts Gentry's attentions. Another suspect turns out to be the head of a small cell of rabid feminists who routinely turn up at the clubs to protest the squalid behaviors of its denizens. The case would probably be resolved in a speedier manner if Gentry didn't have such an annoying personality. He ambles around dressed in a three-piece suit with cane, making it a habit to insult everyone from a sniffling bartender (played by Ray Sager of "The Wizard of Gore" fame) to an obnoxious waitress to the owner of a string of clubs named Marzdone Mobilie (Henny Youngman, of all people). He even misleads the local police with a crazy story about a bible-toting killer just so he can solve the case and collect the award.

Meanwhile, the killer continues the rampage. Herschell Gordon Lewis created some nasty looking special effects during the course of his career, but the scenes of carnage in "The Gore-Gore Girls" plumbs the depths of sadism. Describing all of the crimes here in gruesome detail probably won't do, but if you can imagine the effects of bobbing for French fries or the result of applying a hot clothing iron to flesh, you are half way there. Even worse, Herschell plays some of the scenes for laughs, with the grisly highlight involving both chocolate and regular milk. One scene involves a head and a car that equals, if not surpasses, a similar situation in Troma's "The Toxic Avenger." Lewis's final film is only for the stoutest souls, those hardy individuals inured to this type of stuff because they have watched dozens of horror films. Weak hearted people should probably stay well away. Besides, if you cannot stand terrible acting, go-go dancers with about as much onstage energy as a group of geriatrics, or canned jazz music as a soundtrack you won't make it through this one anyway.

"The Gore-Gore Girls" initially resembles a giallo film. A black-gloved killer toting a whole mess of sharp instruments spends a whole lot of time tracking down decidedly unattractive go-go dancers in order to kill them. The first murder looks like it is straight out of a Dario Argento film. If it looks, tastes, smells, and feels like a giallo, it must be a giallo, right? Wrong! This is H.G. Lewis, the Godfather of Gore. The emphasis here is on shocking the audience to the core of its being rather than wasting a huge amount of time building up suspense, investing energy in coming up with inventive camera angles, or constructing a complex plot. Instead, "The Gore-Gore Girls" gives you lots of seedy atmosphere, pedestrian pacing, and amateurish editing (some of the dance sequences run on for WAY too long). One bright spot is the actress who plays Nancy Weston, a nice looking redhead out of place in a Herschell Gordon Lewis film unless you take into account her lousy acting skills. Yes, the film is painful to watch, but you know if you are a Lewis fan you will do it anyway and you will enjoy the trip.

The DVD is another winner in the Lewis catalogue. The director's commentary illuminates many of the hassles both big and small encountered during the production shoot, as well as providing lots of laughs over Lewis's philosophy about making low budget films. As for the picture quality, well, it leaves a lot to be desired. Colors look overexposed on numerous occasions, although that is probably how the movie looked when it was originally shot because anyone familiar with Lewis's films knows he had only a rudimentary knowledge about lighting a scene. Not my favorite Lewis film, "The Gore-Gore Girls" is still an important entry in the Lewis canon due to the over the top gore and the fact that it was the last film the director made for nearly thirty years.