Cheap The Golden Age of Singing: Vol. 3 1920-1930 (Music) (Emilio Sagi-Baba, Guglielmo Masini, Franco Alfano, Emilio Arrieta y Corera, Vincenzo Bellini, Georges Bizet, Alexander Borodin, Eugeno Diaz de la Pena, Gaetano Donizetti, Umberto Giordano) Price
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| ARTIST: | Emilio Sagi-Baba, Guglielmo Masini, Franco Alfano, Emilio Arrieta y Corera, Vincenzo Bellini, Georges Bizet, Alexander Borodin, Eugeno Diaz de la Pena, Gaetano Donizetti, Umberto Giordano |
| CATEGORY: | Music |
| MANUFACTURER: | Nimbus Records |
| FEATURES: | Original recording remastered |
| TYPE: | German/Austrian Operetta, Romantic Opera, Classical Collections-Composer Desc., French Romantic Opera, Italian Baroque Opera, Italian Romantic Opera, Classical Music, Russian Romantic Opera, German/Austrian Romantic Opera, Miscellaneous Music, German/Austrian 20th/21st Century Opera, Classical, Opera, Classical Vocals, German/Austrian Classical Period Opera, 20th/21st Century Opera |
| MEDIA: | Audio CD |
| TRACKS: | Romeo Et Juliette: Je Veux Vivre Dans Ce Reve (Waltz Song) - Lucrezia Bori, Andrea Chenier: Un Di, All'azzuro Spazio - Beniamino Gigli, Die Tote Stadt: Gluck, Das Mir Verblieb - Maria Jeritza, Don Giovanni: Or Sai Chi L'onore - Frida Leider, I Puritani: Son Vergin Vezzosa - Amelita Galli-Curci, Carmen: La Fleur Que Tu M'avais Jetee - Richard Tauber, Die Entfuhrung Aus Dem Serail: Martern Aller Arten - Maria Ivogun, Cavalleria Rusticana: O Lola (Siciliana) - Aureliano Pertile, Don Sebastiano: Deserto In Terra Solo - Alfred Piccaver, Il Barbiere Di Siviglia: Una Voce Poco Fa - Toti Dal Monte, Benvenuto Cellini: De L'art Splendeur Immortelle - Giuseppe De Luca, La Boheme: Mimi E Una Civetta - Antonio Cortis, Die Schone Galathea: Trinklied - Lotte Schone, Rigoletto: Pari Siamo - Carlo Galeffi, Resurrection: Dieu De Grace - Mary Garden, Le Nozze Di Figaro: Voi Che Sapete? - Elisabeth Schumann, Don Quichotte: Death Scene - Feodor Chaliapin/Olive Kline, Marina: Brindis: 'A Beber' - Miguel Fleta/Emilio Sagi-Barba, Le Nozze Di Figaro: Porgi Amor - Lotte Lehmann, Pagliacci: No, Pagliaccio Non Son - Giovanni Martinelli/Grace Anthony, I Vespri Siciliani: O Patria...O Tu Palermo - Ezio Pinza, Aida: Nile Scene: O Patria Mia - Elisabeth Rethberg, Der Fliegende Hollander: Wie Aus Der Ferne - Friedrich Schorr, Les Pelerins De La Mecque: C'est Un Torrent Impetuex - Lucien Fugere, Il Trovatore: Il Balen Del Suo Sorriso - Apollo Granforte/Guglielmo Masini, Der Wildschutz: Wie Freundlich Strahlt - Gerhard Husch, Prince Igor: Jaroslavana's Aria - Nina Koshetz, Norma: Meco All'altar Di Venere - Giacomo Lauri-Volpi, Turandot: In Questa Reggia - EVA TURNER, Lohengrin: Einsan In Truben Tagen (Elsa's Dream) - Hina Spani, Werther: Va Laisse Couler - Ninon Vallin, Les Huguenots: Nobles Seigneurs - Sigrid Onegin, Bernice: Si Tra I Ceppi - Alexander Kipnis, Tannhauser: Inbrunst Im Herzen...Da Sah Ich Ihn - Lauritz Melchior, Otello: Ora E Per Sempre Addio - Renato Zanelli, Un Ballo In Maschera: Eri Tu - Lawrence Tibbett |
| # OF MEDIA: | 2 |
| UPC: | 710357705427 |
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Customer Reviews of The Golden Age of Singing: Vol. 3 1920-1930
Great Voices of the 1920s in Opera and Operetta. The Nimbus method of reprocessing historical recordings is particularly kind to singers who recorded by the acoustic process, before the advent of electric recording in 1925. In this third issue of their "Golden Age of Singing" series, Nimbus Records cover the years 1920-1930. About a dozen recordings from the pre-electric era are found here, including items by Galli-Curci and de Luca who featured in the second issue in this series. Other singers featuring again in this third series include Lotte Lehmann and Giovanni Martinelli, heard here in 1927 recordings.
Whatever criteria you use to assess anthologies of great singers, you will probably be well satisfied with this splendid issue. If you collect the works of particular singers, you will find not only representative but also rare items. I count the Pinza item as both. It shows him at his best, and has hitherto not found its ways into my CD collection. Occasionally items are not sung in their original language. Frida Leider's "Don Giovanni" aria sung in German in 1922 is preferred to her 1927 remake sung in Italian. Hina Spani sings Elsa's Dream in Italian. Some singers are recorded at the very end of their careers. Scottish soprano Mary Garden, Debussy's first Melisande, is heard in 1927 at her last recording session. Representing a miracle of good singing and longevity is Lucien Fugère recording a Gluck aria in 1928 at the age of 80. Tauber is heard near the beginning of his career in 1923. Youngest of all is the German baritone Gerhard Hüsch, aged 27.
I doubt that many who are considering purchase, every heard any of these singers. I happen to have heard two of them, when a very young man - Ninon Vallin and Elisabeth Schumann. To those who collect great voices on record, whether ever heard in performance or not, I restate that these Nimbus anthologies offer recreations of acoustic recordings that are well worth considering.