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Customer Reviews of The Gentleman Bandit

Not Jordan's Favorite Either But Alot Goin On Visually
I think he would agree that this film is too heavy on camera and not strong on script. But considering the budget - $850,000 it really is to be watched. Jordan's ability to master visuals with no money is unheard of. Look at the downtown LA chase and the use of helicopters and pyros! There is also a touching performance he gets from a child actress Kritina Molata. Charlie Mattera the lead, was a real life bank robber. So there is a lot more going on than meets the eye.

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47 Banks. 18 Months. True Story!
Brooklyn-to-the-core thief Nick (Charlie Mattera) is betrayed by his friend Manny (Peter Greene), who is jealous of his love with Maria (Justine Miceli). Released from prison years later, Nick moves to LA, where he re-connects with Maria. Maria had married Manny (who is now a brutal cop), but the two have since split. Nick is also taken under the wing of Harry (Ed Lauter), an aging gentleman bandit, who trains Nick to be a more elegant criminal than he has been until now. The film's plot gets slowed down by far too many flashy montages, and much of the dialogue is banal in the extreme. The bank robberies, however, are fun to watch, and for a reformed thief, Mattera turns in a credible performance. Curiously, the film is actually called "Gentleman B." in the credits. <
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>The menu has a fully animated and scored main page, which admittedly suggests are rather more action-intensive film than we actually get. Director Jordan Alan's commentary is good: he speaks well, has an interestingly sarcastic tendency, and sounds like he should be host of a late- night jazz program. Beyond this feature, there are also 6 deleted scenes, a fascinating interview with Charlie Mattera about his past, trailers for Gentleman Bandit Love & Happiness, filmographies (for the actors, and a biography for the director), and a still gallery. <
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>Hardly a crime classic, but an okay 93 minutes, and there's some interesting background here.

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EMPHASIS UPON CAMERA TECHNIQUE OUTLINES PLOT WEAKNESSES
When Nick Vincent (Charlie Mattera) returns to his former New York City haunts after serving an eight-year sentence at Riker's Island for robbery, he learns that regaining a place in society is not easy to accomplish and additionally discovers that his erstwhile girl friend Maria (Justine Miceli) has relocated to Los Angeles, so westward he goes to find her, however, when he does, he must face that she has married his crime partner Manny (Peter Greene) who had treacherously caused Nick's arrest but nonetheless has somehow become an officer of the Los Angeles Police Department. Scripted and produced by convicted ex-real life bank robber Mattera, this work is effective primarily when it is focussed upon the renewed relationship between Nick and Maria, with the latter's eight year old daughter Ally (Kristina Malota) as seasoning, but improbable ancillary activities of Manny, now a rogue cop who can apparently evade Departmental oversight, are so fraught with foolish fabrication that the film's main theme becomes diluted. Yet, believability of narrative unfortunately becomes moot because of director/cinematographer Jordan Alan's absorption with technical capabilities of his cameras, with a result that speed changes and a fetish for montage, when linked with a raucous sound track, causes a sensorially weary viewer to periodically forget about the primary storyline, erratic in quality as it may be. During the film's quieter moments, good playing may be enjoyed, with Ed Lauter noteworthy as a "retired" felon, and self-styled guardian of Maria and Ally, who transforms the shabby Nick into a sartorially splendid "Gentleman Bandit", while Miceli, Mattera, along with young Malota, all demonstrate solid skills, and Greene, as is customary, dominates his scenes; all minified by Alan's bias for camera pyrotechnics, and a grotesque climax.