Cheap The Front (DVD) (Woody Allen, Zero Mostel) (Martin Ritt) Price

Related Products

Customer Reviews of The Front

The movie is a somewhat dark comedy. Woody Allen is the only person in real life in the movie who was not affected by the infamous blacklist that ruined so many careers and even caused some to die. The role that the late Zero Mostel had shows how he(also blacklisted in real life) kills himself after not being able to find work.

Woody does not play the typical schlep as in so many of his other films. Rather, at the end, he finally expresses (censored on television) his exact feelings to the HUAC members and is last seen being taken off to prison. Yes, there are some funny moments for example, when he is asked to change a script at the last moment and has to depend on some rather interesting methods of doing so.

For those who did not live through those dark days and who are not familiar this "ism" this is one avenue to look at and learn just how bad things were. The sad thing is that this movie is simply not shown enough to remind us of all of that.

Mostel Showcase
The screen time may belong to Woody Allen, but the movie belongs to Zero Mostel. Few actors are more improbable than the artfully bulky Mostel, whose round head, tiny snub nose and large expressive eyes resemble a cartoon more than an actual person. Yet his range is phenomenal. Watch the breadth as he slyly tries to work around head witch-hunter Francis Hennesee, or comically greets the diminutive Allen, or explodes in eye-popping rage at the Borscht-belt proprietor who cheats him. His metaphorical loss in the film mirrors the very real loss film-goers suffered during his years of blacklist. And it's to Allen's credit that he generously showcases this prodigious talent in what would be Mostel's last film.

The movie itself handles the blacklist of the 1950's with a congenial light touch. Allen is perfect as the nebbish who fronts for his screenwriter pals, and it's fun to watch him puff up and fluff out as the spotlight shifts abruptly his way. As expected, there are many amusing Allen bits scattered throughout. Even the romantic angle with Marcovicci works nicely into Allen's character as he evolves through the story-line, ending in a perceptive example of the old "worm turns" plot twist. All in all, this 1976, Martin Ritt film amounts to an amusing look at a dark period in American civil liberties, made unusually memorable by the sublime presence of the unforgettable Zero Mostel.

Biased but important reminder of a dark time
I suppose first up, given some of the comments here, that it's worthwhile acknowledging that communism was a threat to the United States and the West in the 1950s, and that the CPUSA played a subversive role in supporting the foreign policy interests of the Soviet Union. How culpable were the one-time communist sympathisers in Hollywood is another matter entirely, however, and the crudity and narrow-mindedness of McCarthy was unworthy of a democratic nation.
That the real danger of Soviet-style communism (both to the Americanist flagwavers and the progressive liberals and workers who understandably despised both the right and the CPUSA left) doesn't come across in this film is perhaps understandable: the personal hurt felt by all those who made it may over-ride their own sense of complicity. Unfortunate, but there you are. And it is a comedy.
As for the film itself, Allen is brilliant as Howard Prince, although once again, he seems to be playing Woody. The real star, however, is Mostel, whose bravura performance throughout puts you through the wringer with him.

The ending is ambiguous - his testimony before HUAC is supposedly carefully planned by him (without his counsel's knowledge), but instead Woody playing Woody (ie. with all the nervous tics and unfinished, stuttering sentences) gives the perhaps misleading impression that he's floundering, and therefore can leave viewers wondering whether his rebuke to the system was a political statement or merely a desperate outburst from one who was outwitted by a group of professionals.
Nevertheless, the film is v. enjoyable.