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Customer Reviews of The Flying Saucer

Ugh, the worst ever!
This "movie" is B-A-D. I'm a big fan of cheezy sci-fi noir, and enjoy atomic-age paranoia movies, but this one scrapes bottom. I can't think of any aspect of it to recommend, except maybe the lady screaming. On second thought, I can recommend using this DVD as a wind chime, or maybe flinging it a barking dog. Too bad it can't be given a negative star to damp some of the more favorable reviews...

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Mikel Conrad battles the Red Menace...sort of....
Mikel Conrad, who appeared uncredited in a number of films through the late 40's and early 50's, not only starred in The Flying Saucer (1950), but also is listed as the writer, director, and producer. One may also have seen Mr. Conrad (in rare credited roles) in films like Abbott and Costello Meet the Killer, Boris Karloff (1949) and Francis the Talking Mule (1950).

First of all, let me say right off the bat that while there is a flying saucer in this film, it's not from outer space, and there are no spacemen bent on world domination or coming to steal out women for weird procreation experiments anywhere in this film. The flying saucer is a plot device in the movie, but the whole science fiction angle to the story is pretty much non-existent. Just fair warning to anyone looking for a little cheesy science fiction fun from the 50's.

The movie starts off with a flying saucer zipping around the air, freaking people out, and newspaper headlines scream of its' appearance. Various world governments (well, the only two that counted at that time, us and Big Red) have taken an interest in this amazingly fast aircraft, and are seeking it out. The thought being that one could drop atomic bombs anywhere, anytime, unfettered. Should the Red Menace get their hands on this, well...remember, this was 1950 and the Cold War was in full swing. Mikel Conrad is Mike Trent, a millionaire playboy and government spy... well, I am unsure if he was an actual agent or just got recruited in the movie, but either way...you see, there seems to be a good amount of activity in Alaska concerning the Russians, and since Mike Trent's family has diversified interests there, goldmines, logging camps, beaver farms, igloo construction, the United States government thought he would make the perfect agent to send in and see what's going on...under the premise that he had a nervous breakdown and is going home to recuperate. At his side is Vee Langley (played by Pat Garrison), another government agent posing as Mike's nurse. (Actually, the only actor you may recognize in here is Denver Pyle, who was on TV's Dukes of Hazzard as Uncle Jesse. Pyle plays a Communista goon...I think...he didn't get a lot of screen time).

So Mike and Vee are traveling by boat to a hunting lodge owned by Mike's family, and we get to see a whole lot of beautiful Alaskan scenery. We also get to see Mike smoke like a chimney. I swear, the first half of this film you couldn't go five minutes without seeing Mike light up another cigarette. We also get voiceover from Mike, telling us a little about the beautiful scenery, but, I have to say, it was kind of difficult to listen to Mike expound on the loveliness of the surrounding Alaskan wilderness and then watch him pitch cigarette butts into the pristine, crystal clear Alaskan waters...but I digress. They finally arrive at the near empty family hunting lodge and meet Hans, the caretaker. Mike doesn't recognize Hans, and asks where the other caretaker is, to which Hans replies he doesn't know. Plot point? Probably...he certainly is a suspicious looking individual, and he seems to have a Frenchie accent and often wears a beret, sure signs of a no-goodnik.

Well, after some more goofy stuff, we do find out that the saucer is in the area, and the Russians are actively looking for it, with agents Mike and Vee right in the middle of the action...sort of...what's the big mystery of the flying saucer? Will Mike and Vee be able to find it before the Stalingradians? (Vee might, but I think Mike, aka Sir Smokes-A-Lot, will probably pass away of emphysema before the end of the film)

The Flying Saucer is basically a low-rent, James Bond spy movie without the cool gadgets or interesting characters. The film gets points for using the Alaskan wilderness as a backdrop, but loses points for the pretty lame plot devices and even lamer dialogue. I do admire Conrad's effort in writing, producing and directing this feature. Independent filmmaking is always a sketchy business, so I have to cut him a little slack as he seemed to make the best of what he had, and this certainly didn't turn out all bad.

Wade Williams and Image Entertainment provide a pretty poor print for this release, one with obvious damage to the film throughout. It's still watchable, but at a few points lines on the film are pretty heavy, and speckling severe. The audio is comparatively better, but also suffers at a couple of points. I wasn't surprised at the condition of the film, and I doubt Criterion has this on their list of future releases, so this is probably the best you're going to get on DVD. Special features include a trailer for the film, and trailers for five other Wade Willams/Image releases. I am giving this film three stars, two for the movie and one for the great looking scenery used in the film. All in all, The Flying Saucer is a mildly entertaining Cold War relic, and, at the very least, I learned that if you are ever underneath a glacier, traveling along a passageway, do not fire a submachine gun. You are only asking for trouble, my friend.

Cookieman108

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Despite the title, this is more Cold War spies than Sci Fi
"The Flying Saucer" has the distinction of being the first movie about UFO's, with Mikel Conrad doing the Orson Welles bit by writing, directing and starring in this 1950 science fiction film. Actually, this ends up being more of a Cold War spy film. Conrad plays Mike Trent, a playboy agent for the CIA who heads up to Alaska to investigate flying saucer sightings. Accompanying Agent Trent is Vee Lagnley (Pat Garrison), who poses as his nurse; the cover story is that Trent has had a mental breakdown and has returned home to Alaska to recooperate. However, the couple's opportunity for fun at the local hunting lodge is dashed when they not only spot a flying saucer but discover a gang of Soviet spies have come across the Bering Strait to also learn the secret of the saucer and control it for their Commie masters. Why is the saucer so important? Because the CIA believes it can be used to carry atomic weapons. Seriously. That is what they think and they are worried. Because in 1950 nobody remembered how to put an atomic bomb in a B-29 and drop it on anybody, I guess. This might be why Mike Trent drinks so much in this film. As for the Soviet spies, they basically make Boris and Natsaha look good, and the chief value of this film is probably how it reflects the rampant anti-Soviet sentiment that was going to fuel McCarthyism. Actually, I have to wonder why Conrad felt the need to put flying saucers into this film, because they are really nothing more than a hook...