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| CATEGORY: | Video |
| DIRECTOR: | Tim Whelan |
| THEATRICAL RELEASE DATE: | 15 January, 1938 |
| MANUFACTURER: | Madacy Entertainment |
| MPAA RATING: | NR (Not Rated) |
| FEATURES: | Color, NTSC |
| TYPE: | Feature Film-drama |
| MEDIA: | VHS Tape |
| # OF MEDIA: | 1 |
| UPC: | 056775610739 |
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Customer Reviews of The Divorce of Lady X
A very cute movie! This movie is one that shouldn't be taken seriously. It's a cute little romp about a girl(Merle Oberon) playing a joke on a naive gorgeous young lawyer(Lawrence Olivier). He easily falls in love with her but thinks that she is a wicked woman who's been married several times. She plays along and lets him think that it's true causing all kinds of funny chaos in the life of the love -struck lawyer. Lawrence Olivier looks especially dashing and handsome! This is a must see for any Olivier and Oberon fan and for anyone else who loves no brainer type flicks.
..and oldie does not mean goldie every time.
A manipulative girl and a spine-less man. She should have been used as a prototype for some major attack vehicle (the attitude, not the size) and he would have done well as a bathroom towel - soft and pliable and one can fold it any way one wants. Terribly afraid of dark stains, though. She decides first that she wants his bed (without him in it) and then him (with the bed). He does not decide anything.
I suppose one of the main reasons why Olivier became such a fantastic Shakespear actor was that he understood that otherwise he would have had to play in more stupid movies like that one. That was a very wise decision.
Terrific little intellectual comedy
I cannot believe no one has reviewed this film yet! Okiday, where do I start? This is one of the best little-known movies out there...ranks right up there with *Stand-In* (Leslie Howard, Joan Blondell) as one of the best obscure intellectual comedies out there. Merle Oberon is the vivacious and mysterious "Lady X" that attourney Laurence Olivier becomes enamored of, and although she completely butchers her accent (SHE'S an American? Yeah, right), she still delivers a solid performance. Olivier makes a terrific naive young lawyer, and is completely captivating (and, may I add, pretty darn sexy). Hilarious mix-ups and such crap ensue. Not the greatest film ever made, but one of the most enjoyable, and a fabulous film all-around. By the way, contrary to the box art, the film is actually in color (at least the version I have on tape is, and you can tell when things are colorized).