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Customer Reviews of The Chess Player

A Polish Birth of a Nation
This French silent movie was apparently discovered and refurbished by a group of British computer scientists fascinated by the automaton chess player from which the film gets its title. However, The Chess Player is a magnificently patriotic film chronicling an 18th Century Polish revolution against Russian occupation. The soundtrack has been constructed by someone who knows the old revolutionary songs of the Polish nation. There is one scene where the Poles are losing the battle, but the heroine, at a site remote from the battle, goes to her piano plays variations of Boze Cos Polska (God Save Poland) and sees above the piano the split screen reality she wishes, namely a victorious charge of Polish cavalry sweeping away the Russians. (There is simultaneous viewing of the grim reality, where the Poles without artillery are being blown to pieces.)There may be an earlier version in cinema of the split screen dual reality, but I am unaware of it. In some ways, The Chess Player, though purely a French production, could be considered a Polish "Birth of a Nation." No doubt the French screenwriter profited from Griffith's epic shot 12 years earlier. There are a number of scenes which have a good deal of resonance with those familiar with the history of the Polish-Lithuanian Commonwealth. For example, there is the portrayal of an old Polish couple being stood against a wall and shot by a Russian firing squad. An event repeated countless times during the 200 plus years of Russian occupation. This is the best edited, reconstructed, and soundtracked silent movie I have viewed. A truly magnificent contribution to world cinema.

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A MASTERPIECE...BUT ONLY JUST
Of the three accessible masterpieces of French silent cinema (the others being Napoleon and The Passion of Joan of Arc) this film is the weakest - but in such exalted company that is by no means a fatal flaw!

For various reasons the film reminded me of Griffith's Orphans of the Storm. Superficially one of the central themes is that of "sibling" affection and the heroine (Edith Jehanne) bore a striking resemblance to Lilian Gish. More substantively, as with Orphans, The Chess Player somehow seems to add up to less than the sum of its parts. For me this was largely due to the fact that I found the central love story mostly unengaging (perhaps because in his attention to detail the filmmaker retained for his actors the pleated sidelocks presumably worn by Polish officers of the period and consequently in several scenes the hero looks decidedly like a woman!)

That said the film is sumptuous to look at, the locations are beautifully shot and the editing is technically inventive throughout. Definitely a production far superior to the average fare offered to moviegoers in 1927.

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Magnificent Restoration Of A Long Lost Epic.
In his book THE PARADE'S GONE BY Kevin Brownlow mentions THE CHESS PLAYER and other films by Raymond Bernard as being among the treasures of late silent cinema so it's no surprise that his Photoplay Productions was responsible for this magnificent restoration. What is surprising is that the restoration was done in 1990 and is only now coming to DVD. At least four different 35mm prints were used to create this complete version which also features a modern recording of the original Henri Rambaud score done by Brownlow's longtime musical partner Carl Davis. As for the picture itself, I wish I could say that I was totally bowled over by the film as I have waited a long time to see it, but I wasn't. The sets and costumes are the equal of NAPOLEON, the cinematography is a striking combination of Eisenstein and Gance, and part of the story is based on historical fact (there really was a Baron von Kempelen in the late 18th century who created a mechanical chess player called the Turk) but Bernard is no Abel Gance. At 140 minutes the film seemed far too long for the story it had to tell. The pace flags from time to time especially in the romantic scenes which seem to interrupt the flow of the movie. Nevertheless THE CHESS PLAYER is chock full of startling images thanks to the automaton subplot. The final sequence inside the inventor's house will stay with you for a long time afterwards. The performances for the most part are subservient to the overall look of the film but Charles Dullin as the Baron makes the most of the film's best role. The film is definitely worth having as there is so little of late European silent cinema available on home video. One only hopes that Brownlow's restorations of Gance's NAPOLEON, Rex Ingram's FOUR HORSEMAN OF THE APOCALYPSE, Stroheim's GREED, and many others will soon make it to DVD (the original 1925 PHANTOM OF THE OPERA is coming out in September '03). While THE CHESS PLAYER may not be a film for the ages, it's still a mighty good one and an epic of true proportions as well. We all owe Kevin Brownlow & Co our heartfelt thanks for making these movies available to us once again.