Cheap The Brown Bunny (DVD) (Vincent Gallo, Chloë Sevigny, Cheryl Tiegs) (Vincent Gallo) Price
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| ACTORS: | Vincent Gallo, Chloë Sevigny, Cheryl Tiegs |
| CATEGORY: | DVD |
| DIRECTOR: | Vincent Gallo |
| MANUFACTURER: | Columbia Tristar Hom |
| MPAA RATING: | Unrated |
| FEATURES: | Color, Widescreen, Dolby |
| TYPE: | Feature Film-drama |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 043396110656 |
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Customer Reviews of The Brown Bunny
Ha Ha Ha I just watched Myrna Loy and William Powell in the terrific flick "Libeled Lady" and had a fantastic time! FIVE STARS! The film is almost SEVENTY YEARS OLD! Friends say, man, you're crazy, there're all these AWESOME movies out there about drug addiction, sick sex, depression, alienation, hyper-violence, interplanetary war, bondage and discipline and every psychosis imaginable, not to mention SEX, SEX, SEX and comedies that are more compendiums of cruelty and nastiness than anything else, so why waste your time on these old movies?!! Again, I laugh! <
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>This film was recommended to me by someone who had a disturbing childhood, was anorexic and alcoholic, and is now on heavy medications. The person is twenty years old. They say it's a already a classic of sorts, an important film. I grunted, nodded sullenly (Hey, I'm learning how to express enthusiasm 21st Century style) and said "Cool Dude." Then I went out and preordered the Thin Man Collection, laughing all the way. <
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>Do yourself a big favor. Buy this when it comes out and use it for skeet shooting. Then go rediscover CIVILIZATION. I give it five stars because, judging from everyone's descriptions, this is the best cinematic expression of our current culture. <
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Vincent Gallo is my friend.
Because Vincent is my friend, you'll think my opinion is biased, but now that that is out of the way, here goes...
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>Vincent said to me one day, "Bunny, I'd like to make a movie about you.", and I said "Sure. As long as it has absolutely nothing to do with me, and so long as it has lots of aliens, a carnival scene, killer special effects using monster trucks, and a few people eating cereal."
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>But it didn't turn out that way, such is life. The only suggestion of mine that I demanded be included in the film was the monster truck stuff. But instead, Vincent had motorcycles. But that was OK because he can ride em' pretty well.
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>Anyways, now that I have established my credibility, on to the movie review. I never actually saw the film. I just know a lot about it, because Vincent and I spoke about it all the time over tea in the afternoons.
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>He assured my it was a great film but had his doubts. I believed him because he was so sincere and he also spent hours and hours designing the posters and all. Besides, why would someone go through all the trouble picking out the perfect colour for a poster for a film that was like, not great in the first place?
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>Between filming, we watched a few episodes of Twilight Zone, and we liked some of the songs in one of them, so he included it in the film. I'm not sure, but I think the character in The Brown Bunny had some similar struggles with the particular character in the Twilight Zone episode.
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>So if you like Twilight Zone episodes, I have no idea whether or not you'd like The Brown Bunny or not, because people can be so wishy-washy all the time. This guy likes Planet of the Apes and Seinfeld, while that gal likes The King and I and Soilent Green.
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>You never know. You pigeon-hole something one day, and you end up pulling out a rabbit the next.
definite art house cinema- beautiful and haunting
This film is misunderstood- many say it's boring- however if you find it boring then you simply weren't the intended audience. the intended audience is an audience that does not need instant gratification- an audience who can read under the surface and make finite connections once the picture is finished. Why all the driving? Why all the silence? Why the motorcycle racing and nothing but the rev of its engine? We find out this is his way of escaping reality- and the film is experimental in the way the scenes drone on- because it wants you to be enveloped in the same way he is- without thinking of anything else- just washing your thoughts away. The film is interactive in that sense. People tuning in for another Buffalo 66 should turn away- This is completely different- much darker and more film than movie- with a trapdoor ending that I found to be one of the most haunting moments in film- when Budd finally confronts the guilt that he was pushing away all along...