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The Black Scorpion

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Fans of '50s science fiction should be pleased by this "big bug" chiller, which offers a fine showcase for the talents of special effects master Willis O'Brien (King Kong). The Black Scorpion follows closely in the multiple footsteps of Them!, produced three years earlier by the same company (Warner Bros.)--again, giant insects threaten mankind, though here a volcano is responsible for unleashing them, and the metropolis in peril is Mexico City. Though direction, acting, and scripting aren't on par with Them!, O'Brien's title creatures (which sport implausible yet creepy faces) are memorably monstrous, especially during hero Richard Denning's visit to their nightmarish underground lair. Warner Bros.' DVD features a surprising amount of extras for an older title. "Stop Motion Masters" is a short tribute to O'Brien by his famed student Ray Harryhausen; also included is O'Brien's dinosaur-laden opening for Irwin Allen's The Animal World documentary, and legendary test footage for two unfilmed monster projects by O'Brien's assistant, Peter Petersen. --Paul Gaita
CATEGORY: DVD
DIRECTOR: Edward Ludwig
THEATRICAL RELEASE DATE: 11 October, 1957
MANUFACTURER: Warner Home Video
MPAA RATING: NR (Not Rated)
FEATURES: Black & White, Closed-captioned
TYPE: Horror
MEDIA: DVD
# OF MEDIA: 1
UPC: 085392751822

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Customer Reviews of The Black Scorpion

Warner finally delivers with terrific Black Scorpion DVD
After disappointing DVD releases, virtually barren of extras, of some of the finest SF/horror films in their catalog (Them, Thing from Another World, Curse of Frankenstein, Horror of Dracula), Warner Video finally redeems themselves somewhat with this excellent package (and concurrent releases of Beast from 20,000 Fathoms and Valley of Gwangi). While the extras are not exactly generous, they're of great interest to B-movie and stop-motion animation fans.
I have to place Black Scorpion in my top three Big Bug movies, along with Tarantula and Beginning of the End. Fans of Them will probably consider this heresy, but frankly, as fine a film as Them is overall, those big head-nodder ant props just never engendered much suspension of disbelief, let alone horror, in me, even as a kid. In contrast, Black Scorpion inverts the situation, with a pedestrian B-movie scenario framing some of the creepiest, scariest, and convincing Big Bug special effects footage of the era. A volcano in Mexico releases a horde of giant scorpions that roam the countryside, destroying and killing, grabbing people with their pincers and jabbing them with their stinger tails. Several beautifully animated stop-motion set pieces are featured, including the sequence in which the scientists descend into the volcano crater to explore the scorpions' underground lair and encounter cool and creepy wormlike and spiderlike creatures; the scene of the scorpions destroying a train and feasting on the screaming passengers, then battling a supergiant "king" scorpion; and the king scorpion's last stand inside a sports stadium, where it scoops up military vehicles like marbles and plucks helicopters out of the sky, slamming them to the ground, while the military bombards it mercilessly. Black Scorpion was the last monster epic supervised by Willis O'Brien, the legendary stop-motion pioneer (The Lost World, King Kong, Mighty Joe Young, etc.), though the hands-on animation was done primarily by Pete Peterson, who proves himself a close second if not equal to Ray Harryhausen in terms of technical skill. His scorpions, in contrast to most other 1950s movie monsters, are realistic, quick-moving, bloodthirsty, and relentless. Unfortunately, someone had the really bad idea to keep cutting to inserts of a laughable, drooling, life-size scorpion head prop that distracts from and somewhat undermines the otherwise stunning stop-motion animation of the scorpions and other bugs. The "black" scorpion of the title is occasionally shown as an empty black matte silhouette, apparently because they ran out of money, and the special effects scenes also suffer at times from from matting and process work with poorly matched contrast. But when the scorpions are darting around, killing with their spiked tails, there are few 1950s SF creatures that can equal them for pure repulsive horror. The human leads are familiar B-movie stalwarts Richard Denning (Creature from the Black Lagoon, Target Earth, Day the World Ended, etc.), playboy model Mara Corday (Tarantula, The Giant Claw), and Carlos Rivas (Beast of Hollow Mountain). Director Edward Ludwig had previously directed mostly B-westerns and exotica such as Smuggler's Island and Jivaro, and must have seemed like a logical choice to the producers of this monster flick set in the Mexican desert. The story is pretty generic, but moves along reasonably well, and it's really just an excuse for the monster sequences anyway, so pop some popcorn, sit back, and enjoy.
Warner's DVD finally gives fans and collectors reason for praise rather than griping. The movie, presented in full frame, looks simply fabulous, with terrific black level, contrast, grayscale, detail, and sharpness. There is some nearly unavoidable very light speckling and spotting, but overall the print is stunning. (Others have speculated that this film was meant to be matted to 1.85:1, but that doesn't appear to be the case to me.) The extras (!!) include trailers (Black Scorpion, Gwangi, Beast from 20,000 Fathoms, and Clash of the Titans); a three-minute featurette with Ray Harryhausen (talking about seeing King Kong as a child, meeting Willis O'Brien, and working with him on Mighty Joe Young) that's interesting and informative as far as it goes but much too brief; and the long-sought (by animation fans) and little-seen 10-minute dinosaur sequence from Irwin Allen's Animal World, apparently presented here for no other reason than Warner's had it and felt (uncharacteristically) like throwing us a bone. And last, but for me the jewels of the set, are two short (4:00 and :40) animation tests by Pete Peterson for proposed or aborted projects. The first is called The Las Vegas Monster and features a cool outsized astro-mutated baboon demolishing a house and tangling with a truck left over from Mighty Joe Young. The second, Beetlemen, is a clip of an army of walking insectoid creatures that's unfortunately in very poor condition and tantalizingly brief but still amazing and effortlessly beautiful. A comparison of Peterson's animation in these tests and The Black Scorpion with the Animal World footage (and more so Harryhausen's later films) demonstrates that while Peterson was close to Ray on a technical level, Harryhausen's creations project a "life" and "personality" that is noticeably absent in Peterson's otherwise impressive work. It really reinforces for me the true artistry of Ray Harryhausen's achievements (no slight to Peterson intended). I'm amazed that Warner bothered to include these rare tests (lost for years and discovered in a trunk) given their past track record. The only thing to complain about here are the cheap snap-case covers that Warner is still packaging their DVDs in, giving them a second-class, low-budget appearance, and leaving them more susceptible to dust, etc. But that minor grievance aside, this is a really fine release (especially for Warner Video) and needs to be in the collection of every 1950s SF or stop-motion animation fan.


3 Stars Is A Bit Generous .
Wow!!The first 30 minutes of this movie really bored me.I found myself missing a lot of the dialogue but it didnt matter.Heres the story:Volcano explodes,giant prehistoric scorpions are set loose to terrorize mankind but are no match for the intellect of our scientists.
I know thats pretty harsh but there is some good in this film.Mainly,the stop-motion effects by Willis O'Brien.Im a HUGE Ray Harryhausen fan but I cant recall a scene in one of his movies where the camera actually "followed" the monster.Well,you get that here and it is piquant(translation:cool as heck!!).
The scorpions are well animated and are quick moving as opposed to the slow lumbering monsters that were the norm in the 50's.They are quite menacing.I can see how this movie might have scared people back in its day.
Other than that,everything in between the monster attacks I found dull.Richard Denning and Mara Corday are good actors but they came across as lifeless cardboard cutouts in this one.A real effort was made to develop the romance between their characters but I just found myself biding my time until the next scorpion attack.
If you love stop-motion animation you might want to try it out because THERE IS ALOT OF ACTION after the first half hour and it is very well done.Otherwise,save your money.


They're Big, They're Bad, They're Bloodthirsty Beasts!
They MIGHT be big. They MIGHT be bad. They MIGHT be bloodthirsty beasts, but you MIGHT think that the "buggers" in this film are quite bucolic if you aren't a fan of 50's and 60's stop motion animation, identical and repetitive special effects and stock footage.

I am a HUGE fan of ALL THREE, however, and enjoyed this film immensely!

Mexico City is under attack! Due to an earth shattering volanic eruption (insert stock footage), fissures created in the earth's crust have unleashed GIANT PREHISTORIC scorpions, and one lone, segmented worm with pincers from their underground, subterranean LAIR! What happens to the citizens of Mexico City? Watch this BUGFEST and find out for yourself!

Richard Denning and Mara Corday star in this classic sci-fi big bug chiller but the true stars of the film are the amazing special effects, stop motion animation, and action scenes created by stop motion sensai, Willis O' Brien (King Kong) working on his last picture. Also featured effects man - an uncredited, young stop motion student, Ray Harryhausen who went on to become the master of stop motion animation with such greats as "Mighty Joe Young", "Jason & The Argonauts", and The Sinbad Trilogy, just to mention a few.

Great family fare with fun and chills for ALL!

Happy Watching!

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