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The Aviator (Two-Disc Special Edition)

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From Hollywood's legendary Cocoanut Grove to the pioneering conquest of the wild blue yonder, Martin Scorsese's The Aviator celebrates old-school filmmaking at its finest. We say "old school" only because Scorsese's love of golden-age Hollywood is evident in his approach to his subject--Howard Hughes in his prime (played by Leonardo DiCaprio in his)--and especially in his technical mastery of the medium reflecting his love for classical filmmaking of the studio era. Even when he's using state-of-the-art digital trickery for the film's exciting flight scenes (including one of the most spectacular crashes ever filmed), Scorsese's meticulous attention to art direction and costume design suggests an impassioned pursuit of craftsmanship from a bygone era; every frame seems to glow with gilded detail. And while DiCaprio bears little physical resemblance to Hughes during the film's 20-year span (late 1920s to late '40s), he efficiently captures the eccentric millionaire's golden-boy essence, and his tragic descent into obsessive-compulsive seclusion. Bolstered by Cate Blanchett's uncannily accurate portrayal of Katharine Hepburn as Hughes' most beloved lover, The Aviator is easily Scorsese's most accessible film, inviting mainstream popularity without compromising Scorsese's artistic reputation. As compelling crowd-pleasers go, it's a class act from start to finish. --Jeff Shannon


DVD Features
In his commentary track, director Martin Scorsese offers his own impressions of Howard Hughes and rattles off his memories of experiencing Hughes's films. He mentions how he made Cate Blanchett watch every Katharine Hepburn film from the '30s on the big screen, and observes that Kate Beckinsale had "a real sense of the stature of a Hollywood goddess." But in general he doesn't talk much about the craft of making the film. That area is covered better by editor Thelma Schoonmaker, who also appears on the commentary track, and producer Michael Mann makes a few appearances (all were recorded separately). The picture is brilliant, but the 5.1 sound is not as aggressive in the rear speakers and subwoofer as one might expect, other than some nice surround effects in the Hell's Angels flying sequence.

The second disc collects almost three hours of features. There's one unnecessary deleted scene, and an 11-minute making-of featurette that's basically the cast and director heaping praise on each other. More interesting are the short featurettes on visual effects (including the XF-11 scene, of course), production design, costumes, hair and makeup, and score, and Loudon Wainwright discusses his and his children's musical performances. Historical perspective is provided by spotlights on Hughes's role in aviation and his obsessive-compulsive disorder, and a 43-minute Hughes documentary from the History Channel (part of the Modern Marvels series, it focuses on his mechanical innovations and spends less than a minute on his movies). More unusual are DiCaprio and Scorsese's appearance on an OCD panel, and a half-hour interview segment DiCaprio did with Alan Alda. --David Horiuchi

The Personalities of The Aviator

Click the links to explore more movies by these stars.

Leonardo DiCaprio as Howard Hughes
"Sometimes I truly fear that I... am losing my mind. And if I did it... it would be like flying blind."
Cate Blanchett as Katharine Hepburn
Howard Hughes: "You're the tallest woman I have ever met."
Katharine Hepburn: "And all sharp elbows and knees. Beware."
Kate Beckinsale as Ava Gardner
Howard Hughes: "Does that look clean to you?"
Ava Gardner: "Nothing's clean, Howard. But we do our best, right?"
Gwen Stefani as Jean Harlow
Jean Harlow in Hell's Angels: "Would you be shocked if I put on something more comfortable?"
Jude Law as Errol Flynn
Errol Flynn in Captain Blood: "Up the riggings, you monkeys! Break out those sails and watch them fill with the wind that's carrying us all to freedom!"
Director Martin Scorsese
"You get a sense of Howard Hughes being Icarus with the wax wings. Those wings were great for a while, but he flies too close to the sun." --Martin Scorsese

Other Movies by The Aviator's Oscar® Winners

Production Designer Dante Ferretti
Film Editor Thelma Schoonmaker
Costume Designer Sandy Powell
Cinematographer Robert Richardson
See all the Oscar® winners at Oscar Central

The Aviator at Amazon.com


The Aviator soundtrack

The Screenplay

Howard Hughes: The Real Aviator


Howard Hughes movies

Great movies of the 1930s

The films of Martin Scorsese

ACTORS: Kate Beckinsale, Cate Blanchett, Leonardo DiCaprio
CATEGORY: DVD
THEATRICAL RELEASE DATE: 25 December, 2004
MANUFACTURER: Warner Home Video
MPAA RATING: PG-13 (Parental Guidance Suggested)
FEATURES: AC-3, Closed-captioned, Color, Dolby, Dubbed, DVD-Video, Subtitled, Widescreen, NTSC
TYPE: Adult Language, Adult Situations, Adventure Drama, Biography [feature], Brief Nudity, Color, Compassionate, Drama, Elegant, English, Feature, Feature Film Drama, Feature Film-drama, Lavish, Mental Illness, Movie, Nostalgic, Period Film, Rise and Fall Stories, Sexual Situations
MEDIA: DVD
MPN: D38939D
# OF MEDIA: 2
UPC: 085393893927

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Customer Reviews of The Aviator (Two-Disc Special Edition)

A film that takes flight and soars above the rest...
It took me a while to see `The Aviator' since word from my friends and family was that the running time was exhausting. While they have some reason to feel that way personally I feel that the film is so well put together that it more than makes the running time worth while. Leonardo DiCaprio is at his best here and delivers an award worthy performance as the legend Howard Hughes. Martin Scorsese delivers as well, directing powerhouse performances with great effects and amazing storytelling capacity. `The Aviator' truly is a mesmerizing biopic and is probably, but don't quote me on this, the best of the bunch to be released in `the year of the biopic'. <
> <
>The film gracefully covers most of Hughes adult life, exposing his love life and his business escapades not to mention his quarks and obsessions. Along the way we are introduced to some of Hollywood's most elite, from Katherine Hepburn, played magnificently by Oscar winner Cate Blanchett, to Jean Harlow and Ava Gardner. His relationships with these women is dissected, mostly when it comes to Hepburn, and the chemistry between both DiCaprio and Blanchett is so effortless that it makes the whole experience comfortable and believable to the viewer. <
> <
>The film, as is apparent by the title, focuses in large part on Hughes obsession with aviation, but it's his other strange obsessions that make a great canvas for DiCaprio's in-depth and articulate performance. I've always known that there was a great actor underneath those pretty boy looks and thankfully Leonardo took advantage of that when he took this role on full speed ahead. The way that he delves deep into the madness that overtook Hughes was pure genius, and the way he was able to keep his head, making it believable as apposed to over the top, his commendable and noteworthy. <
> <
>The supporting cast including John C. Reilly, Alec Baldwin, Gwen Stefani, Kate Beckinsale and Jude Law is very impressive, and everyone is on key, but none so much as Alan Alda who plays Senator Brewster, the enemy as you could label him. The court hearings towards the end of this film where Brewster and Hughes square off are exciting and real and they really show the brilliance of these two actors. Watching them debate back and forth is so effortless it transcends acting. It's actually, don't take this wrong, beautiful to watch. <
> <
>Scorsese really outdoes himself here, combining a great true life story with a powerful script that does it's best to flesh out a man who had a lot to uncover, not to mention the fantastic acting and fluid chemistry, making `The Aviator' one of the must see movies of the given year. I remember watching it and wondering how anyone could walk away feeling indifferent. Sure, it's not perfect, but it's one of the best films of the year and surely one of the best showcases for pure acting genius. Scorsese and company is truly to be commended for delivering one great work of art.


A Great Work of Art
One of the greatest compliments to any film, IMHO, is when it can be called a great work of art. And this one is just that, a great work of art. Leonardo DiCaprio was great, as usual, in this film. I've read, in some places, that the film took a few liberties with facts about Hughes, but it's still a great film. It also highlights the rather unknown facts of Hughes' excentricities, OCD, which can be devastating for some, and greatly misunderstood by those around them. But the art and craftwork that went into creating the period are just fantastic.


Come Fly with Hughes, Scorsese and Di Caprio (4.5 stars)
"The Aviator" carries more similarities with earlier Martin Scorsese's masterpiece -- "The Raging Bull" -- than might be obvious at first viewing. Both the aviator and film producer Howard Hughes (Leonardo di Caprio) and the boxing pro champ Jake LaMotta (Robert de Niro in the 1980 movie) achieved much in their lives, but were prevented to reach even higher heights -- partly due to their own mistakes, partly due to circumstances that were against them. But the most striking similarity between the two films lies in the way Scorsese masterfully injected them with understated compassion with the characters -- Interestingly, even the names of the two Scorsese's favorite actors are similarly Italian. <
> <
>There are some differences, too. While Jake LaMotta's demons are an integral part of the film and its events, Howard Hughes' mental illness does not really carry the film forward and is the main reason why "The Aviator" feels a little too long. But not too long, rest assured. You can devour it, time flies with it -- so irresistibly watchable this is. Also due to the stellar cast headed by di Caprio. And the word to Cate Blanchett -- when Katharine Hepburn, so far the only actress (or actor, for that matter) who owns 4 acting Oscars, passed away at 96 in 2003, it could not occur to many that in just a year there will be such a great incarnation of HERSELF on film. <
> <
>Blanchett earned the Oscar of her own for this role and the film got four more statues, but the most prestigious ones went to Clint Eastwood's sombre and more intimate "Million Dollar Baby". Indeed, "The Aviator" has not as high emotional resonance as some other big prize winners and as such does not stay with you for days after you see it, but solely for its sheer, classy filmmaking craft it easily ranks among the best works of the century so far.

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