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| ACTORS: | Forrest Tucker, Peter Cushing |
| CATEGORY: | DVD |
| DIRECTOR: | Val Guest |
| THEATRICAL RELEASE DATE: | November, 1957 |
| MANUFACTURER: | Anchor Bay Entertainment |
| MPAA RATING: | Unrated |
| FEATURES: | Black & White, Widescreen |
| TYPE: | Science Fiction |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 013131107692 |
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Customer Reviews of The Abominable Snowman
One of Peter Cushing's Best Movies. Made on a fair budget and filmed in the Alps. Forest Tucker and Peter Cushing star in this story about the Yeti and a science expedition to discover them. However the other members of the team only want to capture the creatures for profit, dead or alive. Cushing however plays the lone scientist who belives that the Yeti are gentle and only want to be left alone. Filmed in black and while, the movie maintains a moody atmosphere throughout the whole story and we do not actually see the Yeti until the very end of the picture. The film is also full of philosophy about the debate of science and wither Mankind is better off not knowing about certain things in nature. Let some mysteries and legends stay at that.
Ice Screams!!
"THE ABOMINABLE SNOWMAN"
This is an unexpectedly involving movie with a great look.
Forrest Tucker is greedy Tom Friend looking for a new side show attraction in this pristine black and white widescreen transfer of a gripping, thoughtful, artistic Hammer Films classic from the 1950s.
Tucker, aided by Peter Cushing's sensitive scientist Dr. Rollason, set off into the Himalayas to find the legendary eponymous creature in a surprisingly intelligent adventure.
Vast, lonely mountain vistas and a large, finely detailed monastery make a believable setting in which the hunters ponder life, their dilemma and the great yeti - who apparently has the ability to play mind games until the hunters become the hunted!
The sound design, including the hair-raising, echoing, whale-like moans of the yeti and the oriental music score add considerably to the authentic atmosphere.
In the entertaining bonus audio track, Droll director Val Guest and writer Nigel Kneale make reference to the similar adventures of millionaire Tom Slick as a source of inspiration.
When it's all over, you will long remember the sad, wise eyes of the snow beast and will have no doubts about who the real monsters are. This is the best of the sub genre of bigfoot/abominable snowman films. And yes, there are others. (DVD from Anchor Bay Entertainment, no regional code restrictions, not rated, 88 minutes)
Man and what eludes him...
This film, much like the Val Lewton-produced movies of the 40s ('Cat People', 'The Seventh Victim'...), belongs to the 'B-cinema of the unseen' - the low budget becomes an asset, and evocating the unknown becomes more important than bluntly showing it. This aspect is especially meaningful here, given the movie's elusive title character. The quest of the film's protagonists symbolizes the general ambition to reach what lies beyond man and his reason; it is the search of mysterious, potentially dangerous knowledge. When the adventurers appear to have reached their goal, deception always ensues and the quest still goes on; the conclusion itself is more open-ended than it may initially seem. It is through the characters' contact with Orient (both its people and environment) that they gradually stop to consider themselves the measure of all things. Man's smallness in the cosmos is illustrated in two ways throughout the film: on the physical plane, Val Guest's widescreen compositions often transform men into ants roaming about in a vast world; on the spiritual plane, the interior scenes show the characters' fears of the unknown take over. Concise and intelligent, this film should be seen.