Cheap Sweet Movie (Criterion Collection) (DVD) (Dusan Makavejev) Price
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| CATEGORY: | DVD |
| DIRECTOR: | Dusan Makavejev |
| THEATRICAL RELEASE DATE: | 1974 |
| MANUFACTURER: | Criterion Collection |
| MPAA RATING: | Unrated |
| FEATURES: | Color, DVD-Video, Widescreen, NTSC |
| TYPE: | Anarchic Comedy, Canada, Color, Comedy, Comedy Video, Cult Film, Deadpan, Disturbing, English, Farce, Feature, Feature Film Comedy, Feature Film-comedy, Foreign Film [Dub Or Subtitle], France, Graphic Violence, Hallucinatory, Humorous, Innocence Lost, Irreverent |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 715515024327 |
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Customer Reviews of Sweet Movie (Criterion Collection)
Right On! Government Sucks! Oh Wait, Poo? Dusan Makavejev's 1974 film Sweet Movie is an indictment toward all forms of authority and convention. It does not obviously or even wittingly perhaps come from an honest political standard itself, but it instead exists to attack all that rules us. It skewers Capitalism, communism and absolutely everything in between. Perhaps it is a call specifically for some sort of Anarcho-Primitivism? Perhaps Sweet Movie is simply a celebration of life in its own sick and twisted way? <
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>Sweet Movie follows two different stories and both feature a female protagonist. The first follows a contestant of the 1984 Miss Monde pageant. She wins and her prize is her marriage to some big corporate dude. She is shocked by how he degrades her in their first meeting and she runs away. Her rejection is met with displeasure by his cronies and she ends up getting pretty severely humiliated and then stuffed into a suitcase and shipped off to France. After that she gets stuck to some Latin guy and enters a commune and some pretty wacky things happen. This story operates as a criticism toward capitalism and consumerism at the beginning and the conclusion while it seems to attack communism in the middle. The second story follows a young woman who is leading a boat down a river. The boat is full of candy and has a statue of Karl Marx on it. She seduces all who encounter her with sex, candy and propaganda. Then she kills them. Obviously it is a direct attack on communism. <
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>There are some pretty shocking things in Sweet Movie but that shouldn't be a surprise when taking into account the time period and some of the subversive and surreal counterculture names involved in the film (e.g. Otto Muehl, Roland Topor and George Melly). The film captures a cultural movement in some respects and the significance is there but overall Sweet Movie was too obscure to have an impact. Only now does it resonate but for very different reasons. It stands out for its visual shock alone. <
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>There is a very strong emphasis on bodily functions in Sweet Movie, more so than anything I've ever seen or even want to see again for that matter. I can't pinpoint why but it's more than likely Dusan Makavejev's attempt to compel us to revolt against all of our societal institutions by directly desensitizing us to his perspective that we are all just gassy and disgusting animals. Spend a few days resisting your normal cognitive functions or spend some time with dementia patients and you'll get a good smell of what Makavejev is trying to get at here...I think? I'm not sure I agree with him in those sorts of details, but in spirit I like where he is going with Sweet Movie. We all could use a good smack away from the restraints of everyday society. <
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>Keep in mind; it is virtually impossible to get anything out of Sweet Movie if you take it too literally. It is designed to surprise the viewer and club them over the head with shock. The problem with that is Sweet Movie was so shocking for its time that it was hardly even seen. People were not ready then, but maybe the world has grown sicker since. Criterion may have picked a more accessible release date for Sweet Movie than Makavejev did. Asking ourselves the questions that this film might produce may be more important now than ever.
This movie does have a point.
To all those who said that this movie has not point I am sorry but you are wrong. The purpose of this movie is to basically give us a wake up call. The sugar represents how everything is sugar coated. All of the evil things that are done such as the children was sugar coated as if to make it less evil. Also the actual footage of the babies and the dead bodies, anyone know the significance here? It is real, this is not horrible things done by actors to make a movie. This is REAL LIFE but yet that does not phase us. Rather what freaks us out is people puking IN A MOVIE. The director reminds us at the end that this is a fictional movie because the children come alive, but the train in the background....any idea where that goes? It is a train to Aushwitz (dont think that is spelt right). The sailor that is picked up is the last suviving sailor from the ship that started the russian revolution(look at his hat). The rich man or Capitolistic america pisses and tarnishes all that is pure and innocent(his wife) in this world. There are so many connections to the real world. SO what he is saying is that actual footage of the true evil that has happened in this world should be more offensive to us then any finctional movie should be.
definitely oddball but worth it
An Icelandic reviewer remarked on the Norwegian censorship of this film. One of the interesting factoids about this bizarre film is that it had many versions - different countries edited it according to their (in)sensibilities. More interestingly, the director thought this very amusing rather than insulting.
Another reviewer remarked that he took a first date to this film which I find hilarious. Rather than demanding to leave however, I might have married him.
In any case, take it as you might any hallucinogen - expect both the expected and unexpected.