Cheap Space Classics (Music) (Arthur Fiedler, Charles Gerhardt, Erich Leinsdorf, Eugene Ormandy, Fritz Reiner, Women's Voices of the Mendelssohn Club of Philadelphia, Eugene Fodor, Claude Debussy, Ferde Grofe, Gustav Holst) Price
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| ARTIST: | Arthur Fiedler, Charles Gerhardt, Erich Leinsdorf, Eugene Ormandy, Fritz Reiner, Women's Voices of the Mendelssohn Club of Philadelphia, Eugene Fodor, Claude Debussy, Ferde Grofe, Gustav Holst |
| CATEGORY: | Music |
| MANUFACTURER: | RCA |
| FEATURES: | Enhanced |
| TYPE: | Classical, Classical Music, Concerto, Film, Film Music, Keyboard, Orchestral, Romantic Tone Poem/Symphonic Poem for Orchestra, Suite for Orchestra, Suite/Partita for Keyboard, Violin Concerto, Waltz for Orchestra |
| MEDIA: | Audio CD |
| TRACKS: | Also sprach Zarathustra: Excerpt - Chicago SO/Fritz Reiner, Grand Canyon Suite: Sunrise - Morton Gould & His Orch, The Planets: Mars, the Bringer of War - Philadelphia Orch/Eugene Ormandy, Star Wars: Main Title - National PO/Charles Gerhardt, Close Encounter of the Third Kind: Final Scene - National PO/Charles Gerhardt, The Planets: Venus, the Bringer of Peace - Philadelphia Orch/Eugene Ormandy, Snowflakes Are Dancing - Isao Tomita, The Planets: Jupiter, the Bringer of Jollity - Philadelphia Orch/Eugene Ormandy, Vn Con: Movt III - New Philharmonia Orch/Erich Leinsdorf, By the Beautiful Blue Danube: Excerpt - Boston Pops Orch/Arthur Fiedler, The Planets: Neptune, the Mystic - Women's Vox of Mendelssohn Club of Philadelphia |
| # OF MEDIA: | 1 |
| UPC: | 090266839124 |
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Customer Reviews of Space Classics
yes you are a snob sure this is a marketing exercise, but its fun. Tomita's electronic Debussy may not be to your taste, but its a beautiful fusion of Japanese and Western sensibilities overlain and underpinned by the combination of the electronic and classical genres, which can only be appreciated by those with a truly musical soul
Marketing boys and their marketing toys
I hate to sound like a snob, but it's hard to imagine anyone over the age of 5 being at all intrigued by this silly little CD. The music is great, well mostly great, of course, and a couple of the performances (Reiner's "Zarathustra," Gould's "Grand Canyon") are among the best out there. Others (Tomita's awful synthesized Debussy) scrape the bottom of the barrel. The big question is WHO is likely to enjoy something like this? Only children and adults with very, very limited attention spans who don't like really classical music, I'll wager.