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| ACTORS: | Billy Bob Thornton, Dwight Yoakam |
| CATEGORY: | DVD |
| DIRECTOR: | Billy Bob Thornton |
| THEATRICAL RELEASE DATE: | 27 November, 1996 |
| MANUFACTURER: | Miramax |
| MPAA RATING: | R (Restricted) |
| FEATURES: | Color, Closed-captioned, Widescreen |
| TYPE: | Feature Film-drama |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 717951000118 |
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Customer Reviews of Sling Blade
Such a great movie! Billy Bob Thornton demonstrates his extraordinary talent on a variety of levels in this incredible movie; as an actor, he becomes a completely other person, totally immersing himself in his character, Karl. As a director, he shows a keen eye for Just The Right Angle in many scenes, which results in an really aesthetically pleasing film. On top of this, he also wrote the screenplay and developed all of the characters himself - truly amazing! His choice of soundtrack pieces increases the film's overall beauty, and, as soundtracks should, drives home the action on the screen.
There is some discussion of serious violence in the story, but almost none occurs on-screen; there is only one scene in the movie that is at all violent, and there is no blood or gore shown (but it is, um, "heavily implied.") While there isn't any on-screen sexuality or blood, this isn't precisely a movie for children - the subjects dealt with are very adult, and despite the charming relationship between Karl and Frank, the themes and ethics of the story may upset some people.
The pacing of the film is fairly slow, but this isn't at all a detraction from its overall impact, and highlights how the laconic Karl plods through life with great presence, almost accidentally. There are many lessons to be learned from this "simplistic" film, on a variety of levels, and even though the basic premise has been done before, few have ever done it this well.
Sadly, the DVD doesn't have any extra treats on it - it would have been really great to have a commentary by Billy Bob to let us know what he was thinking and feeling at different points of the filming process, alas. Still, the sound quality is superb, and the video is lovely. This is one of those movies I plan to pull out from time to time, simply because it's so enjoyable.
"I Reckon It's Pretty Good"
Sling Blade is an excellent, thought-provoking story about one man's return to society after being released from a mental instituation.
One of the great aspects of the film is simply Billy Bob Thornton's portrayel of Karl. Returning to the town he called home after 25 years in an institution, Karl must start life anew. Karl's simple nature is quite deceptive; althougth he has a calm and monotone manner about him, he is truly a complex individual who contemplates each person and situation from both sides before morally judging it. He is one of the more memorable characters because of his unique mannerisms (trust me, you may find yourself grunting the words "french fried potaters") and his plain honesty (he openly tells the boy he befriends exactly why he was locked up). Thornton, who also directed the film, does a masterful job at "becoming" the character of Karl.
The film delves into a vas range of issues that pervade our world: physical and psychological abuse, abandonment, acceptability of individualism. What makes the film unique is that these subjects are analyzed both internally (Karl calmly interalizing an argument between Linda, Frank and Doyle; Karl listening to another mental patient describe his crimes) and externally (Vaughan confronting Karl about his sexual orientation and love for Frank's family; Karl telling Vaughan that, despite what the Bible says, he is a good man). We feel the turmoil of vastly different individuals and personalities all trying to live under one roof.
One underlying question that pervades from the film is "what truly is a good human being?" That is, what qualities certify a benevolent individual versus, say, a reckless person. While the story has mostly inheritantly good charcters, Karl possesses characteristics that make him both good and bad (he has obviously murdered before, yet he seems to know the difference between good and bad). While Doyle (Linda's boyfriend) is depicted as a relatively abusive and flat character (one stereotype cannot hurt a film that much), Karl becomes a somewhat transformed individual who is symbolically altered due to his new relationship with Frank and his mother.
Overall, this was a quite touching, emotional story from Thornton. Although over 2 hours in length, the story progresses rather rapidly. It is told with a simple intention and premise, yet it is a film that is deeply complex.
Billy Bob does everything but sell the popcorn
Billy Bob Thornton took his screenplay and directed himself in this unforgettable film.
Thornton's Karl Childers became one of the Icons of American cinema, and I still hear people doing Karl's gravel-throated mumble which gets an immediate look of recognition from the people around.
Karl is an essentially good man who is mentally challenged. He recognizes good and bad in others, and he seems to understand his place in the world, even if the intricacies of complex human relationships pass by him as unnoticed as the ozone layer.
As the movie opens we learn that Karl is being held in a State Mental Hospital many years after he has killed a couple of people he thought were doing wrong. I'd say more here, but I think it might spoil some of your enjoyment of the movie to learn more - so just watch the movie! We also learn that Karl is being released because they've "cured him".
He goes back to his home town with all his worldly belongings in a sack. A kindly Doctor from the institution gets him a job as a lawn-mower mechanic and he meets a little boy who is friendly to him.
This is a movie of characters, and simply describing them would not do the characters justice. Karl is a simple man with a pretty well-developed sense of right and wrong. The little boy has lost his father, and the boy's mother, Linda, (portrayed in a wonderfully understated performance by Natalie Canerday) has taken up with a hard drinking, bad-mouthing redneck played by Dwight Yoakam. The late John Ritter is almost unrecognizable playing the soft-spoken crew-cut manager of the store where Linda works. Ritter's Vaughan is devoted to Linda and the little boy, Frank (played by Lucas Black), but Vaughan is also a homosexual in a small town in the south, and his social status is precarious.
There are many serious and tender and hilarious and moving scenes, and most of them involve Billy Bob's Karl. For example, there is one scene where Vaughan invites Karl to the diner where Vaughan proceeds to pour his heart out to the uncomprehending Karl. Vaughan goes on about the difficulties he has had in life, and with his father, and being a homosexual. The entire time Karl sits silently, eating his "french-fried 'taters".
Vaughan finally pauses and says "You always seem to be deep in thought. Tell me, what are you thinking right now?"
Karl replies: "I was thinkin', I'm gonna take me some of these taters home with me."
This movie will stick with you long after you have seen it. Highly recommended.