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| ARTIST: | Bruce Kaphan |
| CATEGORY: | Music |
| MANUFACTURER: | Hearts of Space |
| TYPE: | New Age / Meditation, Pop |
| MEDIA: | Audio CD |
| TRACKS: | Clouds, Country and Eastern, High Desert, Big Brain Small Brain, Back to the Light, Sideways Carousel, Outpost, Arc of Flight, Homage (Pour la Grande Fromage), Undeserved Ending, Shinn Pond |
| UPC: | 025041140423 |
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Customer Reviews of Slider
Ambient Soundscapes - With A Twang "Slider" by Bruce Kaphan is one of the most amazing records I've ever heard. The first two reviewers captured the essence of this CD nicely. I would add that the music has an emotional quality absent in much of today's music, ambient or otherwise, which is due in part to the artist's mastery of the pedal steel guitar and numerous other instruments.
The fluid, echoing drones created by Bruce's pedal steel go right to the heart, particularly on tracks like "Big Brain Small Brain", "Arc Of Flight", "Undeserved Ending" and "Shinn Pond". He also uses the pedal steel to a quasi-harp-like effect on "Clouds", the album opener and one of my favourite tracks. "Outpost", which clocks in at over 8 minutes, creates an atmosphere of vastness and desolation, without leaving the listener feeling "cold". For me, the artist has created a work that evokes a response bordering on the "spiritual", a perfect soundtrack for relaxation or reflection.
Truly a sublime aural journey.
Slip sliding away
The more ambient tracks on this album seem to work for me. The first couple tracks seem to meander. If you like this stuff, search out some of Ry Cooder's soundtrack work, specifically the Johnny Handsome ST. As well some of the work of Michael Brook.
It doesn't take synths to be ambient
While the category of ambient music nearly always involves electronics, Bruce Kaphan has created a new kind of ambient with his steel guitar. The album's subtitle is "Ambient Excursions for Pedal Steel Guitar," and that says it all. The steel guitar is used to make nearly all the music on the CD, but not in a style typically associated with that instrument. A track such as "Outpost" is as spacious (and space-y) as anything by Eno or Serrie. The effect of listening to the piece is like quietly floating high above a calm but endless sea; utter serenity. The CD is not just a homogenous block of spacey atmospheres, however. Kaphan mixes it up with oriental or near eastern textures on some cuts, and also begins "Back to the Light" with a techno-ish swirl of grungy, chopped-up backwards guitar loops. "Slider" is a highly intriguing disc that I will undoubtedly return to many times in the future.