Cheap Sin City - Unrated (Two-Disc Collector's Edition) Price

Cheap Sin City - Unrated (Two-Disc Collector's Edition) (DVD) (Frank Miller (II), Robert Rodriguez) Price

Sin City - Unrated (Two-Disc Collector's Edition)

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Here at Cheap-price.net we have Sin City - Unrated (Two-Disc Collector's Edition) at a terrific price. The real-time price may actually be cheaper — click “Buy Now” above to check the live price at Amazon.com.

The two-disc edition of Sin City easily makes the earlier single-disc theatrical-cut release obsolete by including the regular theatrical cut on the first disc, recutting the movie into four extended segments on the second disc (separated by story line), then piling on an impressive load of bonus features. But there's a catch. Billed as "Recut, Extended, Unrated," with "over 20 minutes" of new footage, the new set's four separate stories are extended by only about 6.5 total minutes of movie action (see details below in "What's New"); the rest of the added running time is the splashy new title shots (named by the title of the story or book) and the four minutes of credits that run at the end of each segment. Each addition makes the movie even closer to the comic books, and these extended segments are generally preferable to the theatrical equivalents (unfortunately, there's no Play All option), but don't expect the same impact as Peter Jackson's Lord of the Rings extended editions. And although this version is unrated, the only risqué addition is a bit of violence from Miho that's no worse than the rest of the crazy violence in the film.

How Are the Bonus Features?
Robert Rodriguez has always loved DVDs, so the bonus features are extensive. On the first disc, there is somehow room for the theatrical cut of the film with its DTS track (the extended versions have only Dolby 5.1), two commentary tracks, an alternate audio track with a live audience in Austin, Texas, an interactive map of characters and locations, and 47 minutes of featurettes covering Frank Miller, Quentin Tarantino, cars, costumes, props, and special effects. The first commentary is Rodriguez and Miller discussing the concepts and the cast. The second commentary is mostly by Rodriguez, but Tarantino drops in briefly for the scene he directed (with Clive Owen and Benicio Del Toro in the car), as does an enthusiastic Bruce Willis for his segment.

The Tarantino scene gets a lot of attention on the second disc as well, in a 14-minute take in which he can be heard coaching the actors. Also on the disc are Rodriguez's usual "flic school" (among the topics is how scenes were created by merging footage of actors who never actually met), footage of Bruce Willis's band performing in Austin at the time of the shooting, and another Rodriguez cooking school (this time it's breakfast tacos). But the most interesting feature is the "green screen version" of the film: the entire film as it was shot in front of the green screen, sped up to play in only 12 minutes. You can see the actors (in color!) interacting only with the props and each other. Last, there's a DVD-sized complete comic book of The Hard Goodbye.

What's New in the Extended Version?
"The Customer Is Always Right" (the opening sequence with Josh Hartnett and Marley Shelton) has no new footage, but now goes straight into the one-minute epilogue with Hartnett and Alexis Bledel that closed the theatrical cut. "The Hard Goodbye" (with Mickey Rourke as "Marv" ) has two new sequences totaling about two minutes: Marv encounters his mother and finds his gun, and talks to Weevil in the club. In "The Big Fat Kill" (with Clive Owen and Benicio Del Toro), some short dialogue is restored, along with another wicked slice by Miho (Devon Aoki)--about a minute total. "That Yellow Bastard" (with Bruce Willis and Jessica Alba) has about 3.5 new minutes: there are more visitors to Hartigan's hospital bed, including his wife and a nurse; Carla Gugino's Lucille character comes to assist Hartigan when he wants to get out of jail (probably the best addition); and Mr. Shlubb and Mr. Klump have some more lines. --David Horiuchi

More Sin City at Amazon.com


The Graphic Novels and Books

Films by Robert Rodriguez

Our interview with Frank Miller

The Soundtrack

From Graphic Novel to Big Screen

Films by guest director Quentin Tarantino

CATEGORY: DVD
DIRECTOR: Frank Miller (II), Robert Rodriguez
THEATRICAL RELEASE DATE: 01 April, 2005
MANUFACTURER: Dimension
MPAA RATING: Unrated
FEATURES: Closed-captioned, Color, Dolby, DVD-Video, Widescreen, NTSC
TYPE: Action, Action / Adventure, Adventure, Atmospheric, B&W, B&W and Color, Bleak, Crime, Crime Thriller, English, Feature, Feature Film Drama, Feature Film-drama, Femmes Fatales, Film Noir, Gore, Graphic Violence, Gruesome, Harsh, Moody
MEDIA: DVD
# OF MEDIA: 2
UPC: 786936692143

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Customer Reviews of Sin City - Unrated (Two-Disc Collector's Edition)

2/3 awesomeness
Well, the appeal of this movie pretty much resides entirely in the coolness factor. You know, where gruesome things and unusual events are displayed to stimulate the viewer's gut reactions (such as excitement, disgust, arousal, awe, etc) in a very pornographic sort of way. <
> <
>This works wonders in certain segments. The story of the kid who murders prostitutes, for example, has quite the well-executed combination of excitement, disgust and awe-induction. It is disgusting, exciting, awe-inducing, exactly like it's supposed to be. Coolness achieved. Very cool. <
> <
>But the part about the prostitutes with guns killed it for me... it was so boring and so illogical and it took up probably 1/3 of the movie. Yes, they are prostitutes, they have guns, that's supposedly arousing... I get it. I got it after the first five seconds. You can't drag that out for what seems like an hour without an actual story, and the "story" in this case was an illogical hole-ridden mess, clearly just a sorry attempt at justifying the lengthy scenes of scantily clad prostitutes. I mean, I get that this movie is supposed to be glorifying the tacky and hormonal elements of the comic book/neo-noir genre... but that whole segment adds absolutely nothing to this idea, and was not one bit better than watching a random porn movie. <
> <
>In conclusion... I appreciate all of this movie, except for the 1/3 or that was taken up by the prostitutes-with-guns segment, which I ferociously despise. So I'm not really sure what to think of this movie as a whole... I guess it all evens out to be sort of mediocre. It's an amazing film when I fast forward through the stupid part, but I can't really give this movie any credit for my own post-release editing.


An unrivaled mix of animation and reality
I can say without doubt that normally I do not like animation [cartoons]. I will avoid them [animation] at all cost. They are a stupid waste of time & money!!! -- But then I saw "Sin City"!!! I also don't waste my time & money on spooky movies, monsters and scary stuff [all stupid]!!! But then I saw "Sin City"!!! <
> <
>This movie is one for the ages. To its detractors I say ,,, you just don't get it!!! The Directing is "creative" and "magnificent"; the acting "superb"!!! <
> <
>Frankly this movie, Sin City, reminded me of "Spawn", which is another movie for the ages!!! One in a class of its own!!! <
> <
>If more "animated" movies were of this caliber ,,, I would be forced to change my opinion of CGI, Blue-Screen, animation [cartoons] etc... WHICH FOR THE MOST PART ALL SUCK!!! <
> <
>-peace - Sin City is in a class of its own - GREAT!!!


Great looking movie with no soul
Sin City is a terrific film to look at. However, it reveals Miller's (and Rodriguez's and Tarantino's) infantile, simplistic, empty view of the world. After a while the repetitive nature of the stories becomes tiresome: The innocent are threatened, men get guns, men kill people. Mickey Rourke is unrecognizable and amazing in his segment, but the brutality and mind-numbing stupidity of the actual storylines suggest of Miller's work (as also evidenced in the film 300) that a comic book auteur can be a competent illustrator but have absolutley nothing of value to say.

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