Cheap Shane (DVD) (Alan Ladd, Jean Arthur) (George Stevens) Price
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| ACTORS: | Alan Ladd, Jean Arthur |
| CATEGORY: | DVD |
| DIRECTOR: | George Stevens |
| THEATRICAL RELEASE DATE: | 01 January, 1953 |
| MANUFACTURER: | Paramount Home Video |
| MPAA RATING: | NR (Not Rated) |
| FEATURES: | Color, Closed-captioned, Dolby |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 097360652246 |
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Customer Reviews of Shane
Western Classic Shane might well be the greatest western ever made and a true American classic. Recently in a New York Times article, Woody Allen of all people considered it the best American film of all time. The movie is about a mysterious stranger who unexpectently comes into a homestead family's life and helps in their battle against a greedy landowner who is threatening them to move off their land. Alan Ladd stars in the title role and he exudes an air of calm control and dark mystery. Shane is an expert gunman and a skilled fighter, but he doesn't want any trouble. He tries hard to avoid a fight in the local saloon, but no matter how hard he tries, trouble finds him. The homestead family is played by Van Heflin, Jean Arthur and the young Brandon De Wilde. Mr. De Wilde is excellent as a wild-eyed youngster who grows to idolize Shane. Mr. Heflin plays the strong, defiant landowner, but also loving husband to his devoted wife, played tenderly by Ms. Arthur, and his son. He stands by his new friend Shane, when the other homesteaders want him to leave when they feel he's stirring up trouble. A young Jack Palance is menacing as an icy hired gun hired to drive the homesteaders off their land. The showdown between him and Shane is a tense and taut showdown. Director George Stevens captures the breathtaking beauty of the American Old West. Shane was nominated for several Academy Awards, but failed to win any. Despite that fact, it remains a brilliant film worth repeated viewings.
A masterpiece of filmmaking
Often mentioned as one of the greatest westerns ever, it is easy to see why. This film stands as a masterpiece of the art, even more so since it was filmed so long ago. It starts with a great story, the story of Shane (Alan Ladd), a quiet gunslinger who is trying to escape his past and befriends a pioneer family that has settled out west. He attempts to settle down and become a hired hand to Joe Starrett (Van Heflin) and his wife Marian (Jean Arthur), but the ranchers who need to drive cattle through the homesteaders' property are attempting to drive them out. Shane tries to stay out of the disputes, but keeps being drawn in and is finally compelled to put his six shooter back on when the ranchers hire Jack Wilson (Jack Palance) a noted gunfighter to intimidate the farmers.
This story is outstanding in so many ways. It is a classic battle of good and evil. It has its share of fist fights and shoot outs, but this film is more about principles than action. It exemplifies principles and values that unfortunately have become outdated in today's society such as, character, integrity, loyalty, pride in accomplishment, persistence and the willingness to fight for what is right. It is also an excellent human interest story and succeeds in getting the viewer to love the homesteaders and hate the ranchers.
George Stevens directed this film late in a notable career and does a splendid job. The locations were breathtaking, shot with majestic mountains in the background of almost every scene. The cinematography was stunning, and the color rich despite the fact that it was filmed almost 50 years ago.
The acting was superlative. Van Heflin wins us over almost immediately with his high minded principles and unshakeable character. He actually has far more lines than Ladd, who was more of an icon of strength than a vocal character. Jack Palance is the archetypal western villain and went on in his career to become the most prominent and enduring villain in movie history. His sneering arrogance and haughty gait made him the villain we loved to hate for decades.
Elisha Cook, as Stonewall Torrey, had a prolific career as a supporting actor, with over 150 appearances in film an TV that spanned almost 60 years. This is one of his best an most memorable roles as a fearless, proud and petulant former confederate that gets goaded into a gunfight with Jack Palance.
Brandon DeWilde as young Joey, gave a compelling performance. One of the best scenes in the movie was when he asked Shane to shoot at a small rock and Shane shot it 5 or 6 times and hit it every time. The wide eyed look of surprise was terrific. Though he went on to do about a dozen mostly minor films, he was never able to capitalize on his success in this role.
Finally, there is Alan Ladd. I've often heard criticisms of his performance of being too low key. I could not disagree more. His understated performance made him loom large as an imposing figure in the film. It created an almost godlike presence. This strong silent portrayal is very attractive adding humility to his many positive qualities. This unassuming style is also what made Gary Cooper so popular.
This film is on my top fifty list of all time. It is a magnum opus that the film industry can be proud of. It combines great filmmaking, direction and acting with a memorable and morally instructive story. This should be required viewing for any serious film buff. A perfect 10.
Revisionist History as Entertainment
A lone rider approaches a family ranch. He observes a gang riding up to order the owner off his land. There is an economic conflict between a big land owner and small ranchers who are bringing in Jersey cows and working the land for agriculture. The big land owner wants to eliminate competition from small businesses; his government contract shows his political connections. The film shows the use of barbed wire, the invention that put an end to the open range. The settlers go into town for supplies. A barroom brawl occurs when Shane is attacked; Joe Starrett joins in to help his hired hand. Tavern owner Riker sends to Cheyenne for a hired gun, Jack Wilson, for a final solution to the homesteader problem.
The settlers gather for a July 4th celebration. They hear of Riker's hired gunfighter. That evening Riker show up to make a final offer to Starrett: join him for a good price, and abandon the other small ranchers. This offer is refused. The next day the gunfighter insults Torrey to force a duel, and kills him. Joe Starrett announces he will go into town next, without waiting for the other settlers. The question is: shall the people be oppressed and swindled by a rich powerful landowner? (Most of the large ranches were owned by corporations from back East.) Some of the small ranchers decide to abandon their claims. Yet they have the right to settle and farm the land. "This country wasn't made for just one man." The burning of one home makes the settlers decide to hang on for a while.
Riker makes an offer to draw Starret to his place (for an ambush). Calloway turns up to warn Shane of this trick. Starrett's wife argues for giving up and moving out now. (Credible?). Shane tries to stop Starrett, and they fight in the dark (to hide their body doubles?). Shane wins and leaves to keep the appointment, and force a final showdown. Shane successfully resolves the problem of Jack Wilson, then Riker, and moves on to new territory. [This avoids any retribution by Riker's allies.) {This film uses the dime-novel fantasy of a "fast-draw", which did not occur in historical records.]
This story is loosely based on the Powder River war. In reality, the settler's militia drove off the armed gang hired by the large landowners. The large ranchers tried to get rid of small ranchers by passing a law that gave them sole rights to all cattle in the state! Read the chapter in William Weir's "Written With Lead" for more details. "Unhappy are the people who want a hero."