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In addition to the investigation of the political context for Shakespeares work, Wood also explores Shakespeares erotic life and the genesis of his theater career. Readers learn early on that Shakespeares marriage to Anne Hathaway was likely a "shotgun wedding" due to her impending pregnancy. From there, Wood speculates about the "lost years" of Shakespeares life: the ten year period for which virtually no documentary evidence is extant and, unfortunately, the period that marked Shakespeares departure from Avon and entry into London theatrical circles. Later, in the requisite investigation of the identity of the "Dark Lady" of the Sonnets, Wood revitalizes a theory dismissed by some scholars: that the woman was none other than Emilia Lanier, mistress of Shakespeares patron.
A companion to the PBS documentary series, the book is not comprehensive of Shakespeare studies--probably no book could be. Beyond some early investigations of Shakespeares Midlands dialect and some short examinations of the plays and poems, Wood provides far less close reading of the poetry and the plays than one would expect. But the book does provide a broad historical understanding of Shakespeares world and a flavor for his daily life. The volume is also complemented by lavish illustrations, detailed maps, and period artwork. --Patrick OKelley
| AUTHOR: | Michael Wood |
| CATEGORY: | Book |
| MANUFACTURER: | Basic Books |
| ISBN: | 0465092640 |
| TYPE: | 1564-1616, Biography, Biography & Autobiography, Biography / Autobiography, Biography/Autobiography, Dramatists, English, Early modern, 1500-1700, English, Irish, Scottish, Welsh, Literary, Shakespeare, William,, Shakespeare, William, 1564-1616 |
| MEDIA: | Hardcover |
| # OF MEDIA: | 1 |
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Customer Reviews of Shakespeare
Fascinating, but flawed. Wood's biography of Shakespeare has a number of strong points. The images are very good, the writing is lively, and the author spins a very engaging narrative. However, there are also some serious flaws. Wood conjures interesting possibilities and conjectures (the secret Catholicism of Shakespeare's father, the identities of the Dark Lady and the young male subject of the sonnets), which he then proceeds to write about as confirmed facts. I don't fault him for the interesting ideas, but I find his treatment lacking in serious scholarship, a lack compounded by the absence of detailed notes on the sources of his provocative ideas. Good researchers should cite their research sources.
Wood's book is interesting, but misleading. I wouldn't warn anyone away from it, but I would recommend reading a better biography first. Stanley Wells's "Shakespeare: For All Time" or Park Honan's "Shakespeare: A Life" are both fine books. (The former takes a more expansive view, including both biography and theatre history since Shakespeare's time, which is a real plus for anyone interested in how his works have been interpreted in different countries and eras.) Both also treat the "authorship controversy," which is mostly a fringe conspiracy theory quite well. I'd say read one of those first to gain an idea of what responsible scholarship looks like, then read Wood's book with a critical eye.
Don't Bother
This book retreads other (better) scholars' work and the "new" revelations are anywhere from 20 to 60 years old. Most of Wood's interesting material derives from E.A.J. Honigmann's classic "Shakespeare: The Lost Years" (1985, 2nd ed. 1999). Wood's fanciful conjectures about Robert Southwell & Shakespeare come from chapter 18 of Christopher Devlin's 1956 biography of Southwell. I don't have space for his other debts: Save your time and skip reading this one. If you like the pictures (which are good) wait for it to get remaindered (which won't be long). [If you need a good, well-written "popular" biography of Shakespeare get Anthony Burgess--and the Honigmann for supplementary material.] Unfortunately despite Michael Wood's enthusiasm for his subject there is no excuse for slovenly scholarship.
shows how a real scholar does it
Michael Wood presents the information in a calm, rational way, and shows how a real scholar approaches a subject - as opposed to the breathless crackpots who push any number of wacky Shakespeare authorship conspiracies. On the web site for his TV series, Wood notes that there have been more programs on Shakespeare conspiracies than on Shakespeare himself. Sadly true!