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| ARTIST: | Cooper Temple Clause |
| CATEGORY: | Music |
| MANUFACTURER: | Bmg |
| FEATURES: | Import |
| MEDIA: | Audio CD |
| TRACKS: | Did You Miss Me, Film-maker, Panzer Attack, Who Needs Enemies, Amber, Digital Observations, Lets Killmusic, 555 4823, Been Training Dogs, The Lake, Murder Song |
| UPC: | 743219304025 |
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Customer Reviews of See This Through & Leave
TCTC 1st album: underlying roadmap to "Kick Up The Fire" I admit I had never heard of TCTC, but by chance I saw these guys open for (and blow away) Jane's Addiction in London last Fall. I bought their new album "Kick Up the Fire" album on the spot, and it turned out to be my favorite album of 2003 (it's finally now also released in the US). So how about TCTC's debut album from 2002? Not bad, not bad at all.
"See This Through and Leave" (11 tracks, 55 min.) is jam-packed. It starts off with the electronic-flavored space-rocking "Did You Miss Me"? (think Hawkwind updated for the 21st century), but from there goes straight into "Film-Maker", one of the 5 singles from the album, a hard rocker, followed by the even harder charging "Panzer Attack" and "Who Needs Enemies" (both also a single). "Let's Kill Music" is the TCTC 2001 single that put the band on the UK music map. "555-4823" is great electronic noodling, along the same lines of Radiohead's "Kid A". "Murder Song" is the epic 9 min. blow-out closing track.
So I rate this album "only" 4 stars simply because, while great, it is not as good as the "Kick Up the Fire" album. Did I mention that was my favorite album of 2003? If you like indy, adventurous, quality music, by all means check out TCTC
4 stars is an unjust opinion of this album
See This Through and Leave is one of the best albums produced in 2002 because of its eclectic arrangement of songs. The album starts out with a creepy opener which crescendos into a chaotic blend of distorted guitar and keyboard. The listener expects this to be indicative of the other 10 tracks, but it is wholly different. I would recommend this album for anyone who is into any genre of rock. This is truly a great album, hence why it received 5 stars on allmusic.com.
Post - Everything
Sometimes debut albums come from nowhere and are so self- contained, so perfectly referenced, that they're instantly accessible. I'm thinking, for example, of The Strokes or The Stone Roses.
Then there is that other sort of debut album. The disorientating one. The ones that are great too but initially do leave you lost, if slightly in awe. Think Public Enemy. Or Jeff Buckley.
The Cooper Temple Clause debut belongs defiantly to the latter category and is initially perplexing as you try to get a handle on it. So then you forget about trying to lazily find comparable songs or bands and just let the music wash over you.
The opener, ' Did You Miss Me ?', builds from dreamy soundscapes to the thrash-out ending which sets the tone for much of what follows.
This is post - Doves, post - Radiohead, post - EVERYTHING...
At times anthemic, at times blissed out and mellow, at times flailing and screaming; this is music you simply can't put a handle on.
' Film Maker ' is all angular, anxious guitar and finally a scream into the night which leads into the bass-driven melodic...attack of ' Panzer Attack '.
My personal favourites are ' Digital Observations ' and ' Let's Kill Music ' which demands that you " mean a single word you say...".
And then ' Been Training Dogs ' reverts to the thrashy menace after the comedown chill of ' 555 - 4823 '.
As usual, I've rambled on a bit when really I could just have nicked the enthusiasm of one of my friends when he stated :
" This is the future of music ! "
Well, okay. But The Cooper Temple Clause really is a rubbish name for a band, isn't it...