Cheap Scanners (DVD) (Jennifer O'Neill, Stephen Lack, Patrick McGoohan) (David Cronenberg) Price

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Customer Reviews of Scanners

Effemerol The Scanner Drug of Choice
Movie Summary: Cameron Vale is jerked from his life as a mentally ill homeless man and whisked away to a corporate building. There he is given a drug that stops the voices in his head. He is told that he is not insane but he is one of only a few people with special mental powers. He is a Scanner. The corporation and its head scientist Doctor Paul Ruth clean up and attempt to train Cameron. They then send out an under prepared Cameron into the middle of a scanner war to track down a very powerful scanner who has plans to conquer the world.

My Opinion: Almost all the reviews for Scanners call it a Horror movie. I don't agree. To me Horror suggests movies like "Friday the 13th" and "A Nightmare on Elm Street". Scanners has some gore which more than likely is what gets it the horror label. I found it to be an Action Thriller with major SciFi elements. It's also a detective/spy type mystery film. It's all these elements together that make Scanners interesting and entertaining. The plot gets a little confusing in the middle as Cameron searches for other scanners, but our confusion mirrors Cameron's and is intentional. As things progress everything becomes clear. Stephen Lack is excellent as the weird scanner hero. I liked him enough to go look up what other films he has been in. Patrick McGoohan and Michael Ironside also give great performances. Overall this is a very entertaining movie that I will watch more than once and recommend to others.

DVD Quality: Video: Widescreen anamorphic - 1.85:1 Sound: DD 2.0 Mono. For at least the last quarter of the movie the sound does not sync up with the video. Extras: Trailer only. This is a bare bones DVD with Audio problems, but it is offered at a VHS price.

What You Should Do: Buy the DVD if you are a fan of this movie or of Horror/ScFi movies in general. It's not a high quality DVD release, but the price isn't going to make your head explode.

Related Movies To Check Out: Three Days of the Condor, Reanimator, Bride of Reanimator

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A superior horror film
A cult-classic from 1980, Scanners has earned a reputation as a gore-fest. But it's a reputation unearned. Aside from one truly graphic moment, Scanners is more thought provoking than violent. David Cronenberg's commercial breakthrough, Scanners is set in a society where advanced telepaths walk among us. Most of them are trying to cope with their potentially destructive power. However, an underground group of violent Scanners led by a chilling Michael Ironside is bent on world domination. More of a hard edged science fiction story told as straight up horror, Scanners will dissapoint those looking for lots of blood, and delight those looking for a more intelligent thriller. It's nice to have the film on DVD, the anamorphic widescreen transfer is very nice. Not perfect but good. Though it's very frustrating that a cult-classic like Scanners didn't have anything by the way of extras, such an innovative film deserves more, Scanners is still a rather obscure title and it's not surprising that MGM slacked off. Oh well, the price is good -- and so is the movie. Enjoy.

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"I'm gonna suck your brain dry!"
From writer/director/auteur David Cronenberg comes another intelligent and visceral sci-fi/horror classic in the form of Scanners (1981), a film that takes a disturbing look at potential of the human mind within all of us, but only a few may actually possess. The questions posed are what if there were those out there who had the ability to read minds and control people actions just by thought? And what if those same individuals, scanners, as called within the film, also had not only the ability to read minds and control the actions of others with their mind, but also had the power to kill with the same means? The film stars Jennifer O'Neill (Summer of '42), the eccentric Patrick McGoohan (The Prisoner, Silver Streak), Michael Ironside (Total Recall), and Stephen Lack, who, by the way, is not only an actor, but also a world-renowned artist, having garnered much acclaim for his paintings.

As the film begins, we see a homeless man (Lack) wandering a mall, getting dirty looks from all the people he sees (hey hey we're the Monkees...whatever)...anywho, one woman in particular, in the food court, seems exceptionally offended by his presence, but she soon has other things to worry about as she suffers from some sort of brain freeze, like the kind you get when you drink something cold too fast, brought on by the homeless man...turns out our homeless man (in my day, they were called bums, but whatever), whose name is Cameron Vale, has psychic powers of some sort, and has garnered the attention of CONSEC (whose chairman looks a helleva lot like Ed Asner), a company that specializes in weapons, specifically Dr. Paul Ruth (McGoohan), who describes himself as a 'psycho pharmacist', whatever that means (I bet he's a lot of fun to hang out with on the weekends). Dr. Ruth basically recruits Vale in a effort to track a particularly dangerous and powerful scanner by the name Darryl Revok, who's supposedly head of an underground movement of scanners and who has also basically decimated CONSEC's program of exploring the weapons potential of scanners, as he seems to subscribe to a policy of if you have special mind powers, then you either join up with him or you get your head exploded. Along the way Vale meets with Kim Obrist (O'Neill), a sort of leader of a fringe group of scanners outside of CONSEC and Revok's control (not for long), and they soon find themselves fighting for their lives as conspiracies unfold, traitorous scoundrels exposed, and secrets reveals. What's Revok's ultimate goal? It's not that far-fetched, considering his abilities...

I enjoyed this film...there really wasn't too many lengthy visceral scenes, but what there was contained very graphic gore (s'ploding heads) that imprinted on your mind, and tended to stay with you long after the scene was over. One scene, in particular, when Revok deals with the scanner at CONSEC, the tension was thick as the pressure, on and off the screen, built up quickly, and resulted in the film's most spectacular and memorable sequence. Jennifer O'Neill is good (and very easy on the eyes, shabba doo), but I didn't quite understand her character's connections to the other characters in the film, other than her being a scanner. It almost seemed like a plot contrivance if only to incorporate an attractive female, not that I mind attractive females, but her scenes could have pretty much been removed without much loss to the plot. Patrick McGoohan is one of my more favorite actors and he plays his part very well as the mentor/trainer to Lack's character, sort of a Professor X, if you are familiar with the X-Men comics or movies. Lack provides a sort of disjointed performance, but I felt as if it was intentional, as it seemed to work really well within the movie and fit his character, one who's spent most of his life trying to deal with the problems associated with his special abilities. I thought Michael Ironside's character was great, as he plays the role of the sadistic heavy with a God complex so very well (except, maybe for his role in Highlander II: The Quickening...ugh, what a complete dog that movie was...). He reminds me a lot of Lance Henriksen, both good actors but rarely ever emerging from B-movie limbo. Maybe they need better agents. There was a certain amount of symbolism throughout the movie, the most noticeable being when Lack's character is following up on lead by contacting a reclusive scanner who is an artist living in a barn. One of his pieces is a giant, hollow head, and there's a scene where the two men are actually sitting in the head, talking about Revok. There seems to be some confusion about the ending, after the final confrontation, but I thought it was pretty clear, and provided a nice eerie touch.

MGM presents a nice wide screen anamorphic transfer, but some have commented on the certain parts of the film being out of sync, but I didn't notice. I was a little surprised there was so little in the way of special features given the cult following of the film and that of Cronenberg in general, with only a theatrical trailer available, but I suppose someday they will produce a special edition of sorts. I would have liked to have seen a director's commentary, or some production notes, but I am pleased with what's here.

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