Cheap Richard Strauss - Capriccio / Runnicles, Te Kanawa, Hagegard, Troyanos, San Francisco Opera (DVD) (Peter Maniura) Price
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The composer described Capriccio as a "conversation piece for music in one act," and he put a lot of effort into it, not only the music but the words, on which he collaborated with conductor Clemens Krauss. His verbal input was particularly appropriate in this work, because the real subject (symbolized by a conventional love triangle) is the competition (and alliance) between words and music in opera, a subject naturally close to the composer-librettist's heart. The conversation runs through the whole opera in various forms. It begins immediately after the curtain goes up, with a quarrel between the poet Olivier (Simon Keenlyside) and the composer Flamand (David Kuebler) over the respective merits of their arts. They are rivals for the hand of the widowed Countess Madeleine (Te Kanawa); she is to choose between them (i.e., between poetry and music) but she is still undecided as the final curtain descends. The intervening two hours are rich in artistic shop talk and backstage situations that will enchant sophisticated opera-lovers, as well as the love interest for the rest of us.
David Runnicles conducts with a sure sense of Straussian style; and Mauro Pagano's 18th-century set creates the right atmosphere. Keenlyside and Kuebler are eloquent and believable, Te Kanawa sweet, regal and ambiguous. Håkan Hagegård and Victor Braun give particularly vivid performances in supporting roles. --Joe McLellan
| CATEGORY: | DVD |
| DIRECTOR: | Peter Maniura |
| THEATRICAL RELEASE DATE: | 1993 |
| MANUFACTURER: | Kultur Video |
| MPAA RATING: | NR (Not Rated) |
| FEATURES: | Classical, Color, Full Screen, NTSC |
| TYPE: | Classical, Opera / Operetta / Oratorio, Opera/Operetta, Performing Arts, Performing Arts - Opera |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 032031290099 |
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Customer Reviews of Richard Strauss - Capriccio / Runnicles, Te Kanawa, Hagegard, Troyanos, San Francisco Opera
Capriccio's beauty and subtle music in a masterful performance! Capriccio is a difficult nut to crack as some critic commented somewhere but in a performance like this, the opera becomes a delight and worthy of all our attention. Te Kanawa is in radiant voice becoming Madeleine in voice, drama and acting. Troyanos, already seriously ill at the time, is a masterpiece of vocal wit and charm as the actress Clairon. Kuebler and (Flamand) Keenlyside (Olivier) bring purpose to their endless discussion about music vs. words and their importance in opera with their faithful and engaging voices and acting. Hagegard is an excellent La Roche bringing life and passion to his looooong monologue. All the beautiful singing and living characterizations almost prepare us for the orchestral intermezzo and radiant final scene. The music is wrapped in moonlight and velvet violins as Madeleine appears gowned regally for the evening supper. Accompanying herself on the harp she sings of her dilemma with an unwitting charm and love of words and music. Strauss waited a long time for the performance of his dreams
Gorgeous Production
This is a beautiful production and musically very satisfying. Highly recommended for anyone who loves Richard Strauss.
Strauss' Swan Song
What's most important - the words or the music? Certainly today no one would hesitate to choose the music. Would you really want to see a stage play of Meistersinger or even Boheme? It's a no brainer. But in the period where Strauss an Krauss set Capriccio this was an open question. Italian Baroque would come down firmly on the side of music while the French would lean in the opposite direction. The debat allowed Strauss to indulge a penchant for pastische and generate one last masterpiece after a run of near misses. This recording from San Francisco shows Te Kanawa in one of her major roles. But it also allows us a farewell to Troyanos who died soon after. It is cast from strength - there are no losers here. The production is traditional. And Runnicles keeps things moving. There are a couple of cuts but that is usual in Strauss.