Cheap Richard Strauss: Der Rosenkavalier (Music) (Richard Strauss, Karl Bohm, Theo Adam, Siegfried Rudolf Frese, Klaus Hirte) Price
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| ARTIST: | Richard Strauss, Karl Bohm, Theo Adam, Siegfried Rudolf Frese, Klaus Hirte |
| CATEGORY: | Music |
| MANUFACTURER: | Polygram Records |
| MEDIA: | Audio CD |
| TRACKS: | Einleitung, Er Katzenkopf Er Unvorsichtiger, Selbstverstandlich Empfangt Mich Ihro, Hat Sie Schon Einmal Mit Einem Kavalier, I Komm' Glei......Drei Arme Adelige Waisen, Di Rigori Armato Il Seno, Als Morgengabe....Ganz Separatim Jedoch, Da Geht Er Hin Der Aufgeblasene Schlechte Kerl, Ach Du Bist Wieder Da!, Die Zeit Die Ist Ein Sonderbar Ding, Einleitung, Mir Ist Die Ehre Widerfahren, Ich Kenn' Ihn Schon Recht Wohl, Jetzt Aber Kommt Mein Herr Zukunftiger, Wird Sie Das Mannsbild Da Heiraten Ma Cousine, Herr Baron Von Lerchenau', Da Lieg Ich Was Einem Kavalier Nit All's Passieren Kann, Einleitung Und Pantomime, Walzer- Hab'n Euer Gnaden Noch Weitre Befehle, Die Schone Musi, Er Ist Es Es Ist Mein Mann, Bin Glucklich Uber Maben, Leupold Wir Gehn, Mein Gott Es War Nicht Mehr Als Eine Farce, Marie Theres.....Hab- Mir's Gelobt, Ist Ein Traum Kann Nicht Wirklich Sein |
| UPC: | 028944533828 |
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Customer Reviews of Richard Strauss: Der Rosenkavalier
Peaches and Cream Casting. The magnificent Marschallin of Christa Ludwig and the Octavian of the shamefully underappreciated Tatiana Troyanos, both at the height of their powers, ably matched by the inigmatic Sophie of Edith Mathis.
The final trio alone is worth the price.
Theo Adam is, as always, rock solid, though perhaps not the final word in this role.
Bohm conducts with his accustomed authority.
The sound, a stereo air check, isn't the best, but it is serviceable. You'll need to crank up the volume a bit.
In all, a very representative live performance of Strauss' masterpiece. The individual parts may be a bit better than the whole, but the whole ain't bad!!
Four stars only because of the dated sound.
excellent production
This release is taken from an Austrian Radio stereo taping of a 1969 Salzburg production. Bohm's conducting is masterly with a lithe, transparent quality, together with the idiomatic sound and phrasing of the Vienna Philharmonic (no other orchestra handles the waltz rhythms with the same kind of natural, effortless lilt). The singing of the four key roles (i.e. the Marschallin, Octavian, Sophie and Baron Ochs) is quite good, although without quite the same degree of distinctiveness as in the classic Karajan EMI recording. On the other hand, with Bohm and company, one feels more of the frisson of a superior live performance. Ideally, one should have them both. Definitely recommended!