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Rent (Fullscreen)

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Rent, the show that in 1996 gave voice to a Broadway generation, has finally become an energetic, passionate, and touching movie musical. Based loosely on Puccini's La Bohème, it focuses on the year in the life of a group of friends in New York's East Village--"bohemians" who live carefree lives of art, music, sex, and drugs. Well, carefree until Mark, an aspiring filmmaker (Anthony Rapp), and Roger, an aspiring songwriter (Adam Pascal), find out they owe a year's rent to Benny (Taye Diggs), a former friend who had promised them free residence when he married the landlord's daughter. Roger has also attracted the attention of his downstairs neighbor, Mimi (Rosario Dawson), while Mark's former girlfriend, Maureen (Idina Menzel), has found a new romance in a lawyer named Joanne (Tracie Thoms). Philosophy professor Tom (Jesse L. Martin) finds his soul mate in drag queen Angel (Wilson Jermaine Heredia). But because this is the late-'80s, the threat of AIDS is always present.

The remarkable thing about Rent the movie is that nearly 10 years after the show debuted on Broadway, six of the eight principals return in the roles they originated. They're a bit older than would be ideal for their characters, but they do have the advantage of having learned the show directly from creator Jonathan Larson (who died of an aortic aneurysm while the show was in previews), plus they started young--we're not exactly talking Sarah Brightman and Michael Crawford here. Alongside a polished performance like Rapp's--sometimes observer-commentator, sometimes participant in two of the score's showstoppers, "The Tango Maureen" and "La Vie Boheme"--the two new additions (Thoms in place of Fredi Walker, Dawson in place of the edgier Daphne Rubin-Vega) slip comfortably into the ensemble; the pivotal Dawson makes a seductive case as Mimi when she tempts Roger in the mesmerizing "Light My Candle" or burns up the stage of the Catscratch Club in "Out Tonight." Moviegoers who have an aversion to people who break into song while walking down the street probably won't have their minds changed by Rent (even if they are singing rock songs), and the gritty subject matter and lack of big-name stars make it unlikely to cross over to general audiences the way Chicago did. But fans of musicals should find "Seasons of Love" as stirring as ever, and the show's passionate admirers--the "Rentheads"--probably couldn't have wished for a more sympathetic director than Rent fan Chris Columbus, or a more faithful representation of the show they love. --David Horiuchi

On the DVD
Three powerful musical numbers cut from the final film are the highlight of the two-disc DVD. In the aftermath of the funeral scene, Anthony Rapp sings "Halloween," and he, Adam Pascal, and Rosario Dawson share "Goodbye Love" (both songs were in the stage version). Then in an alternate ending, the cast finishes "No Day But Today" on the bare stage on which the film began. There are worthwhile arguments for why these scenes were cut or replaced, so it's fortunate that the DVD lets us see these at all. Those musical numbers [all written for the stage] have optional commentary by director Chris Columbus, Rapp, and Pascal (two other cut scenes have no commentary), including one funny moment in which Rapp explains in great detail the technical challenge of shooting "Halloween" only to have Columbus say, "Yeah, but I don't know if that's the take we used." The three also provide commentary on the film itself, with Columbus discussing various decisions, criticizing the critics, and marveling "I still don't know how we got the PG-13," and Rapp and Pascal occasionally recalling differences in the stage version.

The other whopper of a feature is No Day But Today, a nearly two-hour documentary that uses video clips, still photographs, and interviews with family and friends to celebrate the short life of Jonathan Larson and his creation. Topics include his early interest in musical theater ("I want to write the Hair for the '90s."), the support of Stephen Sondheim, the impact of the AIDS epidemic, the long and difficult road of Rent (casting the show, Larson learning to collaborate, the transfer to a Broadway stage, and the Rentheads), and Larson's tragic death. The last 20 minutes covers the making of the film, director Chris Columbus, the decision to rely on most of the original cast (the only two principals who didn't appear in the movie, Daphne Rubin-Vega and Fredi Walker-Browne, are interviewed in earlier segments, but only mentioned in passing here), recording sessions, and location shooting. If the movie of Rent was a tribute to Jonathan Larson, the DVD is all that and more, a moving and incredibly detailed look at an extraordinary talent whom the world lost far too soon. --David Horiuchi

More Rent


Movie soundtrack

Original Broadway cast recording

Anthony Rapp's Without You: A Memoir of Love, Loss, and the Musical "Rent"

CATEGORY: DVD
THEATRICAL RELEASE DATE: 23 November, 2005
MANUFACTURER: Sony Pictures
MPAA RATING: PG-13 (Parental Guidance Suggested)
FEATURES: AC-3, Color, Dolby, Dubbed, Full Screen, Special Edition, Subtitled, NTSC
TYPE: Movie, Musical Features, Musicals, Musicals & Cast Recordings, Musicals (Theatrical)
MEDIA: DVD
# OF MEDIA: 2
UPC: 043396142374

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Customer Reviews of Rent (Fullscreen)

great movie
i thought this was a very well done adaptation of the musical of which i am a huge fan.


I Don't Get The Hype...
Personally, I didn't understand the film or the musical. The message I understand, but the singing, dancing, music, and plot in general didn't really move me, convince me, or uplift me. I understand that in even the most depressing themes in a musical, the music still remains exuberant and positive. But something about the music in RENT didn't seem to fit. I found them to be lackluster and not catchy at all. The characters were bland and boring to me. Not much personality, felt more like watching sterotypes on screen with no depth, emotion, or feeling. One of the actresses who played a lesbian was truly the most horrible and over the top actor I've ever seen, just ridiculous and annoying. I'm glad i watched this with a few co-eds than by myself, it made it a tiny bit more enjoyable. Personally though, i hate the movie, and i just don't understand the musical. Great themes, but just so dry, lackluster, and at times just a bit unrealistic and boring.


I Don't Get It...
I don't get why this movie was so panned by critics. I was absolutely blown away by it (but I've never seen the show). There is always the risk, when adapting broadway shows to film, that it will seem over the top and cheesy and it just won't work (remember Phantom?). Thankfully, this wasn't the case here. <
>A lot of the credit goes to the cast. It would have been easy to overact, but they remain subdued for the most part (the exception being Idina Menzel as Maureen; somehow, I feel she was overdoing it). I was suprised at how wonderful they were, including Rosario Dawson (who gives one of her best performances ever, and with surprisingly strong vocals) and the brilliant Tracie Thoms. Not to mention Wilson Jermaine Heredia, who is just heartbreakingly charming beginning to end. <
>And then there's the music...which is arguably the real star of the film. The new version of Seasons Of Love breathes new life into the song (something I never thought possible). And La Vie Boheme is just solid fun, beginning to end. Sure, it's sentimental and sometimes (albeit briefly) cheesy, but that doesn't make it any less profound and touching. I swear the tears started during "Will I" and just came down harder and harder, until "Ill Cover You (reprise)" where I just gave up and started sobbing outright. <
>One should not watch the documentary on disc two right after watching the movie. I made that mistake, and I just couldn't get through it. Of course, I didn't know the story behind Rent before I saw this. I was about 8 years old when it opened...it didn't register in my small world at the time (which gives me the sense that I missed out on something). Its obvious that Jonathan Larson's family and friends are still trying to come to terms with his untimely death. Watching it filled me with an obscene amount of respect for the guy. <
>This is one of those "You're not alone" movies, and I heartily recommend it to anyone and everyone. And it's probably a good idea to keep the box of kleenex handy. You'll need it.

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