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| ARTIST: | Schubert, Badura-Skoda |
| CATEGORY: | Music |
| FEATURES: | Box set |
| TYPE: | Box Sets (Audio Only), Classical, Orchestral & Symphonic |
| MEDIA: | Audio CD |
| TRACKS: | Son No.1in E, D157: I. Allegro Ma Non Troppo, Son No.1in E, D157: II. Andante, Son No.1in E, D157: III. Menuetto. Allego Vivace, Son No.3 in E, Funf Klavierstucke, D459: I. Allegro Moderato, Son No.3 in E, Funf Klavierstucke, D459: II. Andante, Son No.3 in E, Funf Klavierstucke, D459: III. Adagio, Son No.3 in E, Funf Klavierstucke, D459: IV. Scherzo Con Trio. Allegro, Son No.3 in E, Funf Klavierstucke, D459: V. Allegro Patetico, Son No.9 in B,Op.147,D575: I. Allegro, Ma Non Troppo, Son No.9 in B,Op.147,D575: II. Andante, Son No.9 in B,Op.147,D575: III. Scherzo. Allegretto, Son No.9 in B,Op.147,D575: IV. Allegro Giusto, Son No.2 in C, D279/346: I. Allegro Moderato, Son No.2 in C, D279/346: II. Andante, Son No.2 in C, D279/346: III. Menuetto. Allegro Vivace, Son No.2 in C, D279/346: IV. Allegretto, D346, Son No.6 in e, D566/506: I. Moderato, Son No.6 in e, D566/506: II. Allegretto, Son No.6 in e, D566/506: III. Scherzo. Allegro Vivace, Son No.6 in e, D566/506: IV. Rondo. Allegretto Moto, Op.145/2, D506, Son No.8 in f, D571/604/570: I. Allegro Moderato, D571, Son No.8 in f, D571/604/570: II. (D604), Son No.8 in f, D571/604/570: III. Scherzo. Allegro Vivace, D570, Son No.8 in f, D571/604/570: IV. Allegro D570, Son No.7 in E flat, Op.122, D568: I. Allegro Moderato, Son No.7 in E flat, Op.122, D568: II. Andante Molto, Son No.7 in E flat, Op.122, D568: III. Menuetto, Allegretto, Son No.7 in E flat, Op.122, D568: IV. Allegro Moderato, Son No.10 in C, D613/612: I. Moderato, Son No.10 in C, D613/612: II. Adagio, D612, Son No.10 in C, D613/612: III. (Allegretto), Son No.11 in f, D625/505: I. Allegro, Son No.11 in f, D625/505: II. Scherzo. Allegretto, Son No.11 in f, D625/505: III. Adagio, Op.145/I, Son No.11 in f, D625/505: IV. Allegro, Son No.15 in C, (Reliquie), D840: I. Moderato, Son No.15 in C, (Reliquie), D840: II. Andante, Son No.15 in C, (Reliquie), D840: III. Menuetto. Allegretto, Son No.15 in C, (Reliquie), D840: IV. Rondo. Allegro Vivace, Son No.18 in c, D958: I. Allegro, Son No.18 in c, D958: II. Adagio, Son No.18 in c, D958: III. Menuetto. Allegro, Son No.18 in c, D958: IV. Allegro, Son No.15 in a, Op.42, D845: I. Moderato, Son No.15 in a, Op.42, D845: II. Andante, Poco Mosso, Son No.15 in a, Op.42, D845: III. Scherzo. Allegro Vivace, Son No.15 in a, Op.42, D845: IV. Rondo. Allegro Vivace, Son No.16 in D, Op.53, D850: I. Allegro, Son No.16 in D, Op.53, D850: II. Andante Con Moto, Son No.16 in D, Op.53, D850: III. Scherzo. Allegro Vivace, Son No.16 in D, Op.53, D850: IV. Rondo. Allegro Moderato, Son No.4 in a, Op.164, D537: I. Allegro, Ma Non Troppo, Son No.4 in a, Op.164, D537: II. Allegretto Quasi Andantino, Son No.4 in a, Op.164, D537: III. Allegro Vivace, Son No.17 in G, Op.78, D894: I. Molto Moderato E Cantabile, Son No.17 in G, Op.78, D894: II. Andante, Son No.17 in G, Op.78, D894: III. Menuetto. Allegro Vivace, Son No.17 in G, Op.78, D894: IV. Allegretto, Son No.13 in a, Op.143, D784: I. Moderato, Son No.13 in a, Op.143, D784: II. Andante, Son No.13 in a, Op.143, D784: III. Allegro Vivace, Son No.19 in A, D959: I. Allegro, Son No.19 in A, D959: II. Andantino, Son No.19 in A, D959: III. Scherzo. Allegro Vivace - Trio. Un Poco Piu Lento, Son No.19 in A, D959: IV. Rondo. Allegretto, Son No.5 in A flat, D557: I. Allegro Moderato, Son No.5 in A flat, D557: II. Andante, Son No.5 in A flat, D557: III. Allegro, Son No.12 in A, Op.120, D664: I. Allegro Moderato, Son No.12 in A, Op.120, D664: II. Andante, Son No.12 in A, Op.120, D664: III. Allegro, Son No.20 in B flat, D960: I. Molto Moderato, Son No.20 in B flat, D960: II. Andante Sostenuto, Son No.20 in B flat, D960: III. Scherzo. Allegro Vivace Con Delicatezza, Son No.20 in B flat, D960: IV. Allegro, Ma Non Troppo |
| # OF MEDIA: | 8 |
| UPC: | 713746126421 |
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Customer Reviews of Piano Sonatas Complete
5-star All-around I won't comment on the musicianship of these performances, which I cannot find words to paise. I'd just like to comment that hearing this music on a pianoforte is a revelation! The effects produced carry *meaning*, it really makes a difference. On a modern piano, the sound is of course more lush, but expressiveness suffers. (I guess one corollary is that Schubert would have written differently if in possession of a today's piano.)
Wonderful Collection of Schubert's Piano Sonatas
This is a wonderful collection of Schubert's piano sonatas. I bought some of Paul Badura-Skoda's performances of Schubert's piano sonatas in 1970s, and I liked them so much that I wanted to collect all of his performances, but unfortunately his LPs became out of stock. When I found his CDs ... I was thrilled, thinking long-sought Badura-Skoda's Schubert was to be obtained. However, when the ordered CDs arrived, I found, with a mixture of feelings, that they are not the CDs of his former performances, but new ones. I listened to all the sonatas more than five times, and now I can say this collection is as beautiful as the first one, and I would like to recommend it to all those who love Schubert's piano sonatas.
In those CDs, Badura-Skoda plays Schubert's piano sonatas, using some original fortepianos. The sounds therefore are very different from those of his first recording: rather rich and straight than elegant and refined. But it is a great pleasure to find some new aspects of Schubert's piano sonatas, very different from the greatness Brendel or Uchida has shown us. Badura-Skoda's Schubert is closer to us and gives us an impression that the pianist himself really loves Schubert and is enjoying playing his works. Yes, sometimes Badura-Skoda enjoys Schubert's playfulness. Listen to the ending of the first movement of the D major sonata (Op.53). You will be surprised and will laugh.
What makes this collection unique is that, unlike Brendel or Uchida, Badura-Skoda tries to include all the piano sonatas from Schubert's early days, supplementing unfinished parts. He did so in his first recording, and I like these efforts of his. He seems to be trying to show us something hidden in the unfinished works. As an amateur lover of music, I appreciate his efforts which provide me with what specialists can obtain just by looking at Schubert's sketches.
The only problem is that the information of the content of each CD is lacking. You have to make a content of each CD by yourself! The backs of the two containers are blank. I think these backs should carry information of the content of the CDs, which is a common practice of CD companies.
I like this collection, and because I like it I strongly wish Badura-Skoda's first recording should be made into CDs. I am sure it will double the pleasure of listening to this collection.